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Release Date - 2019
cast - Courtney Pauroso
creator - Jack Henry Robbins
99 vote
Genre - Comedy
Vhyes film. I think she lost weight from the last movie I saw her in Vampire Academy. The universe knows what it wants: balance. Yeah, right. That's exaaaaactly what it wants.
10 says Colin Farrell steals this one, anyone want in on this
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Vhyes skinmax review. Vhyes showtimes. Vhyes weyes blood. Vhyes alamo. Chestnuts roasting on an open fire. Looks interesting. like that one movie that he did with Cage. Vhes schedule. MOVIES 5:38 PM PST 1/15/2020 by Nate Gold/Oscilloscope Laboratories A hipster-retro 'Kentucky Fried Movie' with a phantasmagoric twist. 1/17/2020 Jack Henry Robbins, son of Susan Sarandon and Tim Robbins, looks at the world through a short-attention-span montage of faux '80s television clips. Is it just an Eighties-drunk exercise in pastiche, or perhaps an experiment in slow-burn psychological horror for the Adult Swim crowd? Could it even be a disguised indictment of a generation that sat watching infomercials and dopey porn while its democracy passed the point of no return? Jack Henry Robbins' VHYes is a bit of all that, poured into a form that begs for midnight-movie consumption. The son of Tim Robbins and Susan Sarandon, Robbins briefly enlists both parents onscreen here, while relying more heavily on a small array of comic performers familiar from TV. Though hardly groundbreaking in either its content or its aesthetics, the film is more serious than it initially lets on, and can only benefit from the VHS nostalgia that has, often irrationally, taken root in some quarters. Shot entirely on VHS and Betamax, the pic's conceit is that it is the result of a Christmas gift whose recipient should have been more careful: When pre-teen Ralph (Mason McNulty) starts experimenting with his family's new video camera in December 1987, he unwittingly uses the tape of his parents' wedding as he runs around filming everything from fights between his dinosaur toys to his attempts to shoot off fireworks with best pal Josh (Rahm Braslaw). (Those who've actually used a camcorder may wonder how he managed to leave big swaths of wedding footage intact while recording stuff before and after; the not terribly-offensive cheat is necessary to support a theme the film will eventually get around to. ) Very quickly, Ralph realizes he can use a cable to record what's on TV; he plugs in and records a spree of channel-surfing that is hardly dictated by the merits of whatever happens to be onscreen. The clunky programs we witness sprinkle familiar faces among actors who look like they were plucked from the actual period. Thomas Lennon plays the co-host of a TV shopping network, currently hawking a Confederate Army memorial pen; the inimitably nerdy Mark Proksch plays an expert on an Antiques Roadshow -like program who explains the suspiciously bizarre origins of ordinary-looking artifacts. We see aerobics classes, nightly news and cop shows. We sit in on a Bob Ross-style painting tutorial that gets less Bob Ross-like with each passing minute. Its host Joan (Kerri Kenney) doesn't only host Painting With Joan, but stranger programs, like the unsettling Sleeping With Joan, which is pretty much the opposite of the gently wholesome Joe Pera Talks You to Sleep. While Joan and others give things an air of drug-addled discomfort, some program snippets contain hints of a more clear-eyed world view. The perfunctory scripts of porn films we see are built not around hunky cable-repair guys or pizza-delivery dudes, but scientists researching global warming, or blonde lesbian aliens who are forced to navigate American attitudes toward illegal immigration. Stranger and more on-target is a current-events talk show whose guest starts expounding on "Tape Narcissism": a phenomenon of indiscriminate self-documentation she feels will lead its victims to psychosis. To the show's host, her predictions sound so hyperbolic as to be insane; to us, she's describing the age of social media. So it goes, with occasional clips in which Ralph documents bits of domestic discomfort he doesn't quite understand. Viewers who stick with the ADHD skit-like material will be divided about whether this familial theme ties things together satisfactorily — and about whether sticking to a single target, a la Between Two Ferns, makes more sense for those who would mine clunky idioms for laugh. For those on the fence, a detour into found-footage horror will only complicate the question. Production company: Hot Winter Films Distributor: Oscilloscope Cast: Mason McNulty, Rahm Braslaw, Kerri Kenney, Thomas Lennon, Mark Proksch Director: Jack Henry Robbins Screenwriters: Nunzio Randazzo, Jack Henry Robbins Producer: Delaney Schenker Director of photography: Nate Gold Production designer: Tyler Jensen Editor: Avner Shiloah 72 minutes.
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Chester bennington. She-wolf off Wall Street, I'm in. | Nick Allen January 17, 2020 A sense of humor is a funny thing, especially for those of us who treasure the weird stuff. When something that's "out there" works, it’s true love. When it doesn’t, it’s like a bad date that had huge promise until it got underway. Jack Henry Robbins' “VHYes, ” with all of its nostalgia for late ‘80s TV and its endemic cheesiness, follows after the likes of Weird Al Yankovic's masterpiece " UHF, " Casper Kelly's endlessly loopable opening credits hellscape "Too Many Cooks, " and even the Kyle Mooney skits that are "cut for time" on "Saturday Night Live. " And while I adore all of those polarizing works, I didn't see what was funny about the shallow wackiness of "VHYes. " Advertisement Shot entirely on VHS and Betamax, the whole of "VHYes" is presented as the contents of a video tape, which was initially used to film the wedding for the parents of a young boy named Ralph ( Mason McNulty). When Ralph gets a camera for Christmas in 1987, and learns that he can record from the TV, it opens a world of possibilities. Namely, whatever he can find on the TV that is weird to him at the time. In one of its many abrupt, fuzzy cuts, an excited young Ralph jumps on his bed and says that he wants to create the ultimate video playlist, and soon into watching “VHYes” you accept that that’s all you’re going to get. Instead of feeling like the chaos of a found tape, “VHYes” assembles itself like a series of sketches that it can bounce between, with random peeks back at the original wedding video contents; it struggles to have a heart by intermittently making it a story about Ralph realizing the truth behind his parents' marriage. Some sketch set-ups are directly, lazily recognizable to TV history: one cop parody steals the red and blue text from “Law and Order” because you wouldn’t get that it’s meant to parody if it didn’t have that logo. As if a tell on its weak absurdity, "VHYes" has yet another parody on TV painting instructor Bob Ross (even after Deadpool did it), with a segment starring Kerri Kenney, who turns the zen of such a host into the mindset of a creepy person who believes in aliens. The very nostalgia within the concept becomes a pit, even when “VHYes” threatens to get truly weird. It’s not until the final minutes that the movie taps into the reality-bending that had been hinted at earlier, when Ralph started to see himself in the stuff he was watching, after one segment involved a VHS expert talking about the soul-suck that will be handheld recording in the future. Many parody sketches don’t have a discernible reference to build on (the recognition is what makes it initially funny), and instead rely on a shallow cheesiness. Even though "VHYes" features many dynamic funny people like Kenney, Thomas Lennon, Mark Prosch, Charlyne Yi, and Robbins' parents ( Tim Robbins and Susan Sarandon), many of the characters in these sketches are so broad they aren't particularly clever. “VHYes” breaks the biggest rule of parody, over and over again: it simply tries way too hard with material that’s far too easy. That’s the case with an adult film bit that goes for low-hanging fruit of bad acting, as one guy is poorly reading cue cards in a late night movie about three alien women. Or there's an ongoing true-crime show about how a sorority thought one of their sisters was a witch because she did magic, which is a funny premise given a flat execution. The commercials that are thrown in the mix, like about a violent security company, or pads to sound-proof your bathroom, are like random splatters of paint whose only intention is to fulfill the project's obvious self-amusement. While “VHYes” is very much inspired by the media experience of 1987, it’s actually about a very modern hell: Your friend sits you down to show you something really funny on YouTube, but oh, no—they’ve misjudged your sense of humor. Now you’re stuck, watching all of it, trying to find something funny to offer a polite relief. I started to feel trapped by my obligation to watch something that could very well have been my type, but now I’m just grateful the filmmakers of “VHYes” didn’t watch me watch it in laughless silence. Reveal Comments comments powered by.
French divide parcours. Vhyes trailer. Vhes questions. This is such a fantastic trailer. Vhyes movie. Omg, I'm such a quirky rebel, ohmagawd, yaaaas. 🙄😒. Vhyes review. Damien: mentioned a bunch of movies Tom has been in Me: he played Ned in 17 again with Zac Efron it's all I know 😂. 26:58 Tino's Gedanken. Vhyes 2019 cast. Vhyes streaming. Zoey. 😍. World Premiere VHYES 2019, dir. Jack Henry Robbins, 72 min., UNITED STATES ‹ › Brief Summary This bizarre retro comedy, shot entirely on VHS and Beta, takes us back to when 12-year-old Ralph, over one formative week, mistakenly records home videos and his favorite late night shows over his parents’ wedding tape. Full Description Ralph is a 12-year-old boy who just got a new video camcorder from his parents and now spends his days recording himself goofing around with his pal Josh. He also discovers from his Dad that he can hook it up to the TV to record his favorite late night shows and the wondrous commercials that air between. Director Jack Henry Robbins and writer Nunzio Randazzo clearly have a deep affection for the 1980s, and especially the demented television shows and their scraggly commercials that permeated the era’s airwaves. In VHYES, Robbins has assembled a veritable who’s who to bring to life his demented version of the idiot box, including notables like his parents Tim Robbins and Susan Sarandon, Thomas Lennon, Charlyne Yi, Madeline Zima, and Kerri Kenney. While visiting the eerily familiar shows of many a Gen Xer’s youth is one hell of a journey, you’ll also experience a shrewdly woven insight into a formative week in the psyche of our young hero, Ralph. If every known media was on a VHS tape in a midwest Blockbuster in 1987, VHYES would exist on a shelf alongside the sketches of Tim & Eric, the late night Adult Swim works of Alan Resnick, and the pop culture send-ups of Vernon Chatman. So fire up your VCR and get ready to journey back into the magic airwaves of the past with VHYES! (NOAH LEE) With Director Jack Henry Robbins, Actress Kerri Kenney, and Actor/Executive Producer Tim Robbins in Attendance.
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