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About The Author: Tom Ellis
Resume: Teaching Fellow at @lsehistory. PhD on US perceptions of the Soviet space programme from @HistoryAtSoton. Interested in America, Russia, yesterday's futures.
Countries - USA / genre - Drama / Writer - Jeffrey Kluger / 
/ 254200 Vote / duration - 2 Hours, 20 Minutes. Apollo 13 vpx. Apollo 13 123movies. Apollo 13 wiki. This was the most daring voyage that human beings have ever taken, even more so than the landings that came later - did they do it. think of it this way - in 1968 it was actually easier to go and do it than to try and fake it... Apollo 13 imdb. Apollo 13 behind the scenes. Die NASA hätte einfach den Meeresboden freilegen müssen. Apollo 13 houston we have a problem.
Apollo 13 quotes. Apollo 13 launch scene. Apollo 13 astronauts. Apollo 13 crew members. They entered the atmosphere at 24,800mph with only 40 minutes of electrical power left and pyrotechnic batteries that didn't have very much juice in them and in my opinion they were lucky the chutes deployed at 22,000ft. Apollo 137. Listen to President Kennedy rally the American people to support NASA's Apollo program Pres. John F. Kennedy rallying the people of the United States to support NASA's Apollo program to land human beings on the Moon, September 12, 1962. Encyclopædia Britannica, Inc. See all videos for this article Apollo 13, U. S. spaceflight, launched on April 11, 1970, that suffered an oxygen tank explosion en route to the Moon, threatening the lives of three astronauts —commander Jim Lovell, lunar module pilot Fred Haise, and command module pilot Jack Swigert. The severely damaged Apollo 13 service module (SM) as photographed from the lunar module/command module. An entire panel on the SM was blown away by the explosion of an oxygen tank. NASA Houston, we’ve had a problem Apollo 13 was launched from Cape Kennedy, Florida, by a giant Saturn V launch vehicle and only minutes later was inserted into orbit around Earth. About 2. 5 hours after launch, the still-attached S IVB third stage was reignited to provide the final boost toward the Moon. The transposition maneuver (removing the lunar module, code-named Aquarius, from the S IVB adapter) was carried out efficiently, and soon Apollo 13 was coasting toward the Moon on a path so accurate that the first planned course adjustment was canceled. Later in the mission, the craft underwent a hybrid transfer maneuver to facilitate landing in the difficult Fra Mauro region of the Moon. To do this, the service module’s propulsion system provided a 4. 6-metre- (15-foot-) per-second velocity change designed to lower the command module’s closest approach to the Moon from 389 km (242 miles) to 109 km (68 miles) and place the craft on a “non-free-return” trajectory. This meant that should no further propulsive maneuver be made during the flight, the craft would not swing around the Moon and return directly to Earth on a “free-return” trajectory but instead would miss Earth by 4, 750 km (2, 950 miles). However, a shift back to a free-return trajectory was within the capability of both the service module propulsion system and the lunar module descent stage propulsion system. So accurate was the hybrid transfer that a scheduled course correction was canceled. Apollo 13 launch Apollo 13 launching from Kennedy Space Center, Cape Canaveral, Florida, April 11, 1970. MSFC/NASA April 12, the day after launch, passed without incident. Early on the evening of April 13, the astronauts pressurized the lunar module Aquarius, and Lovell and Haise passed from the command module Odyssey through the connecting tunnel while checking all systems for the forthcoming landing. Suddenly, as Lovell was moving through the tunnel on his way back from Aquarius to Odyssey, a loud explosion was heard. All three astronauts quickly gathered in Odyssey to study the instruments in an effort to determine what had happened. Noting that one of the main electrical systems aboard was degrading, Haise and Lovell radioed the information to mission control in Houston, quickly turning a routine flight into one of the most exciting episodes in space history. Haise: Okay, Houston— Lovell: I believe we’ve had a problem here. Mission control: This is Houston. Say again please. Lovell: Houston, we’ve had a problem. We’ve had a main B bus undervolt. Within eight seconds of the explosion, pressure in one of the service module’s two cryogenic oxygen tanks had dropped to zero. Together with the cryogenic hydrogen tanks, they fed the required supplies to the craft’s three fuel cells, which were needed for the generation of electrical power, oxygen for breathing, and drinking water. About an hour after the accident, mission control announced that “we are now looking toward an alternate mission, swinging around the Moon and using the lunar module power systems because of the situation that has developed here this evening. ” The astronauts were to move into Aquarius, which would serve as a lifeboat, while the disabled Apollo 13 swung around the Moon and headed homeward. All thoughts of a lunar landing had long since been abandoned. Around the Moon The anxiety for the safety of the astronauts was felt in every corner of the globe, and millions of persons remained glued to television and radio sets as the perilous journey unfolded. Still three days away from Earth, the astronauts moved into the lunar module Aquarius, which they powered up before shutting down the command module Odyssey to conserve the latter’s emergency battery power for the atmospheric reentry maneuver at the end of the mission. Only the command module could pass through Earth’s atmosphere; the lunar module would have to be discarded, along with the service module, before the outer atmosphere was reached. In the meantime, however, the lunar module would be their home. When the astronauts first transferred into and activated Aquarius, Apollo 13 was about 20 hours from the Moon. Plans were made for transferring out of the hybrid trajectory and onto the free-return trajectory, a maneuver that was executed in the early morning hours of April 14. At mission control, teams of experts worked to check out all feasible maneuvers and situations in flight simulators, feeding every plan and contingency through computers. Leaders from all parts of the world voiced concern, and from Soviet Premier Aleksey N. Kosygin came the message that “the Soviet Government has given orders to all citizens and members of the armed forces to use all necessary means to render assistance in the rescue of the American astronauts. ” Four Soviet ships began moving toward the planned recovery area, while French and British warships also moved to the rescue. Radio contact with Apollo 13 was lost during the evening of April 14 as the craft swung behind the Moon, passing at an altitude of 264 km (164 miles) at the closest approach. (Since their trajectory had a higher lunar altitude than other Apollo missions, Apollo 13 set the record for farthest flight from Earth of 401, 056 km [249, 205 miles]. ) Soon afterward the spacecraft started along its return path home. Meanwhile, the long-since-discarded S IVB third stage crashed onto the Moon—it had followed an independent trajectory—as part of a planned experiment to cause an artificial moonquake to aid scientists in understanding the nature of the lunar interior. When the astronauts learned from Houston of the stage’s impact, Swigert radioed back, “Well, at least something worked on this flight. …I’m sure glad we didn’t have an LM [Lunar Module] impact too! ” About two hours later the descent stage propulsion system of the lunar module was ignited for 5 seconds at 10 percent throttle, 21 seconds at 40 percent throttle, and almost 4 minutes at full throttle. This added 941 km (585 miles) per hour to Apollo 13’s velocity, thereby cutting by 10 hours the length of the homeward journey and ensuring a splashdown in the Pacific Ocean south of Samoa. On board the spacecraft, oxygen stores remained sufficient, as did cooling water. The astronauts reduced their consumption of drinking water to six ounces per day and their consumption of electricity by 80 percent. However, the lunar module’s lithium hydroxide cartridges that removed carbon dioxide from the air would last only about 50 hours, and those from the command module were not designed to fit Aquarius. Therefore, engineers on the ground devised a makeshift adapter scheme, radioing to Apollo 13 instructions on how to attach the cartridges from the command module to the lunar module hoses. The job was done, and Haise reported, “Our do-it-yourself lithium hydroxide canister change is complete. ” Interior of the Apollo 13 lunar module (LM) Aquarius showing the “mail box, ” a jury-rigged arrangement that the astronauts built to use the command module lithium hydroxide canisters to purge carbon dioxide from the LM. NASA.
Apollo 13 cast. Apollo 13 movie cast. Apollo 13 avril. Apollo 15. Apollo 13 ans. Apollo 13 movie in hindi. Apollo 13 trailer. Apollo 13 strain. Apollo 13 juin. 
Critics Consensus In recreating the troubled space mission, Apollo 13 pulls no punches: it's a masterfully told drama from director Ron Howard, bolstered by an ensemble of solid performances. 95% TOMATOMETER Total Count: 88 87% Audience Score User Ratings: 432, 838 Apollo 13 Ratings & Reviews Explanation Apollo 13 Photos Movie Info "Houston, we have a problem. " Those words were immortalized during the tense days of the Apollo 13 lunar mission crisis in 1970, events recreated in this epic historical drama from Ron Howard. Astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA's third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew's oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth's atmosphere. The film received an overwhelmingly enthusiastic critical response and a Best Picture nomination, but lost that Oscar to another (very different) historical epic, Mel Gibson's Braveheart. In 2002, the movie was released in IMAX theaters as Apollo 13: The IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format. ~ Don Kaye, Rovi Rating: PG (language and emotional intensity) Genre: Directed By: Written By: In Theaters: Jun 30, 1995 wide On Disc/Streaming: Sep 7, 2004 Runtime: 140 minutes Studio: Universal Pictures Cast News & Interviews for Apollo 13 Critic Reviews for Apollo 13 Audience Reviews for Apollo 13 Apollo 13 Quotes Movie & TV guides.
Favorite film of all time. Apollo 11. Apollo 13 theme. Im so glad I didnt waste my money when this movie come out I just watched in Netflix and it is horrible. Apollo 13 has to be one of my favorite movies. There's never a moment when I lose interest, except maybe for the scene where the Lovells are drunk in their backyard. Other than that, the movie was exceptionally thrilling. And best of all, most of it's true. Good research, fellas.
It makes you feel so good about America too. Hundreds of determined men refused to lose thier comrades in the last frontier, and they brought them home. Meanwhile, the Russians lost quite a few in space.
The soundtrack is excellent, with such patriotic music played at the right times during the movie. I never get bored listening to it. Photography and camera work gets two big thumbs up as well, and to see Bill Paxton, Kevin Bacon, and Tom Hanks float made the movie much more credible.
I watch this film every six months, and everyone else should see it at least once.
Kevin.
Apollo 13 mai. Apollo 13 ending. Apollo 13 film. NASAs finest achievement was getting those men back. My first job as an engineering graduate in 1960 was with NASA. I was fortunate enough to have been a Project Engineer on the Apollo Program, and I am familiar with the technical aspects of the program. But this movie was not as much about the technical aspects of the program as it was about a thrilling, real-life drama that just happened to take place during a glorious time and a once-in-a-lifetime project. Despite all of the little technical errors, Ron Howard and his crew have put together a superb film, one that deserved the 9 Academy Award nominations which it received. I wish that present-day film-makers would concentrate on happy situations, like this one, instead of the constant barrage of drivel to which we, the movie-going public, are made subject. Long live NASA and long live courage.
Apollo 13 commander. Jim Lowell sieht aus wie Jimmy McGill :D. Apollo 13 Theatrical release poster Directed by Ron Howard Produced by Brian Grazer Screenplay by William Broyles Jr. Al Reinert Based on Lost Moon by Jim Lovell Jeffrey Kluger Starring Tom Hanks Kevin Bacon Bill Paxton Gary Sinise Ed Harris Kathleen Quinlan Music by James Horner Cinematography Dean Cundey Edited by Daniel P. Hanley Mike Hill Production company Imagine Entertainment Distributed by Universal Pictures Release date June 30, 1995 (United States) Running time 140 minutes Country United States Language English Budget $52 million [1] Box office $355. 2 million [2] Apollo 13 is a 1995 American space docudrama film directed by Ron Howard and starring Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, and Ed Harris. The screenplay by William Broyles Jr. and Al Reinert dramatizes the aborted 1970 Apollo 13 lunar mission and is an adaptation of the book Lost Moon: The Perilous Voyage of Apollo 13 by astronaut Jim Lovell and Jeffrey Kluger. The film depicts astronauts Lovell, Jack Swigert, and Fred Haise aboard Apollo 13 for America's third Moon landing mission. En route, an on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA 's flight controllers to abort the Moon landing, and turning the mission into a struggle to get the three men home safely. Howard went to great lengths to create a technically accurate movie, employing NASA 's technical assistance in astronaut and flight controller training for his cast, and obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the " weightlessness " experienced by the astronauts in space. Released to cinemas in the United States on June 30, 1995, [3] Apollo 13 was nominated for nine Academy Awards, including Best Picture (winning for Best Film Editing and Best Sound). [4] In total, the film grossed over $355 million worldwide during its theatrical releases. The film was very positively received by critics. Plot [ edit] In July 1969, astronaut Jim Lovell hosts a house party where guests watch Neil Armstrong 's televised first human steps on the Moon. Afterwards Lovell, who had orbited the Moon on Apollo 8, tells his wife Marilyn that he intends to return to the Moon to walk on its surface. Three months later, as Lovell conducts a VIP tour of NASA's Vertical Assembly Building, his boss Deke Slayton informs him that because of problems with Alan Shepard 's crew, his crew will fly Apollo 13 instead of 14. Lovell, Ken Mattingly, and Fred Haise train for their new mission. A few days before launch, Mattingly is exposed to German Measles, and the flight surgeon demands his replacement with Mattingly's backup, Jack Swigert. Lovell resists breaking up his team, but relents when Slayton threatens to bump his crew to a later mission. As the launch date approaches, Marilyn has a nightmare about her husband getting killed in space, but goes to the Kennedy Space Center the night before launch to see him off. On April 11, 1970, Flight Director Gene Kranz gives the go-ahead from Houston's Mission Control Center for the Apollo 13 launch. As the Saturn V rocket climbs through the atmosphere, a second stage engine cuts off prematurely, but the craft reaches its Earth parking orbit. After the third stage fires to send Apollo 13 to the Moon, Swigert performs the maneuver to connect the command module Odyssey to the Lunar Module Aquarius and pull it away from the spent rocket. Three days into the mission, the crew makes a television transmission, which the networks decline to broadcast live. After Swigert turns on the liquid oxygen tank stirring fans as requested, one of the tanks explodes, emptying its contents into space and sending the craft tumbling. The other tank is soon found to be leaking. They attempt to stop the leak by shutting off fuel cells #1 and #3, but to no avail. With the fuel cells closed, the Moon landing must be aborted, and Lovell and Haise must hurriedly power up Aquarius to use as a "lifeboat" for the return home, as Swigert shuts down Odyssey before its battery power runs out. In Houston, Kranz rallies his team to come up with a plan to bring the astronauts home safely, declaring "failure is not an option". Controller John Aaron recruits Mattingly to help him invent a procedure to restart Odyssey for the landing on Earth. As Swigert and Haise watch the Moon pass beneath them, Lovell laments his lost chance of walking on its surface, then turns their attention to the business of getting home. With Aquarius running on minimal electrical power, the crew suffers freezing conditions, and Haise contracts a urinary infection and resulting fever. Swigert suspects Mission Control is withholding their inability to get them home; Haise angrily blames Swigert's inexperience for the accident; and Lovell quickly squelches the argument. When carbon dioxide approaches dangerous levels, ground control must quickly invent a way to make the command module's square filters work in the Lunar Module's round receptacles. With the guidance systems on Aquarius shut down, the crew must make a difficult but vital course correction by manually igniting the Lunar Module's engine. Mattingly and Aaron struggle to find a way to turn on the command module systems without drawing too much power, and finally transmit the procedure to Swigert, who restarts Odyssey by transferring extra power from Aquarius. When the crew jettisons the service module, they are surprised to see the extent of the damage. As they release Aquarius and re-enter the Earth's atmosphere, no one is sure that Odyssey ' s heat shield is intact. The tense period of radio silence due to ionization blackout is longer than normal, but the astronauts report all is well and splash down in the Pacific Ocean. As helicopters bring the three men aboard the recovery ship USS Iwo Jima for a hero's welcome, Lovell's voice-over describes the subsequent investigation into the explosion, and the careers of Haise, Swigert, Mattingly, and Kranz. He wonders if and when mankind will return to the Moon. Cast [ edit] Hanks, Bacon and Paxton portray the astronauts Lovell, Swigert and Haise respectively. Apollo Flight Crew: Tom Hanks as Apollo 13 Commander Jim Lovell: Jim Lovell stated that before his book Lost Moon was even written, the movie rights were being shopped to potential buyers [5] and that his first reaction was that Kevin Costner would be a good choice to play him. [5] However, by the time Howard acquired the director's position, Costner's name never came up in serious discussion, and Hanks had already been interested in doing a film based on Apollo 13. When Hanks' representative informed him that a script was being passed around, he had the script sent to him. [5] John Travolta was initially offered the role of Lovell, but declined. [7] Kevin Bacon as Apollo 13 backup Command Module Pilot Jack Swigert [8] Bill Paxton as Apollo 13 Lunar Module Pilot Fred Haise Mission Control: Gary Sinise as Apollo 13 prime Command Module Pilot Ken Mattingly: Sinise was invited by Howard to read for any of the characters, and chose Mattingly. [5] Ed Harris as White Team Flight Director Gene Kranz: Harris described the film as "cramming for a final exam. " Harris described Gene Kranz as "corny and like a dinosaur", but respected by the crew. [5] Apollo 13 would be Harris' second space travel-themed movie; he had starred as pioneering astronaut John Glenn in 1983's The Right Stuff. Chris Ellis as Director of Flight Crew Operations Deke Slayton Joe Spano as "NASA Director", a composite character loosely based on Chris Kraft Marc McClure as Black Team Flight Director Glynn Lunney Clint Howard as White Team Electrical, Environmental and Consumables Manager (EECOM) Sy Liebergot Ray McKinnon as White Team Flight Dynamics Officer Jerry Bostick Todd Louiso as White Team Flight Activities Officer Loren Dean as EECOM John Aaron Jim Meskimen as White Team Telemetry, Electrical, EVA Mobility Unit Officer (TELMU) David Andrews as Apollo 12 Commander Pete Conrad Christian Clemenson as Flight Surgeon Dr. Charles Berry Ben Marley as Apollo 13 backup Commander John Young Brett Cullen as Capsule Communicator (CAPCOM) 1 Ned Vaughn as CAPCOM 2 Carl Gabriel Yorke as SIM (Simulator) 1 Arthur Senzy as SIM 2 Civilians: Kathleen Quinlan as Marilyn Gerlach Lovell, Jim's wife Xander Berkeley as Henry Hurt, a fictional NASA Office of Public Affairs staff member [9] Tracy Reiner as Haise's wife Mary Mark Wheeler as Neil Armstrong, Apollo 11 Commander Larry Williams as Buzz Aldrin, Apollo 11 Lunar Module Pilot Mary Kate Schellhardt as Lovell's older daughter Barbara Max Elliott Slade as Lovell's older son James (Jay), who attended military school at the time of the flight Emily Ann Lloyd as Lovell's younger daughter Susan Miko Hughes as Lovell's younger son Jeffrey The real Jim Lovell appears as captain of the recovery ship USS Iwo Jima; Howard had intended to make him an admiral, but Lovell himself, having retired as a captain, chose to appear in his actual rank. Horror film director Roger Corman, a mentor of Howard, appears as a congressman being given a VIP tour by Lovell of the Vehicle Assembly Building, as it had become something of a tradition for Corman to make a cameo appearance in his protégés' films. [10] The real Marilyn Lovell appeared among the spectators during the launch sequence. CBS News anchor Walter Cronkite appears in archive news footage and can be heard in newly recorded announcements, some of which he edited himself to sound more authentic. In addition to his brother, Clint Howard, several other members of Ron Howard's family appear in the movie: Rance Howard (his father) appears as the Lovell family minister. Jean Speegle Howard (his mother) appears as Lovell's mother Blanch. Cheryl Howard (his wife) and Bryce Dallas Howard (his daughter) appear as uncredited background performers in the scene where the astronauts wave goodbye to their families. Brad Pitt was offered a role in the film, but turned it down to star in Se7en. [12] Reportedly, the real Pete Conrad expressed interest in appearing in the film. Jeffrey Kluger appears as a television reporter. Production [ edit] Preproduction and props [ edit] The screenplay by William Broyles Jr. and Al Reinert was rewritten by John Sayles after Hanks had been cast and construction of the spacecraft sets had begun. [13] While planning the film, director Ron Howard decided that every shot of the film would be original and that no mission footage would be used. [14] The spacecraft interiors were constructed by the Kansas Cosmosphere and Space Center 's Space Works, which also restored the Apollo 13 command module. Two individual Lunar Modules and two command modules were constructed for filming. While each was a replica, composed of some of the original Apollo materials, they were built so that different sections were removable, which enabled filming to take place inside the capsules. Space Works also built modified Command and Lunar Modules for filming inside a Boeing KC-135 reduced-gravity aircraft, and the pressure suits worn by the actors, which are exact reproductions of those worn by the Apollo astronauts, right down to the detail of being airtight. When suited up with their helmets locked in place, the actors were cooled by air pumped into the suits, and so that they could breathe, exactly as in launch preparations for the real Apollo missions. [15] The real Mission Control Center consisted of two control rooms located on the second and third floors of Building 30 at the Johnson Space Center in Houston, Texas. NASA offered the use of the control room for filming, but Howard declined, opting instead to make his own replica from scratch. [14] Production designer Michael Corenblith and set decorator Merideth Boswell were in charge of the construction of the Mission Control set at Universal Studios. The set was equipped with giant rear-screen projection capabilities and a complex set of computers with individual video feeds to all the flight controller stations. The actors playing the flight controllers were able to communicate with each other on a private audio loop. [15] The Mission Control room built for the film was on the ground floor. [14] One NASA employee, who was a consultant for the film, said that the set was so realistic that he would leave at the end of the day and look for the elevator before remembering he was not in Mission Control. By the time the film was made, the USS Iwo Jima had been scrapped, so her sister ship, the USS New Orleans, was used as the recovery ship instead. [14] For actors, being able to actually shoot in zero gravity as opposed to being in incredibly painful and uncomfortable harnesses for special effects shots was all the difference between what would have been a horrible moviemaking experience as opposed to the completely glorious one that it actually was. —Tom Hanks [15] Howard anticipated difficulty in portraying weightlessness in a realistic manner. He discussed this with Steven Spielberg, who suggested using a KC-135 airplane, which can be flown in such a way as to create about 23 seconds of weightlessness, a method NASA has always used to train its astronauts for space flight. Howard obtained NASA's permission and assistance in filming in the realistic conditions aboard multiple KC-135 flights. [16] Cast training and filming [ edit] In Los Angeles, Ed Harris and all the actors portraying flight controllers enrolled in a Flight Controller School led by Gerry Griffin, an Apollo 13 flight director, and flight controller Jerry Bostick. The actors studied audiotapes from the mission, reviewed hundreds of pages of NASA transcripts, and attended a crash course in physics. [14] [15] Astronaut Dave Scott was impressed with their efforts, stating that each actor was determined to make every scene technically correct, word for word. [5] Scott was the chief technological consultant for the film. [17] Soundtrack [ edit] Apollo 13: Music From The Motion Picture Soundtrack album by James Horner Released June 27, 1995 Genre Soundtrack Length 77: 41 Label MCA Professional ratings Review scores Source Rating AllMusic [18] [19] SoundtrackNet [20] Tracksounds [21] The score to Apollo 13 was composed and conducted by James Horner. The soundtrack was released in 1995 by MCA Records and has seven tracks of score, eight period songs used in the film, and seven tracks of dialogue by the actors at a running time of nearly seventy-eight minutes. The music also features solos by vocalist Annie Lennox and Tim Morrison on the trumpet. The score was a critical success and garnered Horner an Academy Award nomination for Best Original Score. [22] All music is composed by James Horner, except where noted. Apollo 13: Original Motion Picture Soundtrack No. Title Length 1. "Main Title" 1:32 2. "One Small Step" 0:42 3. " Night Train " (performed by James Brown, written by Jimmy Forrest, Lewis Simpkins and Oscar Washington) 3:27 4. " Groovin' " (performed by The Young Rascals) 2:26 5. " Somebody to Love " (performed by Jefferson Airplane) 2:55 6. " I Can See for Miles " (performed by The Who) 4:09 7. " Purple Haze " (performed by The Jimi Hendrix Experience) 2:48 8. "Launch Control" 3:28 9. "All Systems Go/The Launch" 6:39 10. "Welcome to Apollo 13" 0:38 11. " Spirit in the Sky " (performed and written by Norman Greenbaum) 3:50 12. "House Cleaning/Houston, We Have a Problem" 1:34 13. "Master Alarm" 2:54 14. "What's Going On? " 0:34 15. "Into the L. E. M. " 3:43 16. "Out of Time/Shut Her Down" 2:20 17. "The Darkside of the Moon" (performed by Annie Lennox) 5:09 18. "Failure is Not an Option" 1:18 19. " Honky Tonkin' " (performed and written by Hank Williams) 2:42 20. " Blue Moon " (performed by The Mavericks, written by Richard Rodgers and Lorenz Hart) 4:09 21. "Waiting for Disaster/A Privilege" 0:43 22. "Re-Entry & Splashdown" 9:05 23. "End Titles" (performed by Annie Lennox) 5:34 Release [ edit] The film was released on June 30, 1995 in North America and on September 22, 1995 in the UK. In September 2002 the film was re-released in IMAX. It was the first film to be digitally remastered using IMAX DMR technology. [23] Box-office performance [ edit] The film was a box-office success, bringing in $355, 237, 933 worldwide. [2] The film's widest release was 2, 347 theaters. [2] The film's opening weekend and the following two weeks placed it at #1 with a US gross of $25, 353, 380, which made up 14. 7% of the total US gross. [2] Apollo 13 box office revenue Source Gross ( US$)% Total All-time rank (unadjusted) North America $173, 837, 933 [2] 48. 9% 229 [2] Foreign $181, 400, 000 [2] 51. 1% N/A Worldwide $355, 237, 933 [2] 100. 0% 282 [2] Reception [ edit] Review aggregator Rotten Tomatoes reports that the film has an overall approval rating of 95%, based on 88 reviews, with a weighted average rating of 8. 2/10. The site's critical consensus reads, "In recreating the troubled space mission, Apollo 13 pulls no punches: it's a masterfully told drama from director Ron Howard, bolstered by an ensemble of solid performances. " [24] Metacritic, which assigns a normalized rating to reviews from mainstream critics, gave the film an average score of 77 out of 100, based on 22 critics, indicating "generally favorable reviews". [25] Roger Ebert of the Chicago Sun-Times praised the film in his review saying: "A powerful story, one of the year's best films, told with great clarity and remarkable technical detail, and acted without pumped-up histrionics. " [26] Richard Corliss of Time highly praised the film, saying: "From lift-off to splashdown, Apollo 13 gives one hell of a ride. " [27] Edward Guthmann of San Francisco Chronicle gave a mixed review and wrote: "I just wish that Apollo 13 worked better as a movie, and that Howard's threshold for corn, mush and twinkly sentiment weren't so darn wide. " [28] Peter Travers of Rolling Stone praised the film and wrote: "Howard lays off the manipulation to tell the true story of the near-fatal 1970 Apollo 13 mission in painstaking and lively detail. It's easily Howard's best film. " [29] Janet Maslin made the film an NYT Critics' Pick, calling it an "absolutely thrilling" film that "unfolds with perfect immediacy, drawing viewers into the nail-biting suspense of a spellbinding true story. " According to Maslin, "like Quiz Show, Apollo 13 beautifully evokes recent history in ways that resonate strongly today. Cleverly nostalgic in its visual style ( Rita Ryack 's costumes are especially right), it harks back to movie making without phony heroics and to the strong spirit of community that enveloped the astronauts and their families. Amazingly, this film manages to seem refreshingly honest while still conforming to the three-act dramatic format of a standard Hollywood hit. It is far and away the best thing Mr. Howard has done (and Far and Away was one of the other kind). " [30] The academic critic Raymond Malewitz focuses on the DIY aspects of the "mailbox" filtration system to illustrate the emergence of an unlikely hero in late 20th-century American culture—"the creative, improvisational, but restrained thinker—who replaces the older prodigal cowboy heroes of American mythology and provides the country a better, more frugal example of an appropriate 'husband'. " [31] Marilyn Lovell praised Quinlan's portrayal of her, stating she felt she could feel what Quinlan's character was going through, and remembered how she felt in her mind. [5] Home media [ edit] A 10th-anniversary DVD of the film was released in 2005; it included both the theatrical version and the IMAX version, along with several extras. [32] The IMAX version has a 1. 66:1 aspect ratio. [33] In 2006, Apollo 13 was released on HD DVD and on April 13, 2010 it was released on Blu-ray disc as the 15th-anniversary edition on the 40th anniversary of the Apollo 13 accident. [32] The Film was released on 4K UHD Blu-Ray on October 17, 2017. [34] Accolades [ edit] Year Award Category Recipient Result Ref. 1996 Academy Awards (1996) Best Film Editing Mike Hill and Daniel Hanley Won [4] Best Sound Rick Dior, Steve Pederson, Scott Millan, and David MacMillan Best Actor in a Supporting Role Ed Harris (lost to Kevin Spacey in The Usual Suspects) Nominated Best Actress in a Supporting Role Kathleen Quinlan (lost to Mira Sorvino in Mighty Aphrodite) Best Art Direction Art Direction: Michael Corenblith; Set Decoration: Merideth Boswell (lost to Restoration) Best Original Dramatic Score James Horner (lost to Il Postino) Best Picture Brian Grazer (lost to Braveheart) Best Visual Effects Robert Legato, Michael Kanfer, Leslie Ekker, and Matt Sweeney (lost to Babe) Best Adapted Screenplay William Broyles Jr. and Al Reinert (lost to Sense and Sensibility) American Cinema Editors (Eddies) Best Edited Feature Film Mike Hill, Daniel P. Hanley American Society of Cinematographers Outstanding Achievement in Cinematography in Theatrical Releases Dean Cundey BAFTA Film Awards Best Production Design Michael Corenblith Outstanding Achievement in Special Visual Effects Robert Legato, Michael Kanfer, Matt Sweeney, Leslie Ekker Best Cinematography Best Editing Mike Hill, Daniel Hanley David MacMillan, Rick Dior, Scott Millan, Steve Pederson Casting Society of America (Artios) Best Casting for Feature Film, Drama Jane Jenkins, Janet Hirshenson Chicago Film Critics Association Awards Apollo 13 Directors Guild of America Outstanding Directorial Achievement in Motion Pictures Ron Howard, Carl Clifford, Aldric La'Auli Porter, Jane Paul Golden Globe Awards Best Supporting Actor – Motion Picture Ed Harris as Gene Kranz Best Supporting Actress – Motion Picture Kathleen Quinlan as Marilyn Lovell Best Director – Motion Picture Ron Howard Best Motion Picture – Drama Heartland Film Festival Studio Crystal Heart Award Jeffrey Kluger Hugo Awards Best Dramatic Presentation MTV Movie Awards Best Male Performance Tom Hanks as Jim Lovell Best Movie PGA Awards Motion Picture Producer of the Year Award Brian Grazer, Todd Hallowell Saturn Awards Best Action / Adventure / Thriller Film Apollo 13 (lost to The Usual Suspects) Screen Actors Guild Awards Outstanding Performance by a Male Actor in a Supporting Role Outstanding Performance by a Cast Kevin Bacon, Tom Hanks, Ed Harris, Bill Paxton, Kathleen Quinlan, and Gary Sinise Space Foundation's Douglas S. Morrow Public Outreach Award Best Family Feature – Drama [35] Writers Guild of America Awards Best Screenplay Adapted from Another Medium William Broyles Jr., Al Reinert Young Artist Awards 2005 American Film Institute AFI's 100 Years... 100 Movie Quotes "Houston, we have a problem. " (#50) [36] 2006 AFI's 100 Years... 100 Cheers Apollo 13 (#12) Technical and historical accuracy [ edit] Apollo 13 space capsule prop from the film The film depicts the crew hearing a bang quickly after Swigert followed directions from mission control to stir the oxygen and hydrogen tanks. In reality, the crew heard the bang 93 seconds later. [37] The film portrays the Saturn V launch vehicle being rolled out to the launch pad two days before launch. In reality, the launch vehicle was rolled out on the Mobile Launcher using the crawler-transporter weeks before the launch date. [ citation needed] The movie depicts Swigert and Haise arguing about who was at fault. The show The Real Story: Apollo 13 broadcast on the Smithsonian Channel includes Haise stating that no such argument took place and that there was no way anyone could have foreseen that stirring the tank would cause problems. [38] The dialogue between ground control and the astronauts was taken nearly verbatim from transcripts and recordings, with the exception of one of the taglines of the film, " Houston, we have a problem. " (This quote was voted #50 on the list " AFI's 100 Years... 100 Movie Quotes ". ) According to the mission transcript, the actual words uttered by Jack Swigert were "Hey, we've got a problem here" (talking over Haise, who had started "Okay, Houston"). Ground control responded by saying "This is Houston, say again please. " Jim Lovell then repeated, "Houston, we've had a problem. " [39] One other incorrect dialogue is after the re-entry blackout. In the movie, Tom Hanks (as Lovell) says "Hello Houston... this is Odyssey... it's good to see you again. " In the actual re-entry, the Command Module's transmission was finally acquired by a Sikorsky SH-3D Sea King recovery helicopter which then relayed communications to Mission Control. CAPCOM and fellow astronaut Joe Kerwin (not Mattingly, who serves as CAPCOM in this scene in the movie) then made a call to the spacecraft "Odyssey, Houston standing by. Over. " Jack Swigert, not Lovell, replied "Okay, Joe, " and unlike in the movie, this was well before the parachutes deployed; the celebrations depicted at Mission Control were triggered by visual confirmation of their deployment. [40] The tagline "Failure is not an option", stated in the film by Gene Kranz, also became very popular, but was not taken from the historical transcripts. The following story relates the origin of the phrase, from an e-mail by Apollo 13 Flight Dynamics Officer Jerry Bostick: As far as the expression "Failure is not an option, " you are correct that Kranz never used that term. In preparation for the movie, the script writers, Al Reinart and Bill Broyles, came down to Clear Lake to interview me on "What are the people in Mission Control really like? " One of their questions was "Weren't there times when everybody, or at least a few people, just panicked? " My answer was "No, when bad things happened, we just calmly laid out all the options, and failure was not one of them. We never panicked, and we never gave up on finding a solution. " I immediately sensed that Bill Broyles wanted to leave and assumed that he was bored with the interview. Only months later did I learn that when they got in their car to leave, he started screaming, "That's it! That's the tag line for the whole movie, Failure is not an option. Now we just have to figure out who to have say it. " Of course, they gave it to the Kranz character, and the rest is history. [41] In the film, Flight Director Gene Kranz and his White Team are portrayed as managing all of the essential parts of the flight, from liftoff to landing. Consequently, the actual role of the other flight directors and teams, especially Glynn Lunney and his Black Team, were neglected. In fact, it was Flight Director Lunney and his Black Team who got Apollo 13 through its most critical period in the hours immediately after the explosion, including the mid-course correction that sent Apollo 13 on a "free return" trajectory around the Moon and back to the Earth. Astronaut Ken Mattingly, who was replaced as Apollo 13 Command Module Pilot at the last minute by Jack Swigert, later said: If there was a hero, Glynn Lunney was, by himself, a hero, because when he walked in the room, I guarantee you, nobody knew what the hell was going on. Glynn walked in, took over this mess, and he just brought calm to the situation. I've never seen such an extraordinary example of leadership in my entire career. Absolutely magnificent. No general or admiral in wartime could ever be more magnificent than Glynn was that night. He and he alone brought all of the scared people together. And you've got to remember that the flight controllers in those days were—they were kids in their thirties. They were good, but very few of them had ever run into these kinds of choices in life, and they weren't used to that. All of a sudden, their confidence had been shaken. They were faced with things that they didn't understand, and Glynn walked in there, and he just kind of took charge. [42] A DVD commentary track, recorded by Jim and Marilyn Lovell and included with both DVD versions, [32] mentions several inaccuracies included in the film, all done for reasons of artistic license: We were working and watching the controls during that time. Because we came in shallow, it took us longer coming through the atmosphere where we had ionization. And the other thing was that we were just slow in answering. —Jim Lovell, on the real reason for the delay in replying after Apollo 13's four-minute re-entry into Earth's atmosphere [43] In the film, Mattingly plays a key role in solving a power consumption problem that Apollo 13 was faced with as it approached re-entry. Lovell points out in his commentary that Mattingly was a composite of several astronauts and engineers—including Charles Duke (whose rubella led to Mattingly's grounding)—all of whom played a role in solving that problem. When Jack Swigert is getting ready to dock with the LM, a concerned NASA technician says: "If Swigert can't dock this thing, we don't have a mission. " Lovell and Haise also seem worried. In his DVD commentary, the real Jim Lovell says that if Swigert had been unable to dock with the LM, he or Haise could have done it. He also says that Swigert was a well-trained Command Module Pilot and that no one was really worried about whether he was up to the job, [43] but he admitted that it made a nice subplot for the film. What the astronauts were really worried about, Lovell says, was the expected rendezvous between the Lunar Module and the Command Module after Lovell and Haise left the surface of the Moon. A scene set the night before the launch, showing the astronauts' family members saying their goodbyes while separated by a road, to reduce the possibility of any last-minute transmission of disease, depicted a tradition that did not begin until the Space Shuttle program. The film depicts Marilyn Lovell dropping her wedding ring down a shower drain. According to Jim Lovell, this did occur, [43] but the drain trap caught the ring and his wife was able to retrieve it. Lovell has also confirmed that the scene in which his wife had a nightmare about him being "sucked through an open door of a spacecraft into outer space" also occurred, though he believes the nightmare was prompted by her seeing a scene in Marooned, a 1969 film they saw three months before Apollo 13 launched. [43] See also [ edit] From the Earth to the Moon, a 1998 docudrama mini-series based around the Apollo missions Gravity, a 2013 film about astronauts stranded in Earth orbit Marooned, a 1969 film directed by John Sturges, about astronauts marooned in an Apollo command and service module Other survival films References [ edit] This article incorporates public domain material from websites or documents of the National Aeronautics and Space Administration. ^ "CNN Showbiz News: Apollo 13". CNN. Retrieved April 9, 2009. ^ a b c d e f g h i "Apollo 13 (1995)". Box Office Mojo. Retrieved April 9, 2009. ^ "Apollo 13". June 30, 1995. Retrieved September 11, 2016. ^ a b "Academy Awards, USA: 1996". Archived from the original on July 23, 2008. Retrieved April 8, 2009. ^ a b c d e f g "Lost Moon: The Triumph of Apollo 13". Retrieved January 1, 2012. ^ "Film Casting that Might Have Been for John Travolta and Richard Gere". Archived from the original on July 28, 2014. Retrieved January 1, 2012. ^ Ebert, Robert (June 30, 1995). "America's Derring-Do Resurrected". The Record. Hackensack, New Jersey. p. 43 – via ^ The character in the film is a composite of protocol officer Bob McMurrey, who relayed the request for permission to erect a TV tower to Marilyn Lovell, and an unnamed OPA staffer who made the request on the phone, to whom she personally denied it as Quinlan did to "Henry" in the film. "Henry" is also seen performing other OPA functions, such as conducting a press conference. Kluger, Jeffrey; Jim Lovell (July 1995). Lost Moon: The Perilous Voyage of Apollo 13 (First Pocket Books printing ed. ). New York: Pocket Books. pp. 118, 209–210, 387. ISBN 0-671-53464-5. ^ "Repertoire Of Horrors: The Films Of Roger Corman". Retrieved January 1, 2012. ^ "Brad Pitt – A Quick Overview". Retrieved January 1, 2012. ^ Johnson, Mary; Neff, Renfreu; Mercurio, Jim; Goldsmith, David F. (April 15, 2016). "John Sayles on Screenwriting". Creative Screenwriting. Retrieved October 2, 2017. ^ a b c d e Apollo 13: 2-Disc Anniversary Edition (Disc 1), Production Notes (DVD). Universal Studios. March 19, 2005. ^ a b c d "Production Notes (Press Release)" (PDF). IMAX. Archived from the original (PDF) on June 4, 2011. Retrieved April 9, 2009. ^ "Ron Howard Weightless Again Over Apollo 13's DGA Win". Archived from the original on October 7, 2011. Retrieved December 16, 2011. ^ Nichols, Peter M. (September 6, 1998). "Television; From Earth to the Moon and Back, for More Bows". The New York Times. ^ Apollo 13 at AllMusic ^ "Filmtracks: Apollo 13 (James Horner)".. ^ review Archived June 5, 2008, at the Wayback Machine ^ Tracksounds review Archived April 1, 2009, at the Wayback Machine ^ Apollo 13 soundtrack review at Filmtracks. Retrieved 24 February 2011. ^ "History of IMAX". Retrieved February 11, 2011. ^ "Apollo 13". Rotten Tomatoes. Archived from the original on August 20, 2010. Retrieved August 24, 2010. ^ "Apollo 13 Reviews". Metacritic. Retrieved September 25, 2011. ^ "Apollo 13: Roger Ebert". Chicago Sun-Times. Retrieved April 11, 2009. ^ "Apollo 13: Review". Time. July 3, 1995. Retrieved April 11, 2009. ^ Guthmann, Edward (June 30, 1995). "Apollo 13 Review: Story heroic, but it just doesn't fly". San Francisco Chronicle. Retrieved April 11, 2009. ^ "Apollo 13 Review: Rolling Stone". Rolling Stone. Retrieved April 11, 2009. ^ Maslin, Janet (June 30, 1995). " Apollo 13, a Movie for the Fourth of July". The New York Times. Retrieved September 30, 2011. ^ Malewitz, Raymond (September 5, 2014). "getting Rugged With Thing Theory". Stanford UP. Retrieved September 30, 2014. ^ a b c "Apollo 13 Blu-Ray Release". Retrieved September 29, 2011. ^ "Apollo 13 (DVD - 2005)". Lethbridge Public Library. Retrieved December 30, 2011. ^ "Apollo 13 - 4K Ultra HD Blu-ray Ultra HD Review | High Def Digest".. Retrieved December 22, 2017. ^ "Symposium Awards". National Space Symposium. Archived from the original on February 3, 2009. Retrieved April 26, 2009. ^ a b "AFI's 100 years... 100 quotes" (PDF). AFI. Archived (PDF) from the original on March 26, 2009. Retrieved April 13, 2009. ^ Apollo 13 Timeline, Apollo by the Numbers: A Statistical Reference, NASA History Series, Office of Policy and Plans, Richard W. Orloff, Sept. 2004. See "Oxygen tank #2 fans on. Stabilization control system electrical disturbance indicated a power transient. 055:53:20. " ^ The Real Story: Apollo 13, Season 4, Episode 3, 2012. See this section beginning at 15:18. ^ "Page 231 of Apollo 13's transcript at NASA Johnson Space Center" (PDF). Retrieved August 8, 2015. ^ "Apollo 13's re-entry transcript on Spacelog". ^ "Origin of Apollo 13 Quote: "Failure Is Not an Option. " ".. Retrieved April 4, 2010. ^ Ken Mattingly, quoted in Go, Flight! The Unsung Heroes of Mission Control, 1965-1992, Rick Houston and Milt Heflin, 2015, University of Nebraska Press, p. 221 ^ a b c d William, Lena (July 19, 1995). "In Space, No Room For Fear". Retrieved September 30, 2011. External links [ edit] Apollo 13 on IMDb Apollo 13 at the TCM Movie Database Apollo 13 at AllMovie Apollo 13 at Rotten Tomatoes Apollo 13 at Box Office Mojo.
Apollo 130. Apollo 13 seedfinder. 'Apollo13' is the Ron Howard film about the historic disaster event of you guessed it, the Apollo 13. "Houston we have a problem" only that one problem turns into a million problems for those three astronauts who were expecting to walk on the moon that day. A fail mission then becomes a rescue mission for Houston. They must put their dorky-headed minds together and devise various tragedies to insure that the two family men and the bachelor return home. A lot of emotion excels in this desperate time both from the astronauts and the people in Houston killing themselves trying to come up with ways to conserve their power, food and oxygen. And of course we can't forget those friends and family biting their nails hoping that they can still have one last barbecue together before saying their goodbyes. Ron Howard really made me feel like this was real, and I know it was, it's just that he retells it in such a believable and suspenseful way. The terminology is solid, the visual effects are amazing but not over done, and the huge line of American actors was assembled perfectly. There's a saddening sense of loss for those astronauts not being able to walk on the moon that later becomes a beautiful sense of relief to a safe return home, which all in all adds to a very satisfying ending. If you weren't around to see the real thing, like I unfortunately wasn't, then this movie is the very next best thing for you.
In reality, NASA has a disaster plan in place for these types of scenarios. THey did this plot for the sake of drama, BUT I applaud the performances. 
Lockheed Martin! Hell yeah! F35 for the win. 
Apollo 13 crew. It was july 20 1969. When lovell came in with champagne it was dark. It would have been light in Houston.
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score: 257 Votes Release Date: 2019. Fullmetal Alchemist 2003 Гомункул, способный превращать поверхность своего тела в непробиваемый панцирь. Около 130 лет назад взбунтовался против своего хозяина (в аниме — Данте, в манге — Отец), за что был запечатан с помощью алхимии. Во время разборки в Пятой лаборатории сумел из неё выбраться и бежать вместе с группой заключённых-химер. Был создан своим хозяином. Крайне жаден. Знак уробороса — на тыльной стороне левой кисти. Стремясь избавиться от своей единственной слабости тела гомункула, похищает Альфонса, пытаясь узнать у Эдварда секрет трансфигурации души в доспехи или иной предмет. спойлер В особняке Данте был убит Эдвардом Элриком. Перед смертью рассказал ему, что останки прототипа гомункула — слабость гомункулов. Fullmetal Alchemist 2009/Манга Был создан Отцом как вместилище его жадности. Около 100 лет назад бежал от него. Какое-то время скитался по Аместрису. Позже обосновался в Дублисе, как король местного преступного мира. Сколотил команду, в том числе из нескольких подопытных химер, бежавших из лаборатории военных. Пытался выяснить секрет трансмутации души, так как желал бессмертного тела. Непомерно жаден. Но, как ни странно, это делает его чрезвычайно человечным. Очень ценит своих людей, невзирая на их прошлое или происхождение, и заботится об их благополучии, хотя фактически считает их своей собственностью. Тем не менее пользуется преданностью своих людей. Позже его жизненная позиция помогла найти ему общий язык с Лингом, убеждённым, что правитель должен существовать ради своего народа, и не менее жадным, чем сам Жадность. В бою может преобразовывать углерод своего тела в алмазный панцирь (отсюда его прозвище — «Абсолютный Щит»). спойлер Схвачен Кингом Бредли при штурме «Гнезда Дьявола» и возвращён в тело Отца. Позже был возрождён в теле Линга Яо. Но вернувшиеся воспоминания вновь толкнули его на путь предательства. Во время боя в Централе сражался с Кингом Бредли, после очень продолжительного боя сумел ранить его. Крайне опасен в схватке, а в более тренированном теле Линга Яо превращается в практически непобедимого бойца (однако даже тогда с трудом может сражаться с более натренированным и сильным Кингом Бредли). Иногда Линг Яо подавляет Жадность и возвращает себе контроль над телом. В финальном сражении с Отцом он возвращает тело Лингу и жертвует собой, превратив тело Отца в хрупкий древесный уголь, благодаря чему Эдвард Элрик смог с лёгкостью нанести смертельный удар.
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