En Brazos de un Asesino Online amazon USA director Matías Moltrasio

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Ettore D'Alessandro Runtime=106 min scores=45 vote USA, Dominican Republic 7,1 of 10.

En brazos de un asesino libro

Qué lástima! Blood spills early and often in an action picture that treats women as trophies rather than people. En Brazos de un Asesino The film will open in theaters throughout the U. S. on Friday, December 6, via Pantelion. Based on Killing Sarai, the first in a series of suspense novels by J. A. Redmerski, the film handles what sounds like a comic-book premise with a serious intent. The mysterious assassin (William Levy) known only as Victor when he chooses to tersely reveal it, is not only one of the most handsome men in the world. sorry to quote from the official synopsis, but it's true. he is also one of the most deadly killers in the world, as he demonstrates when he meets a powerful criminal tycoon and shoots a threatening henchman without looking. The criminal tycoon, drug cartel leader Javier (Roberto Sosa) wants the criminal world-famous Victor to kill a business rival, and so all he can do is laugh at the demise of one of his henchman. Independent contractor Victor is not so sure he wants to do business with Javier, though, even for an exorbitant sum. In the bullet melee that follows, Victor leaves the scene in his large automobile, not realizing that the gun-toting Sarai (Alicia Sanz) is in the back seat until he's on the road. As she quickly explains, Sarai is desperate to leave Javier, who stole her away from Spain when she was just 14 years of age. Since then, he has kept her as a prized possession, not allowing any of his men to abuse or molest her, as he allows every man to do as he pleases against any of the other multitude of women who he has forced into prostitution. In plainer words, Javier is the only one empowered to rape Sarai, by dint of his own villainous power. Victor professes no interest in Sarai's plight, but allows her to escape with him while he pursues his own course of justice. He is not, evidently, an assassin for hire, but some sort of vigilante for justice, working with a mysterious group that gives him assignments with the goal of cleansing the world of high-level criminal filth. It's all a setup, of course, so that the reluctant Victor can fall for the pliant Sarai and then draft her into service as an assassin's assistant. So, she becomes submissive to another powerful man. wait a minute, is this a romance, not an action picture? Yes, mostly. As played by the cool, dashing, and very good-looking William Levy, the assassin Victor is a fantasy figure, a Latin Saviour who rescues Sarai. Then he kills a bunch of people, and saves her again, they finally make love, and then he kills more people. Sarai's heart remains in peril throughout. Directed by Matías Moltrasio, and produced by William Levy and Jeff Goldberg, the film features action sequences in which the action is nearly continuous, along with an abundance of bullets and blood. As commonly happens in too many modern action movies, clarity is lacking, so we don't often know what is happening and to whom, draining the scenes of needed tension. Levy takes his shirt off a few times, which may well satisfy his legion of fans. Sanz takes her shirt and other garments off a few times, often for no purpose other than to satisfy the male gaze. Her character demonstrates a very limited sense of increasing agency, beyond a prostitute's fearful desire to satisfy a client, which sours the romantic scenes. Is she offering herself to the assassin because she genuinely cares for him, or because she has no other choice? Summing up: The film depends on viewers' willingness to accept the familiar premise and the clueless actions of the characters without much thought. If you can enjoy the ride, help yourself. For more information about the film, visit the official site. Do you feel this content is inappropriate or infringes upon your rights? Click here to report it, or see our DMCA policy.

En brazos de un asesino in english. William Levy is fine as f* K. En brazos de un asesino near me.

En brazos de un asesino full movie online

En brazos de un asesino amc. Yo jamas pondria en riesgo el gran amor que le tengo a mi esposo pero sobre todo el gran amor que el me tiene a mi y a mis hijas y menos por una estupida calentura, porque a eso no se le puede llamar pasion! porque pasion solo se puede sentir por el hombre que verdadero amor no lastima ni con golpes y ni con infidelidad. Yo me considero una mujer muy fiel que ama, respeta y entrega el corazon al hombre que esta conmigo, solo a él y unicamente a él. Buenas noches para todos y saludos.

1 1 Posted by 29 days ago comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by no comments yet Be the first to share what you think! More posts from the newsbotbot community Continue browsing in r/newsbotbot r/newsbotbot newsbotBOT 3. 1k Members 145 Online Created Apr 20, 2017 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc 2020. All rights reserved.

You simply must see this great Mexican gangster story with an attractive, compelling cast that kept me in my seat throughout this action movie on Friday Dec 6. Leading Lady Alicia "The Body" Sanz is so wonderfully at home in the altogether (both in the shower and while being strip-searched for a tracking device) that her scenes could exist separately and still be a box office hit. 8 out of 10 for the movie. 10 out of 10 for Miss Sanz. Highly Recommended. En brazos de un asesino rotten. En brazos de un asesino مترجم. This website uses cookies to provide you with a better experience You can adjust your cookie settings through your browser. If you do not adjust your settings, you are consenting to us issuing all cookies to you.

All siempre Lo mismo Que el señor más gustoso Del mundo Productor de movie que. El en Dominica es el León on movie a también empresario de Ron Restaurant Level 29. El señor lo tiene todos y Elizabeth es la mujer bella y empresaria a y la familias más Feliz del mundo De Donde si todos es el Sueño de copias de que copia Of. Internet vídeos youtube On Woman Miss Universo That será la presentadora. Juntos Carlos Ponce Man Like Look All Flias Bjs. Muy buena Película. Photos Add Image Add an image Do you have any images for this title? Edit Storyline Victor (William Levy) has a deep secret - he is a cold-blooded assassin. Smooth talking and seductive, Victor was raised to do one thing only, which is to kill for money. When he is sent to the home of a brutal drug lord to collect payment for his most recent hit, he encounters the beautiful Sarai (Alicia Sanz) who has been forced to spend the last 9 years of her life with the drug lord. After Victor leaves the compound, Sarai seizes her chance at freedom by hiding out in Victor's car. But things don't go as planned and instead of being transported back to her home, she finds herself free from one dangerous man only to be caught in the clutches of another. While on the run from the vengeful drug lord and his brutal henchmen, Victor's conscience catches up with him as he risks all that he stood for to protect his captive. In the end, the power Sarai unknowingly holds over Victor and their undeniable attraction may be what places her right in the arms of a killer. Written by Pantelion Plot Summary, Add Synopsis Details Release Date: 6 December 2019 (USA) See more  » Also Known As: En Brazos de un Asesino Box Office Opening Weekend USA: 226, 670, 8 December 2019 Cumulative Worldwide Gross: 425, 332 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia This movie is based off a book series called "On the company of killers. first book in the series "Killing Sarai"by JA Remdenski See more ».

No mames, este puñetas me recuerda como al otro puñetas de derbez, son para la television y no para la pantalla grande. Pero bueno, habra mujeres calenturientas que solo van a ir a ver la pelicula por el y no por talento o por la trama. No se porque ella no lo deja y se busca a otro que no la esconda. En brazos de un asesino movie. Hecho por notxpres [C]En el rol los personajes tienen nivel, cuando aumentan de nivel ganan 1 PV por cada punto de Resistencia que tengan y un perk [C]Los jugadores inician con sus PV iniciales, nivel 1 y un perk [C]Para escoger un perk debes tener el special y nivel requerido Ganas experiencia mediante enemigos y/o haciendo misiones (a elección del máster) BC] Niveles [C]2:100 experiencia [C]3:200 experiencia [C]4:300 experiencia [C]5:400 experiencia [C]6:500 experiencia [C]7:600 experiencia [C]8:700 experiencia [C]9:800 experiencia [C]10:900 experiencia [C]11:1, 000 experiencia [C]12:1, 100 experiencia [C]13:1, 200 experiencia [C]14:1, 300 experiencia [C]15:1, 400 experiencia [C]16:1, 500 experiencia [C]17:1, 600 experiencia [C]18:1, 700 experiencia [C]19:1, 800 experiencia [C]20:1, 900 experiencia [C]21:2, 000 experiencia [C]22:2, 100 experiencia [C]23:2, 200 experiencia [C]24:2, 300 experiencia [C]25:2, 400 experiencia [C]26:2, 500 experiencia [C]27:2, 600 experiencia [C]28:2, 700 experiencia [C]29:2, 800 experiencia [C]30:2, 900 experiencia [C]El nivel al lado de los perks es el nivel mínimo requerido [C]El nivel al lado de los perks es el nivel mínimo requerido [BC]Viuda negra/don Juan:nivel 1 [C]Ganas +1 carisma y 10% de daño con el sexo opuesto [BC]Cherchez le femme/soltero confirmado:nivel 1 [C] 1 de carisma y 10% de daño con el el mismo sexo [BC]Amigo de la noche:nivel 1-5 percepción [C]Ganas 2 de Percepción en la noche [BC]Grandes ligas:nivel 1 - fuerza 5 [C]Tiras armas arrojadizas y explosivos el doble de lejos/ 1 de fuerza con estas armas [BC] Cazador:nivel 1 [C]Haces 75% más de daño a animales mutados [BC] Entrenamiento intensivo:nivel 1 [C] 1 al rama Special que quieras (puedes escogerlo varias veces) BC]Recarga rápida:nivel 1 - agilidad 5 [C]Recargar armas te cuesta 1 punto de acción menos [BC]Retención:nivel 1-inteligencia 4 [C]Las revistas Durán el doble [BC]Aprendiendo rápido:nivel 1- inteligencia 4 [C]subir de nivel cuesta 10% menos de lo normal (puedes escogerlo hasta 3 veces) BC] Comprensión:nivel 3 - inteligencia 4 [C]Las revistas te dan el doble de Bonus [BC]Educado:nivel 3-inteligencia 4 [C]Cada 5 niveles ganas un perk extra gratis [BC] Entomólogo nivel 3-inteligencia 4 [C] 50% de daño a insectos mutados [BC]Chico radioactivo:nivel 3-resistencia 7 [C]Regeneras 2 puntos (hasta 10 PV ❤️ por segundo) de vida por cada 200 puntos de radiación que tengas [BC]Armado y en carrera:Nivel 3-Agilidad 5 [C]Apuntar ya no cuesta Puntos de acción [BC]Viaje ligero:Nivel 5- Agilidad 5 [C]Si vas con armadura ligera te mueves 10% más [BC] Experto en demoliciones:Nivel 3- percepción 5 [BC]Desastre:Nivel 5 [C] 10% de daño con todo [BC]Experiencia en demolición:nivel 5-percepcion 5 [C]Haces 20% más de daño con explosivos por cada rango que tenga (tiene 3 rangos) BC]Lealtad feroz:Nivel 7- Carisma 7 [C]Cuando tienes menos de la mitad de vida tus compañeros ganan 5🛡️ [BC]Pistolero:Nivel-5 [C] 20% de probabilidad de acertar con armas de una mano [BC]Dureza:Nivel 5- resistencia 5 [C]Ganas 3🛡️ (tiene 2 rangos) BC]Comandos:Nivel 7- percepción 5 [C] 20% de probabilidad de acertar al usar armas de dos manos [BC] Vaquero: Nivel 7- Percepción 5 - fuerza 5 [C] 25% de daño con dinamita, hachas, cuchillos, revólveres y armas(rifles) de palanca [BC]Anatomía viviente: nivel 7- inteligencia 7 [C] 10% de daño a humanos y necrofagos, sabes exactamente la defensa y estado de estos enemigos [BC]Sherpa:nivel 7-inteligencia 5- carisma 7 [C]Los objetos que pesan 10 kilos o menos ahora pesan la mitad [BC] Desenfundando rápido:Nivel 7- Agilidad 7 [C]Sacar o cambiar un arma cuestión un punto de acción menos [BC] Resistencia a la radiación:Nivel 7-Resistencia 5 [C]Ganas 10☢️ de resistencia a la radiación permanentemente [BC]Muralla:nivel 7- resistencia 7 [C] 5🛡️ de defensa contra ataques cuerpo a cuerpo y desarmado y ya no pueden derribarte en un combate [BC]Mulo:Nivel 7-Fuerza 5-Resistencia 5 [C]Puedes cargar 50📦 kilos de peso extra [BC]Superslam:Nivel 7-Fuerza 7 [C]cada uno de tus ataques tiene melee y desarmado 15% de probabilidades de noquearas a un enemigo si es con un arma de una mano y 30% si es una arma de dos manos [BC]Precencia aterradora:nivel 7- Carisma 7 [C] 2 de carisma al intimidar personajes, podrás tener diálogos únicos con ciertos personajes para amenazarlos, en ese caso huiran o pelearan dependiendo del personaje (y lo que diga el máster) CB]amigo animales:nivel 9-carisma 8 [C]los animales no te atacarán si no los atacas primero, y en segundo rango te ayudarán en combate si te ven peleando (2 rangos) BC] Refinamiento:nivel 9 [C] 10% de daño con todas las armas [BC]Irá matemática:Nivel9- Inteligencia 8 [C]Ganas 5 puntos de acción [CB] Afortunada:nivel 9-7 de suerte [C]Al inicio de cada turno tuyo hay 10% de probabilidad de que afortunada aparezca y noquee a un enemigo con el que estés peleando [CB]Míster Sandman:Nivel 9- agilidad 7 [C]Cuando atacas a un enemigo desprevenido haces el doble/triple (a elección del máster) de daño [BC]Forastero misterioso: Nivel 9-Suerte 8 [C]Al inicio de cada turno tuyo hay un 10% de probabilidad de que el forastero misterioso aparezca y mate a un enemigo con el que estés pelando [BC]Irá de los sabiondos:Nivel 9-Inteligencia 8 [C]Cuando tienes 50% de tu vida o menos ganas 5🛡️ y tú fuerza sube a 10 [CB]Persona nocturna:Nivel 9 [C] 2 de percepción y +2 de inteligencia durante la noche [BC] Mequetrefe de plasma: nivel 9- percepción 8 [C]Ganas 5 puntos de acción para usar solo con armas de plasma(es decir que sí solo usas armas de plasma en tu turno tienes 5 puntos de acción más ese turno) BC] Metabolismo rápido:Nivel 9 [C]Los estimulantes curan 20 PV ❤️ extra [BC]Pecho tierra:Nivel 11- percepción 7 [C]Los explosivos te hacen 25% menos de daño [BC]Vitalidad:11- resistencia 5 [C]Ganas 30 PV si eres humano, 25 si eres necrofago y 35 si eres supermutante (3 rangos) BC]Cargador:nivel 11- carisma 7 [C]Puedes caminar sobrecargado [BC] Penetrador:nivel 11-fuerza 8 [C]Todos tus ataques melee h desarmado ignoran 15🛡️ de defensa de los enemigos [BC] pirómano:nivel 11 percepción 7 [C] 50% de daño con armas basadas en fuego(Lanzallamas, pincho moruno, etc. BC] Experto en robótica:nivel 11 inteligencia 5 [C] 30% de daño a robots y enemigos en servoarmadura, recuperas 1 pieza de metal extra de ellos como Loot [BC]Carrera silenciosa: nivel 11- Agilidad 7 [C]Te mueves el doble de rápido agachado (a comparación de cuando te movias agachado en sigilo) y no haces ruido [BC] Francotirador:Nivel 11- Agilidad 7- Percepción 7 [C] 20% de probabilidad de acertar tiros a la cabeza [BC]Daño por salpicadura:Nivel 11- Percepción 7 [C]Los explosivos tienen un área de efecto mas grande (25. BC]Fuerza imparable:Fuerza 8-nivel 11 [C]Los enemigos no pueden bloquear tus ataques [BC]Esqueleto de adamantio:Nivel 13-resitencia 7 [C]Recibes 50% menos de daño en los brazos y piernas [BC]Centro de masa: Nivel 13 [C]Haces 15% más de daño al disparar al torso [BC] Químico: nivel 13-inteligencia 7 [C]Los químicos (Chems) durán el doble para ti [BC]Purificador:Nivel 13 [C]Haces 50% más de daño con armas cuerpo a cuerpo y desarmadas contra centauros, acechadores nocturnos, plantas de esporas, portadores de esporas, sanguinarios y supermutantes [BC]Paso ligero:Nivel 13 Percepción 6- agilidad 6 [C]No activaras trampas [BC]Chic@ de acción:Nivel 15 Agilidad 7 [C]Ganas 3 puntos de acción [BC]Resistente a los químicos:Nivel 15-inteligencia 7 [C]Tienes la mitad de probabilidad de volverte adicto [BC]Fusión:Nivel 15- inteligencia 9 [C]Los enemigos que mates cosn armas de energía explotan causando daño en área (50💥) esto puede hacer una reacción en cadena [BC]Manejo de armas:Nivel 15-Fuerza 9 o menos [C] Necesitas 2 de fuerza menos de lo normal para usar armas [BC]Hacker:nivel 17- Inteligencia 7 [C]Necesitas 2 de inteligencia menos de lo normal para hackear un términal y no se bloquean si fallas [BC]Infiltrado:Nivel 17- Percepción 7 [C] Necesitas 2 de inteligencia menos de lo normal para abrir con ganzúa una puerta y no se bloquean si fallas [BC]mano paralizante:Nivel 17- fuerza 8 [C]Cuando usas armas desarmadas o las manos desnudas tienes un 25% por ciento de paralizar a un enemigo por 3 turno [BC]Fuego concentrado: Nivel 17- Percepción 7 [C]Cada vez que disparas al mismo lugar ganas un Bonus de 5% de probabilidad de acertar un tiro (el Bonus vuelve a 0 al final del turno) BC]Explorador:Nivel 19 [C] Conoces las ubicaciones de todos los lugares del mapa [BC] Festival aniquilador:Nivel 19 [C]Casas vez que matas a un enemigo ganas 3 puntos de acción [BC]Ninja:nivel 19-Agilidad 8-fuerza 8 [C]Ganas 25% de daño con armas cuerpo a cuerpo y desarmado y haces el doble de daño cuerpo a cuerpo y desarmado cuando atacas a un enemigo que no te ha visto [BC] Funcionamiento solar: Nivel 19- Resistencia 8 [C]Ganas 2 de fuerza y Regeneras 5 PV ❤️ de vida por turno durante el día [BC]Comandante láser:Nivel 21- Percepción 9 [C]Haces 40% más de daño con armas de energía [BC] Químico de nuka cola:Nivel 21 [C]Puedes hacer cualquier nuka cola si tienes los ingredientes necesarios [BC]Rezar y atacar [C]Tus ataques hacen un 75% menos de daño a tus aliados (Útil si usas explosivos de cerca o fallas mucho) BC] Asesino:Nivel 23-Fuerza 9 -agilidad 7 [C]Tus armas melee de 1 y 2 puntos de acción cuestan medio punto menos y las de 3 en adelante un punto menos [BC]Nervios de acero:Nivel 25 agilidad 7 [C]Ganas 5 puntos de acción [BC]Absorción radioactiva:Nivel 27- Resistencia 7 [C]Pierdes 5☢️ por minuto.

En brazos de un asesino 2019.

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Não é cenas da série, são montagens. 1 1 Posted by 9 days ago 1 comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by level 1 Original Poster 1 point 9 days ago Available for free streaming Watch and Download movies for free Watch & stream movies Download - En Brazos De Un Asesino 2019 online film kijken Full movies download u/HistoricalSeaweed0 Karma 1 Cake day January 24, 2020 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc 2020. All rights reserved.

“ En Brazos de un Asesino (2019) Full Movie Watch full on 7movies: Download full on 7movies: En Brazos de un Asesino 10 Mins ago. HD2440p! 7. 4/10 by 57 users Watch En Brazos de un Asesino (2019) Full Movie Online Free Victor (William Levy) has a deep secret — he is a cold-blooded assassin. Smooth talking and seductive, Victor was raised to do one thing only, which is to kill for money. When he is sent to the home of a brutal drug lord to collect payment for his most recent hit, he encounters the beautiful Sarai (Alicia Sanz) who has been forced to spend the last 9 years of her life with the drug lord. After Victor leaves the compound, Sarai seizes her chance at freedom by hiding out in Victors car. But things dont go as planned and instead of being transported back to her home, she finds herself free from one dangerous man only to be caught in the clutches of another. While on the run from the vengeful drug lord and his brutal henchmen, Victors conscience catches up with him as he risks all that he stood for to protect his captive. In the end, the power Sarai unknowingly holds over Victor and their undeniable attraction may be what places her right in the arms of a killer. Rating: R (for bloody violence, sexual content and nudity) Genre: Drama, Mystery & Suspense Directed By: Matías Moltrasio Written By: Jeff Goldberg, William Levy In Theaters: Dec 6, 2019 Limited Runtime: 106 minutes Studio: Pantelion Films / Lionsgate Writers: Jeff Goldberg, William Levy Stars: William Levy, Dalisa Alegria, Ettore DAlessandro, See full cast & crew » Victor (William Levy) is one of the worlds most handsome men, but he has a deep secret — he is a cold blooded assassin. Director: Matías Moltrasio Writers: Jeff Goldberg, William Levy Stars: William Levy, Dalisa Alegria, Ettore DAlessandro, See full cast & crew » Watch En Brazos de un Asesino Online 2019 Full Movie And fRee How to Watch En Brazos de un Asesino (2019) Online Free? DVD-ENGLISH] En Brazos de un Asesino (2019) 2019) Full Movie Watch online free HQ [DvdRip-USA eng subs] En Brazos de un Asesino (2019. 2019) Full Movie Watch #TheSoundofSilence online free 123 Movies Online! En Brazos de un Asesino (2019) EVILNESS. Watch En Brazos de un Asesino (2019) Online 2019 Full Movie Free HD. 720Px,Watch En Brazos de un Asesino (2019) Online 2019 Full MovieS Free HD! En Brazos de un Asesino (2019) with English Subtitles ready for download, En Brazos de un Asesino (2019) Box Office, 720p, 1080p, BrRip, DvdRip, High Quality, google Drive, google docs. follow and share ¨“Twitter: ¨“Facebook: ¨“Instagram: “.

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Citizen K (Greenwich) 2019. 2h 8m/Documentary/Alex Gibney/UK-USA) Saturday November 23, 2019 (LIMITED) Wilder vs. Ortiz (FATHOM) Tuesday November 26, 2019 (LIMITED) Never Surrender: A Galaxy Quest Doc Wednesday November 27, 2019 (WIDE) Knives Out (Lionsgate) 2019/PG-13/2h 10m/Comedy, Crime, Drama/Rian Johnson/USA) Queen & Slim (Universal) 2019/R/ m/Drama/Melina Matsoukas/USA-Canada) Wednesday December 4, 2019 (LIMITED) Branagh Theatre Live: The Winters Tale (2019 re-release) Trafalgar Releasing) Gundam: 40th Anniversary Celebration: Chars Counterattck (FATHOM) Friday December 6, 2019 (WIDE) PLAYMOBIL: The Movie (STX Entertainment) 2019. 1h 39m/Animation, Adventure, Comedy/Lino DiSalvo/France-USA) LIMITED) The Aeronauts (Amazon Studios) 2019/PG-13/1h 40m/Action, Adventure, Biography/Tom Harper/UK-USA) En Brazos de un Asesino (Pantelion) 2019. m/a/Romance Thriller/Matías Moltrasio/Dominican Republic) Little Joe (Magnolia) 2019. 1h 45m/Drama, Sci-Fi/Jessica Hausner/Austria-UK-Germany) Midnight Family (1091) 2019. 1h 30m/Documentary, Action, Crime/Luke Lorentzen/Mexico) Portrait Of A Lady On Fire (Portrait de la jeune fille en feu) NEON) 2019. 1h 59m/Drama, History, Romance/Céline Sciamma/France) Wednesday December 11, 2019 (LIMITED) InXS: Baby Live at Wembley Stadium (FATHOM) Friday December 13, 2019 (WIDE) Black Christmas (2019) Universal/Blumhouse) 2019. m/Horror, Mystery, Thriller/Sophia Takal/USA-New Zealand) Jumanji: The Next Level (Columbia) 2019. m/Action, Adventure, Comedy/Jake Kasdan/USA) Richard Jewell (Warner Brothers) 2019. m/Drama, Biography/Clint Eastwood/USA) LIMITED) Cunningham (Magnolia) 2019/PG/1h 33mn/Documentary, Biography, Music/Alla Kovgan/Germany-France-USA) A Hidden Life (Fox Searchlight) 2019/PG-13/2h 53m/Biography, Drama, War/Terrence Malick/Germany-USA) Seberg (Amazon Studios) 2019. 1h 36m/Biography, Drama, Thriller/Benedict Andrews/USA-UK) Uncut Gems (A24) 2019/R/2h 15m/Comedy, Crime, Drama/Benny Safdie and Josh Safdie/USA) Friday December 20, 2019 (WIDE) Bombshell (Lionsgate) 2q019. m/Biography, Drama/Jay Roach/Canada, USA) Cats (Universal) 2019. m/Animation, Comedy, Drama/Tom Hooper/UK-USA) Star Wars: The Rise of Skywalker (Buena Vista) 2019. m/Action, Adventure, Fantasy/J. 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Abrams/USA) Wednesday December 25, 2019 (WIDE) Little Women (2019) Columbia) 2019/PG/ m/Drama, Romance/Greta Gerwig/USA) Spies In Disguise (20th Century Fox) 2019/PG/ m/Animation, Action, Adventure/Nick Bruno and Troy Quane/USA) LIMITED) 1917 (Universal) 2019/R/1h 50m/Drama, War/Sam Mendes/UK-USA) Just Mercy (Warner Brothers) 2019/PG-13/2h 16m/Drama/Destin Daniel Cretton/USA) The Song of Names (Sony Classics) 2019/PG-13/1h 53m/Drama/François Girard/Canada-Hungary) Friday December 27, 2019 (LIMITED) Clemency (NEON) 2019. 1h 53m/Drama/Chinonye Chukwu/USA) 2020 Friday January 3, 2020 (LIMITED) The Grudge (2020) Columbia) 2020/R/ m/Horror/Nicolas Pesce/Canada-USA) Friday January 10, 2020 (WIDE) The Informer (Aviron) 2019. 1h 53m/Crime, Drama/Andrea Di Stefano/UK) Like A Boss (Paramount) 2020. m/Comedy/Miguel Arteta/USA) My Spy (STX Entertainment) 2020/PG-13/ m/Action, Comedy, Family/Peter Segal/USA) Underwater (20th Century Fox) 2020/PG-13/ m/Action, Drama, Horror/William Eubank/USA) Friday January 17, 2020 (WIDE) Bad Boys For Life (Columbia) 2020. m/Action, Comedy, Crime/Adil El Arbi and Bilall Fallah/USA) Dolittle (Universal) 2020. m/Adventure, Comedy, Family/Stephen Gaghan/USA) The Last Full Measure (Roadside Attraction) 2020/R/1h 50m/Drama, War/Todd Robinson/USA) Thursday January 23, 2020 (LIMITED) Blind Eyes Opened (FATHOM) Friday January 24, 2020 (WIDE) The Gentlemen (STX Entertainment) 2020. m/Action, Crime/Guy Ritchie/USA) Run (2020) Summit/Lionsgate) 2020. m/Thriller/Aneesh Chaganty/USA) The Turning (Universal) 2020/PG-13/ m/Floria Sigismondi/USA) Friday January 31, 2020 (WIDE) Gretel & Hansel (United Artists Releasing) 2020. m/Fantasy, Horror, Thriller/Osgood Perkins/USA) The Rhythm Section (Paramount) 2020. m/Action, Drama, Mystery/Reed Morano/UK) LIMITED) The Traitor (Il traditore) Sony Classics Pictures) 2019/R/2h 25m/Biography, Crime, Drama/Marco Bellocchio/Italy-France-Germany-Brazil) Friday February 7, 2020 (WIDE) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) Warner Brothers) 2020. m/Action, Adventure, Crime/Cathy Yan/USA) LIMITED) The Lodge (NEON) 2019/R/1h 40m/Drama, Horror, Thriller/Severin Fiala and Veronika Franz/UK) Mystify: Michael Hutchence (FATHOM) Friday February 14, 2020 (WIDE) Blumhouse ‘Fantasy Island Horror (Columbia/Blumhouse) 2020. m/Jeff Wadlow/USA) The Kings Man (20th Century Fox) 2020. m/Action, Adventure, Comedy/Matthew Vaughn/UK-USA) The Photograph (Universal) 2020/PG-13/ m/Drama, Romance/Stella Meghie/USA) Sonic The Hedgehog (Paramount) 2020. m/Action, Adventure, Family/Jeff Fowler/Canada-Japan-USA) What About Love (XLI41Z) 2020. 1h 54m/Drama, Romance/Klaus Menzel/USA-Romania-Spain-Italy) Friday February 21, 2020 (WIDE) Bloodshot (Columbia) 2020. m/Action, Drama, Fantasy/Dave Wilson/USA) Brahms: The Boy II (STX Entertainment) 2010/PG-13/ m/Horror, Mystery, Thriller/William Brent Bell/USA) The Call of the Wild (20th Century Fox) 2020. m/Animation, Adventure/Family/Chris Sanders/USA) LIMITED) Emma (2020) Focus Features) 2020. m/Comedy, Drama/Autumn de Wilde. 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Friday March 20, 2020 (WIDE) I Still Believe (Lionsgate) 2020. m. Andrew Erwin and Jon Erwin) A Quiet Place 2 (Paramount) 2020. m/Horror, Thriller/John Krasinski/USA) LIMITED) The Climb (Sony Pictures Classics) 2020. 1h 34m/Comedy, Drama/Michael Angelo Covino) Friday March 27, 2020 (WIDE) Mulan (2020) Buena Vista) 2020. m/Action, Adventure, Drama/Niki Caro/USA) Friday April 3, 2020 (WIDE) Fatherhood (Columbia) 2020. m/Drama/Paul Weitz/USA) The Lovebirds (Paramount) 2020. Comedy/Michael Showalter/USA) The New Mutants (20th Century Fox) 2020. m/Action, Horror, Sci-Fi/Josh Boone/USA) Peter Rabbit: The Runaway (Sony Animation/Columbia) 2020. m/Animation, Adventure, Comedy/Will Gluck/Australia-USA) Untitled DC Comics Film (D. C. /Warner Brothers) 2020. m. Tuesday April 7, 2020 (LIMITED) Jesus (FATHOM) Wednesday April 8, 2020 (WIDE) No Time To Die (MGM) 2020. m/Action, Adventure, Thriller/Cary Joji Fukunaga/UK-USA) Friday April 17, 2020 (WIDE) Trolls World Tour (Illumination/Universal) 2020/PG/ m/Animation, Adventure, Comedy/Walt Dohrn and David P. Smith/USA) Friday April 24, 2020 (WIDE) Bad Trip (United Artists Releasing) 2020/R/ m/Comedy/Kitao Sakurai/USA) Friday May 1, 2020 (WIDE) Black Widow (Marvel/Buena Vista) 2020. m/Action, Adventure, Sci-Fi/Cate Shortland/USA) Friday May 8, 2020 (WIDE) Covers (Focus Features) 2020. m/Drama, Music, Romance/Nisha Ganatra/USA) Greyhound (Columbia) 2020. m/Drama, War/Aaron Schneider/USA) Legally Blonde 3 (MGM) 2020. m/Comedy/Jamie Suk/USA) Friday May 15, 2020 (WIDE) Scooby (Warner Brothers) 2020. m/Animation, Adventure, Comedy/Tony Cervone/USA) Chris Rock “Saw” Film (Lionsgate) 2020. m/Horror/Darren Lynn Bousman/USA) The Woman In The Window (20th Century Fox) 2020. m/Crime, Drama, Mystery/Joe Wright/USA) Friday May 22, 2020 (WIDE) Fast & Furious IX (Universal) 2020. m/Action, Adventure, Crime/Justin Lin/USA) The SpongeBob Movie: Its A Wonderful Sponge (Nickelodeon/Paramount) 2020. m/Tim Hill/USA-South Korea) Friday May 29, 2020 (WIDE) Artemis Fowl (Buena Vista) 2020. m/Adventure, Family, Fantasy/Kenneth Branagh/USA) Friday June 5, 2020 (WIDE) Wonder Woman 1984 (Warner Brothers) 2020. m/Action, Adventure, Fantasy/Patty Jenkins/USA) Friday June 12, 2020 (WIDE) Candyman (2020) Universal) 2020. m/Drama, Horror, Mystery/Nia DaCosta/USA) Friday June 19, 2020 (WIDE) Soul (Pixar) 2020. m/Animation, Adventure, Family/Pete Doctor and Kemp Powers/USA) Staten Island (Universal) 2020. m/Comedy, Drama/Judd Apatow. Friday June 26, 2020 (WIDE) In The Heights (Warner Brothers) 2020. m/Drama, Music, Musical/Jon M. Chu/USA) Top Gun: Maverick (Paramount) 2020. m/Action, Drama/Joseph Kosinski/USA-Hong Kong) Friday July 3, 2020 (WIDE) Free Guy (20th Century Fox) 2020/ m/Action, Adventure, Comedy/Shawn Levy/USA) Minions: The Rise of Gru (Illumination Animation/Universal) 2020. m/Animation, Adventure, Comedy/Kyle Balda, Brad Ableson/USA) Friday July 10, 2020 (WIDE) Ghostbusters III (Columbia) 2020. m/Action, Comedy, Crime/USA) The Purge V (Blumhouse/Universal) 2020. Action, Horror, Sci-Fi/Everardo Gout) Friday July 17, 2020 (WIDE) Bobs Burgers: The Movie (20th Century Fox) 2020. m/Animation, Comedy, Musical. USA) Tenet (Warner Brothers) 2020. m/Action, Drama, Thriller/Christopher Nolan/UK-Canada-USA) Friday June 24, 2020 (WIDE) Jungle Cruise (Buena Vista) 2020. m/Adventure, Family, Fantasy/Jaume Collet-Serra/USA) Friday July 31, 2020 (WIDE) Barb and Star Go To Vista Del Mar (Lionsgate) 2020. m/Comedy/Josh Greenbaum/USA) Rumble (Paramount) 2020. m/Animation, Fantasy/Hamish Grieve/USA) Morbius (Marvel/Columbia) 2020. m/Action, Adventure, Drama/Daniel Espinosa/USA) Friday August 7, 2020 (WIDE) The Empty Man (20th Century Fox) 2020/R. Crime, Drama, Horror/David Prior/USA) Infinite (Paramount) 2020. m/Sci-Fi/Antoine Fuqua/USA) Untitled W. B. Event Film #1 (Warner Brothers) Friday August 14, 2020 (WIDE) Escape Room 2 (Columbia) 2020. m/Horror, Mystery, Thriller/Adam Robitel. Nobody (Universal) 2020. m/Action, Thriller/Ilya Naishuller/USA) The One and Only Ivan (Buena Vista) 2020. m/Animation, Adventure, Comedy/Thea Sharrock/USA) Malignant (Warner Brothers) 2020. m/Horror/James Wan/USA) Friday August 21, 2020 (WIDE) Bill and Ted Face The Music (United Artists Releasing) 2020. m/Comedy, Music, Sci-Fi/Dean Parisot/USA) Friday August 28, 2020 (WIDE) Spell (Paramount) 2020. m/Horror, Thriller/Mark Tonderai/USA) Friday September 4, 2020 (WIDE) Monster Hunter (Screen Gems) 2020. m/Action, Fantasy/Paul W. S. Anderson/USA-Germany-Japan-China) Friday September 11, 2020 (WIDE) The Conjuring 3 (New Line/Warner Brothers) 2020. m/Horror/Michael Chaves. Friday September 18, 2020 (WIDE) Tom Clancys ‘Without Remorse (Paramount) 2020. m/Action, Crime, Drama/Stefano Sollima/USA) Untitled Lord and Miller (Columbia) Friday September 25, 2020 (WIDE) Last Night In Soho (Focus Features) 2020. m/Drama, Horror, Thriller/Edgar Wright/UK) The Many Saints Of Newark (Warner Brothers) 2020. m/Crime, Drama/Alan Taylor/USA) Praise This (Universal) 2020. m/Musical, Romance/Tina Gordon/USA) Friday October 2, 2020 (WIDE) BIOS (Universal) 2020. m/Miguel Sapochnik/UK-USA) Venom 2 (Marvel/Columbia) 2020. m. Andy Serkis. Friday October 9, 2020 (WIDE) Agatha Christies ‘Death On The Nile (20th Century Fox) 2020. m/Crime, Drama, Mystery/Kenneth Branagh/USA) Fatale (Summit/Lionsgate) 2020. m/Thriller/Deon Taylor/USA) Friday October 16, 2020 (WIDE) G. I. Joe: Snake Eyes (Hasbro/Paramount. m/Action, Adventure, Sci-Fi/Robert Schwentke/USA) Halloween Kills (Blumhouse/Universal) 2020. m/Horror, Thriller/David Gordon Green/USA) Roald Dahls ‘The Witches (2020) Warner Brothers) 2020. m/Adventure, Comedy, Family/Robert Zemeckis) Friday October 23, 2020 (WIDE) Everybodys Talking About Jamie (20th Century Fox) 2020. m/Drama, Musical/Jonathan Butterell/USA-UK) Untitled Universal Event Film (Universal) 2020. Friday November 6, 2010 (WIDE) The Eternals (Marvel) 2020. m/Action, Adventure, Drama/Chloé Zhao/USA) Rons Gone Wrong (20th Century Fox) 2020. m/Animation, Adventure, Comedy/Alessandro Carloni, Jean-Philippe Vine/USA-UK) Vivo (Columbia) 2020. m/Animation, Adventure, Comedy/Kirk DeMicco and Brandon Jeffords/USA) LIMITED) Stillwater (Focus Features) 2020. m/Drama/Tom McCarthy/USA) Friday November 13, 2020 (WIDE) Untitled Event Movie (Paramount) Untitled Universal Event Film (Universal) Untitled Universal Event Film IV (Universal) Friday November 20, 2020 (WIDE) Happiest Season (Tri-Star) 2020. m/Comedy, Romance/Clea DuVall/USA) Samaritan (United Artists Releasing) 2020. m/Drama, Fantasy, Sci-Fi/Julius Avery/USA) Untitled Amblin Project (Universal) 2020. m. Untitled W. Event Film #2 (Warner Brothers) Wednesday November 25, 2020 (WIDE) King Richard (Warner Brothers) 2020. m/Drama, Biography/Reinaldo Marcus Green. Raya and the Last Dragon (Buena Vista) 2020. m/Animation, Adventure, Comedy/Paul Briggs and Dean Wellins/USA) Friday December 18, 2020 (WIDE) Dune (2020) Warner Brothers) 2020. m/Adventure, Drama, Sci-Fi/Denis Villeneuve/UK-Canada-Hungary-USA) Uncharted (Columbia) 2020. m/Action, Adventure/Travis Knight/USA) Coming 2 America (Paramount) 2020. m/Comedy/Craig Brewer/USA) West Side Story (2020) 20th Century Fox) 2020. m/Crime, Drama, Musical/Steven Spielberg/USA) Wednesday December 23, 2020 (WIDE) The Croods 2 (Universal) 2020. m/Animation, Adventure, Comedy/Joel Crawford/USA) Friday December 25, 2020 (WIDE) News Of The World (Universal) 2020. m/Drama, Western/Paul Greengrass/USA) Untitled Paramount/Skydance Event Movie (Skydance/Paramount) 2020. m. 2021 Friday January 8, 2021 (WIDE) Untitled Blumhouse Productions Project I (Blumhouse/Universal) Friday January 15, 2021 (WIDE) 355 (Universal) Friday January 29, 2021 (WIDE) Rugrats (2021) Nickelodeon/Paramount) Friday February 5, 2021 (WIDE) Cinderella (2021) Columbia) Friday February 12, 2021 (WIDE) Shang Chi and the Legend of the Ten Rings (Marvel) Untitled Paramount (Paramount) Untitled Universal (Universal) Untitled W. 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You can use * to search for partial matches. Logical Operator Operator Open Access This article is freely available re-usable Article Management of Pet Cats: The Impact of the Cat Tracker Citizen Science Project in South Australia 1 School of Natural and Built Environments, University of South Australia, Adelaide, SA 5001, Australia 2 Conservation Psychology and Applied Animal Behaviour Centre, School of Psychology, Social Work and Social Policy, University of South Australia, Adelaide, SA 5001, Australia * Author to whom correspondence should be addressed. Received: 18 October 2018 / Accepted: 22 October 2018 / Published: 24 October 2018 Abstract: Simple Summary Domestic cats are popular pets worldwide and play an important role in the lives of many of their owners; however, there is growing awareness of the potential negative impacts of cats. The Cat Tracker citizen science project was conducted in South Australia to better understand domestic cats, their movement, and related community views. The project was deliberately designed to engage cat owners and assist them to make informed decisions about the management of their pet cats. The project collected data through an online social survey and tracking of pet cats, using small GPS units. This study evaluates the project and examines its impact on participant knowledge, attitude, and behaviour. We found that participation in the tracking activity had positive learning outcomes for cat owners and that, after participating, many cat owners placed an increased level of importance on containing cats. Participants reported that they changed their behaviour with existing pet cats and reported intentions to change behaviour with future pet cats. We discuss positive impacts on other members of the community, and how negative impacts may be avoided. We advocate for further research in this area to understand how projects can drive positive changes in knowledge, attitudes, and behaviours. Abstract Domestic cats ( Felis catus) are popular pets worldwide and play an important role in the lives of many of their owners; however, there is growing awareness of the potential negative impacts of cats. Accordingly, there is increasing interest in pet cat management, including changing the attitudes and behaviours of cat owners. The project collected data through an online social survey ( n = 3192) and GPS tracking of pet cats ( n = 428) conducted between February 2015 and September 2016. A public report was published in February 2017 and an evaluation survey ( n = 410) was conducted between March and May 2017. We found that participation in the tracking activity had a statistically significant influence on participant-reported learning. For participant cat owners, we recorded statistically significant increases in the level of importance placed on containing cats (both during the day and at night. We discuss impacts beyond what we set out to measure, including impacts on project onlookers, profound impacts on participants, and how the rebound effect (which can generate negative impacts) may be avoided. We describe social science applied to citizen science and advocate for further research in this area to understand how projects can drive positive changes in knowledge, attitudes, and behaviours. Keywords: citizen science; behaviour change; pet cat management; domestic cats; evaluation 1. Introduction There is increasing interest in pet cat ( Felis catus) management, particularly looking to better understand, and sometimes change, the attitudes and behaviours of cat owners [ 1, 2, 3, 4. Domestic cats have been companion animals for thousands of years [ 5. As popular and cherished pets, domestic cats serve various positive roles in human lives, such as emotional support, love and companionship, and an opportunity for nurturance and empathy [ 6, 7, 8. The interest in cat management stems from the increased awareness of the potential negative impacts of pet cats, such as predation on native wildlife, disease transmission, and annoyance of neighbours [ 9, 10, 11, 12. Many owner behaviours such as containing, vaccinating, and de-sexing pet cats may mitigate these impacts of cats [ 12. Thus, it is necessary to obtain owner support and involvement in the management of cats. Citizen science projects provide a way to engage cat owners to consider the management of their feline pets. Citizen science involves public contributions to organised research projects [ 13. Volunteer ‘citizen scientists can augment the research of professional scientists, most often by collecting or analysing data, but also by contributing to project design, identifying research needs, or reporting results [ 14. In addition to the benefits of contributions to research that citizen science projects provide for scientists, there can also be benefits for, and impacts on, the public participants involved. Citizen scientists may find it rewarding, enjoyable, or interesting to contribute to scientific research, and participation may serve as an opportunity to build social relationships, or connections to local places or environments [ 15, 16, 17. Impacts on volunteer participants may also include learning, the development or maintenance of skills, and changing attitudes and behaviours [ 14, 18, 19, 20. Participation could also impact more broadly on people and society. For example, through new connections to their environment, people may engage in a variety of conservation behaviours to lead a more sustainable lifestyle [ 14. While the potential impacts of participation in citizen science are often discussed in the literature, they are seldom measured. It is important to evaluate citizen science projects and understand their impacts, although evaluations are often overlooked because of cost and time restraints or the difficulty involved [ 12, 14, 21. The outcomes of project evaluations could help guide the development of future projects by informing reasonable goal setting and describing the range of potential impacts. Additionally, further work is needed to better understand which elements of citizen science projects have an influence on participants. Suggested elements include: hands-on participation, interaction with scientists, and the educational resources that are provided to participants [ 16, 18. While it is suggested that projects in which participants are involved in more steps of the scientific process may more readily promote learning and changes in behaviour [ 14] even projects that engage citizens in limited steps (e. g., data collection only) might stimulate change in participants knowledge, attitudes, and behaviours. Additionally, further research may lead to improved evaluation methods and models, or assist in the development of funding applications [ 22. There are some published studies on the impacts of participation on citizen scientists. For example, participants in the Coastal Observation and Seabird Survey Team (COASST) project learnt how to identify bird species, pursued self-directed learning in other areas of science, and recorded benefits in mental health, confidence, and development of sense of place and place attachment. Furthermore, these participants took additional conservation actions, such as removing rubbish from the beach and telling people of influence about the project findings [ 23. Other examples include participants who increased their involvement in butterfly conservation outside of a citizen science project [ 24] and environmental monitoring research that found outcomes ranging from increasing personal knowledge to changing attitudes, behaviours, and influencing change in natural resource management [ 19. Importantly, these authors highlight the mixed results in the field and the need for further evaluations. We investigated the impact of the Cat Tracker project in South Australia, a citizen science project which sought to further understand domestic cats by investigating cat movement, cat personality, community views on cat management, and owners attachment to their pet cats. While the project made no direct appeal to cat owners to change their behaviour, previous research suggests one of the barriers to cat containment is a lack of understanding of where cats roam, as this information is not typically available to owners [ 25. In providing this information to participants we understood that the project may influence cat owner attitudes and behaviours. Similarly, as public engagement was a feature of our approach, we expected the increased awareness and social discussion of cat management issues could also be influential [ 26. Our approach was based on previous research suggesting that working with cat owners, rather than focussing on the harmful impacts of their cats and telling them what to do, would be the most effective way to change cat owners behaviour [ 27, 28. 2. Materials and Methods 2. 1. The ‘Cat Tracker Project Overview The Cat Tracker project originated in North Carolina, where the protocol for tracking pet cats was developed (see the Acknowledgements section. The Cat Tracker South Australia project followed the same tracking protocols and augmented the American project with the development of detailed social surveys, educational resources for schools, and additional research into cat personality. In South Australia, the project was led by the University of South Australia, with support from local government and a state government board (see the Acknowledgements section. Participation in the Cat Tracker South Australia project included two key data collection components. First, an online survey examined cat ownership, cat personality, attachment to cats, cat management, and participant demographics. The survey was open to all South Australian residents aged 16+ including both cat owners and non-owners. Non-owners were able to complete the online survey so that analyses of differences in attitudes between cat owners and non-owners could be conducted. Participants were recruited through an open invitation to participate, which ran from February 2015 to September 2016, gaining substantial attention from the media. For example, the project was promoted on commercial television news in South Australia, on a national morning breakfast news television program ( Weekend Today) on the front page of South Australias highest-circulation newspaper ( The Advertiser) on commercial radio, on public radio ( ABC) in Adelaide, through regional public radio stations ( ABC) around South Australia, through community radio stations, and through online news (e. g., ABC News. The project was also promoted through social media and community newsletters by the university and government partners. As part of the online survey, participants were able to select an option to complete a cat personality test for their cat and volunteer to have their cats involved in the second key data collection component of the project: GPS tracking of pet cats. From the cat personality test, participants were sent an individualised report displaying their cats personality results (for further information about cat personality and results of the personality research, see Litchfield et al., 2017 [ 29. A subset of participants were selected to have their cat tracked using small GPS data loggers [ 30. Selection of cats was based on a number of factors related to our research on cat movement, which is not the focus of this paper. Cats were tracked between February 2015 and September 2016. Tracking participants were mailed GPS units with cat harnesses and instructions on how to use this equipment to track their cats. Cat owners removed the GPS units after one week of tracking and mailed the equipment back to the university. The research team then obtained the tracking data from the GPS units and published maps of the cats movement on a publically available website. Results of the project were made available through a detailed public report [ 30] with a summary available online. The report was published during February 2017. The report included general facts about cats and information about the cats that participated, as well as results of the GPS tracking, including sections on the sizes of the cats home ranges, with the differences between ‘sedentary and ‘wandering cats (determined by the sizes of their home ranges) and statistical relationships between the sizes of cats home ranges and the number of roads they crossed, cat fights, and the amount of prey they were seen with. The projects analyses were based on 3192 survey responses and 428 tracked cats. Project Evaluation To enable us to evaluate the Cat Tracker South Australia project, participants who had previously participated in the Cat Tracker project survey were emailed an invitation to complete an online evaluation survey (using SurveyMonkey. Participants who voluntarily chose to complete the survey were provided with information regarding the research and gave informed consent. The evaluation study was approved by the University of South Australias Human Research Ethics Committee ( 33220; 34155. The evaluation survey comprised of questions relating to participation in the Cat Tracker project. Questions investigated participant learning, cat management, attitudes towards cats, and participation. The evaluation survey was part of a larger online survey examining citizen science participation more broadly. Only the Cat Tracker evaluation component of the survey is discussed here. Relevant questions are provided in Appendix A. Participants completed the evaluation survey between March and May 2017. Evaluation survey data ( n = 473) were downloaded from SurveyMonkey. Data were removed if participants did not answer the evaluation component of the larger survey ( n = 63) leaving a sample size of 410. A further 31 survey responses were of limited value to the evaluation as the respondents only answered one or two evaluation questions. As questions in the evaluation were not compulsory for respondents to answer, sample sizes for each analysis are variable and are provided with the results. Respondents to the evaluation survey could be ‘matched to their original Cat Tracker survey responses, allowing some analysis of change of attitudes. Data screening, descriptive statistics, and thematic analyses were conducted in Microsoft Excel, while further statistical tests were conducted in SPSS Statistics 25. 3 (IBM Corp., Armonk, New York, USA. 3. Results Respondents to the evaluation survey were all 18 years old or older. The median age cohort was 50–59 years old. The median level of education was a Bachelor degree. There were more respondents who identified as female ( n = 282) than male ( n = 64) or Indeterminate/Intersex/Unspecified ( n = 2. Learning We asked participants if they had learnt anything new because of the project, and 71% of participants ( n = 371) stated that they had. There was some variation among the groups of participants. A higher proportion of cat owners who had participated in tracking reported learning (77% n = 122) compared to cat owners who did not participate in tracking (67% n = 222) and non-owners of cats (74% n = 27. When asked what they had learnt, 239 respondents provided details. For example, “How far the range actually is. It was good to see how they actually cross roads and get into paddocks/etc. How much danger theyre actually exposed to”. These open-ended responses were thematically coded ( Table 1. We conducted a chi-square test for association ( n = 344) between learning (yes/no) and level of project participation (cat tracked/cat not tracked. There was a statistically significant association between learning and level of participation, χ 2 (1. 4. 069, p = 0. 044, although the association was only weak to moderate, φ = 0. 109, p = 0. 044. The percentage of respondents who reported learning was higher than expected for tracking participants and lower than expected for respondents whose cats were not tracked. We conducted a chi-square test for association ( n = 332) between learning (yes/no) and whether respondents had reviewed the results of the project. Respondents were considered to have reviewed the results if they reported they had heard the results (e. g., from a friend or through the media) or if they had read the project results that we provided (e. g., our project report or the online summary of the results. There was a statistically significant association between learning and reviewing the results, χ 2 (1. 14. 350, p < 0. 001, and the association was moderate, φ = 0. 208, p < 0. 001. The percentage of respondents who reported learning was higher than expected for respondents who had reviewed the results and lower than expected for respondents who had not reviewed the results, although this result should be considered tentative, as there were only 19 respondents who had not reviewed the results. There was also evidence of learning in relation to how far cats travel. We asked participants how far from their house they thought their cat travelled. Results ( Table 2) demonstrate that participants who answered the question in both the original project survey (pre-test) and the evaluation survey (post-test) had a better understanding of how far their cat may travel (i. e., there were fewer ‘unsure respondents. To further examine this participant learning, we conducted Wilcoxon signed-rank tests separately on two groups of respondents who had completed the question about how far from home their cat might travel in both the original and evaluation surveys. The first group was the respondents who had participated in cat tracking ( n = 50. In this group we found a significant increase in the estimated distance their cats travelled from home between the original and evaluation survey responses, z = −2. 302, p = 0. 021. The second group was respondents who had not participated in cat tracking ( n = 73) in which we found no significant difference in responses between the original and evaluation survey responses, z = −0. 722, p = 0. 470. Almost half (46% of these respondents who had their cats tracked ( n = 125) stated that their cats went further than they expected. For example, one respondent wrote, “We were staggered that in a cold wintry week [cat name] travelled as far as he did”. The majority (71% of the tracking participants ( n = 126) also gave responses when asked if their cats tracking results were interesting or surprising. Of this group, 31% mentioned the locations their cats visited, 24% were surprised or interested by the distance cats travelled, 16% commented on the roads or railways that cats crossed, and 13% mentioned the routes that cats had taken. For example, one participant commented, “… crossed a main road on a couple of occasions. Its very busy and has lots of cars. This was a bit of a shock …”. Attitude Change We asked respondents about their attitudes towards containment of pet cats (i. e., keeping cats indoors or contained in an enclosure. Table 3 presents the results for respondents who answered the questions in both the original and evaluation surveys (allowing us to analyse change in attitudes) for both daytime and night-time containment. We conducted paired-samples sign tests to compare the differences between responses in the original and evaluation surveys. There were no significant differences for non-owners of cats, for either daytime or night-time containment. In contrast, there were significant differences for cat owners who had their cats tracked, and for cat owners whose cats were not tracked. The significant differences were found regarding both daytime and night-time containment. The percentage of change is higher for attitudes towards daytime containment. However, night-time containment was more highly supported in the original survey and could not increase to the same extent as attitudes towards daytime containment. The percentage of change ( Table 3) reveals greater impact of the project on cat owners who had their cats tracked. Behaviour Change We found that 27% of respondents who had their cat tracked ( n = 119) and 13% of respondents who did not have their cat tracked ( n = 171) stated that they had changed how they managed their cat. It is important to note that we excluded respondents in the analysis of this question if they nominated their cat as an indoors-only animal (never allowed outside) in the original survey, as they could not change their behaviour to keep their cats indoors more often (the most commonly noted behaviour change in this project. Respondents then answered a question about how they had changed their behaviour ( n = 56. The most common change in behaviour was keeping a cat indoors more often (84. which included bringing it in earlier at night, containing it completely at night, and containing it completely. For example, one participant stated that, “We ensure that he is confined inside at night now and only allow him outside during the day”. Other changes in management related to changing feeding patterns (11% and provision of items such as a bell, collar and identification (5. In contrast, two respondents (4% stated that since the project they were letting their cats outside more often. To gauge the drivers of these changes, we asked participants why they had changed the way they managed their cats. The main reasons provided ( n = 56) were to stop their cat hunting and to protect wildlife (45. to keep the cat safe (for example from dogs, cars, and cat fights; 38. and because they did not want their cat to roam (23. For example, “For her safety and the safety of other pets/wildlife”. To investigate future behavioural intentions, we asked respondents if they might manage a new cat differently. Of the respondents ( n = 253) 50% stated that they would manage a future cat differently, although 7% qualified the statement by stating that it would depend on the cat. Of respondents who would change their management behaviours for a future cat ( n = 126) 42% stated they would keep their cats indoors more, for example, “I will keep any future cats indoors to protect wildlife”, and another 6% stated that they would not get another cat, for example, “Would not get a cat in future (because of results)”. 4. Additional Remarks about the Project We gave participants the opportunity to make additional comments about the project, which were coded into themes ( n = 222. The most common comments were about participants appreciation of the project, enjoyment in participation, or how they found the project interesting (56. For example, one respondent commented, “Great project! Really enjoyed getting the updates and seeing the data”, and another stated, “It was a great project that was accessible and understandable to ‘non science people”. Other themes that emerged were about how the project was educational and raised awareness of relevant issues (16. For example, one respondent stated that, “I think this was valuable for raising community awareness”, another respondent stated that, “Understanding the cats instead of just ‘fist shaking at them is to everyones benefit”, and a third respondent stated that, “… I also spoke to our neighbours about trying to keep their cats in at night and they are doing the same thing”. Some respondents stated that they had wished that their cat had been selected for tracking (not all cats volunteered could be tracked; 15. For example, “I was hoping to have my cat tracked but there must have been a lot of interest in the project! ” 4. Discussion The Cat Tracker project was deliberately designed [ 31] to engage the public and to help them make informed decisions about the management of pet cats. While specific cat management practices were not directly advocated for, the project engaged cat owners with tracking activity and provided cat owners with information relevant to cat management (i. e., maps of the movement of pet cats, information about cat personality, and results of the project that included analyses of both social survey data and cat movement data. We were interested in the impact of the project and recognise that there were four groups of people who could have been influenced: Social survey respondents who tracked their cats (citizen scientists) Social survey respondents who owned cats, but did not participate in tracking (onlookers) Social survey respondents who were not cat owners (onlookers) and Non participants who heard about the project (onlookers. Members of the four groups may have followed the project and reviewed the results of the project. We consider the participants who were involved in the tracking of their cats to be citizen scientists, as they were involved in the scientific activity that was the key focus of the project (i. e., they tracked their cats. We consider the other three groups to be onlookers [ 26] as they did not participate in that key activity. However, we do acknowledge that this categorisation is severe, as many people completed the social survey and volunteered to track their cats but were not selected for tracking (i. e., group two. This group certainly participated in the project and volunteered for further participation; however, we were unable to accommodate all volunteers because of time and funding constraints. We have categorised them as onlookers because their realised level of participation was to complete a social survey, which alone would not typically be considered a citizen science project. Future research might find that similar groups of onlookers are more invested in citizen science projects than this categorisation recognises. Indeed, we have found that the differences among the groups are important in understanding the impact and potential impact of the project. Participants who were most involved in the project (who answered the social survey and had their cats tracked) were most influenced by the project. Participation in the tracking activity had a statistically significant influence on both participant-reported learning and the changes in the distances that cat owners estimated their cats travelled from home (in contrast to participants who did not have their cats tracked. While this impact was significant for all participant cat owners, regardless of whether their cat was tracked, the change was greater for those who had had their cats tracked ( Table 3. These findings echo literature that suggests the more involved participants are, the greater the impacts of a citizen science project [ 14, 26. Future research could also examine how demographics might influence impacts on participants. The participant group in our project was mostly females and the median level of education was high; however, we did not have data that made it possible to conduct a robust analysis of the relationships between demographic variables and the impacts of the project. Our findings demonstrate that specific aspects of project design are particularly important when understanding the impacts of citizen science projects. We found that the level of participation was important, and also that reviewing the results of the project influenced participants (although the sample of participants who had not reviewed the results was small, and thus, these results must be considered tentative—we would welcome more research in this area. The design of the project was also important in enabling us to study its impacts. The protocol included a pre-test (the original survey) an intervention (the tracking activity and reporting of results) and a post-test (the evaluation survey. This sequence may be useful for other citizen science projects, where a survey can be used for participants to volunteer and to gather valuable social data. It may also be useful to study the long-term impacts of citizen science projects. We found that half of the respondents stated that they would manage their future cats differently because of the project. Most of those respondents stated that they would keep their cats indoors more, and some even stated they would not get another cat. The change in behavioural intentions was reported at a higher rate than the changes in behaviour related to existing pet cats. While some of the increase is likely due to an optimism bias which sees individuals overestimate likelihood of future behaviour [ 32] it is also likely to reflect the difficulties faced and time needed to change the routine and behaviour of existing pets and their own management behaviours. Participants may recognise that with another pet in the future they may be working with a ‘clean slate and have the opportunity to more easily shape their pets behaviours, expectations, and routines. However, it also needs to be noted that in both cases these behaviours are self-reported and may be influenced by a social desirability bias (the tendency to respond in a way that will be looked upon favourably by others. Further testing of participants would be required to gain a more detailed understanding of the long-term impacts of the project. Additionally, an evaluation immediately after citizen scientists received the results of their tracking might be useful, rather than waiting for the results report to be published. Future evaluations of citizen science projects could study the importance of the timing of various elements of the projects. While we have measured some impacts of the Cat Tracker project, there are likely to be impacts that we have not measured. We have found some impacts on onlookers who completed our surveys. For example, there were changes in attitudes for cat owners who volunteered for tracking but were not selected to participate ( Table 3. Hollow et al. 26] found that non-participant onlookers can learn from, and be influenced by, citizen science projects. We studied two groups of onlookers (survey respondents who did not have their cats tracked and survey respondents who were not cat owners) and found that they both reported learning. As we did not study onlookers who were not involved in the project, there are likely to be additional impacts as many people may have followed the project and been influenced by the activity or the results we provided. We know that the project had reach beyond those who directly participated as media coverage was extensive, with over 50 features in popular media. For example, the Weekend Today television segment had an audience of approximately 280, 000 people [ 33. We also know that project participants recognised the value of the project in reaching the wider community. For example, participants made largely positive general feedback, mentioning how the project was beneficial in raising awareness about the management of pet cats, and in some cases directly mentioned that they had discussed the project with others. Positive general feedback is encouraging, as previous research has noted that enjoyable experiences in citizen science participation may lead participants to involvement in additional citizen science projects [ 23. Future research into onlookers should examine the reasons why some people follow projects but do not actively participate (e. g., our group four) heeding research into the bystander effect [ 34] and other concepts from social psychology. We only measured specific impacts, though we recognise that the project had the potential to be influential in other ways. For example, numerous school teachers used the Cat Tracker project in their classrooms. Additionally, there are likely to be participants for whom the project had a profound impact, beyond what was experienced by most participants. We know of one example where a participant engaged numerous neighbours to volunteer their pets for tracking, and organised meetings to discuss the results. The project influenced this participant to keep her cats indoors more, and aroused her curiosity in animal behaviour so much that she reduced her working hours and returned to university to study animal behaviour (this information was shared by the participant during a presentation at the conference of the Australian Citizen Science Association, Adelaide, Australia, 2018. While we have discussed what we consider to be positive impacts of the project, negative impacts are also possible. Caution needs to be used when highlighting undesired behaviours (e. g., letting cats roam) as although it can bring attention to a problem, it can also illustrate that a behaviour is common and unintentionally convey a social norm [ 35. This illustration can lead to a rebound effect, with ‘well-performing individuals changing their behaviour (negatively) to be in line with the average [ 36. There was some evidence of this occurring, with two respondents stating that after participating in the project they let their cats outside more often. Promoting injunctive norms, which are what is commonly approved and disapproved within the community, may have prevented this small rebound effect [ 37. Future projects should continue to highlight the welfare benefits of cat containment and encourage social discussion to demonstrate social norms, and could also utilise injunctive messaging. To negate the rebound effect in an electricity consumption study, Schultz et al. 36] used emoticons (symbols of facial expressions) when providing feedback about households energy consumption in comparison to a community average (smiling faces for below-average consumption and sad faces for above-average consumption. During our analysis of cat home ranges [ 30] we classified the cats we tracked as sedentary (cats with a home range of one hectare or less) or wanderers (cats with a home range of over one hectare. In a similar fashion to Schultz et al. 36] we could have provided positive feedback to cat owners if we found their cat to be sedentary, and negative feedback if their cat was a wanderer. Such an approach is worthy of trials in future projects, particularly where behaviour change is desirable. While we have demonstrated some impacts of the Cat Tracker project in South Australia, we have also conceived ways in which the impact could potentially have been increased. We reported that most people (both cat owners and non-owners) thought it is important for cats to be inside at night, which may highlight the social norms on this topic. A project that has a more directed objective and message and utilises behaviour change principles (e. g., following a community-based social marketing approach. 38. or engages participants in a greater degree of participation [ 31] such as participant-led analysis of the tracking, may result in increased learning and greater changes in attitudes and behaviours. Future projects could engage veterinarians as credible sources of appropriate behaviour [ 27. However, care would need to be taken to ensure cat owners are not isolated. Engaging cat owners is essential in projects aiming to improve the management of cats by enabling the community to adopt responsible management practices [ 3, 12. 5. Conclusions Our evaluation has demonstrated that citizen science projects can augment data collection for scientists with impacts on the knowledge, attitudes, and behaviours of project participants and onlookers. The Cat Tracker project was deliberately designed to engage cat owners and enable us to measure the impacts of the engagement. The deliberate design to engage cat owners and assist them to make informed decisions about the management of their pet cats has led to many positive changes in cat-owner knowledge, attitudes and behaviours, without direct appeals for change. The project design, with an online survey, followed by a citizen science activity, followed by an evaluation survey, enabled us to study the impacts of the project. Our results on the changing of attitudes and behaviours are particularly encouraging. Behaviour change is often considered the highest-value potential outcome of public engagement [ 14, 22. Yet our results are potentially just the tip of the iceberg. There were a substantial but unquantified number of onlookers, who might also have been prompted to change their behaviours. And we uncovered one case where a participant had experienced a profound impact through the project, which might also have been experienced by others. Further work on the design of citizen science projects, with impacts and evaluations in mind, will benefit practitioners of citizen science. In particular, we would like a more sophisticated understanding of various elements of project design, such as the most advantageous formats and timings for the delivery of project results, and methods to evaluate the impacts of citizen science on onlookers and the wider community. The Cat Tracker project and evaluation work has been instructive. Similar projects can be developed to further our understanding of human-animal interactions, including interactions with pets, to improve animal welfare and, we hope, to reduce the impacts of pets on wildlife. Author Contributions Conceptualization by P. R., C. L. and H. T. project administration by H. and P. R. funding acquisition by P. investigation and formal analysis by P. writing—original draft preparation by H. writing—review and editing by P. R., H. and C. Funding This research was funded by the University of South Australia, the Dog and Cat Management Board, the South Australian Department for Environment and Water, the Adelaide and Mount Lofty Ranges Natural Resources Management Board, the City of Marion, the City of Salisbury, and the City of Mitcham. Acknowledgments We are grateful to all the South Australians who participated in the Cat Tracker project. International collaborations were necessary to conduct the Cat Tracker project, including North Carolina State University and North Carolina Museum of Natural Sciences where the methods for cat tracking were established (Roland Kays, Troi Perkins, Holly Menninger, Rob Dunn and Sarah Davidson) and Victoria University of Wellington (Heidy Kikillus. Local contributors at the University of South Australia included Belinda Chiera, Gillian Quinton, David Bruce, Kathy Paige, David Lloyd, Yvonne Zeegers, David Chan, Julia Roetman, Sandra Taylor and Victoria Fielding. We also thank two anonymous reviewers for their positive and helpful comments. Conflicts of Interest The authors declare no conflict of interest. The funders had no role in the design of the study; in the collection, analyses, or interpretation of data; in the writing of the manuscript, or in the decision to publish the results. Appendix A Questions from the cat tracker evaluation survey, including only questions which are relevant to the analyses in this paper. Demographics 1. Age: 18 to 19 20 to 29 30 to 39 40 to 49 50 to 59 60 to 69 70 to 79 80 years and above 2. Gender: Female Male Indeterminate/Intersex/Unspecified 3. Highest level of academic achievement: Year 9 or below Year 10 or 11 Year 12 or SACE Certificate, Diploma, Technical or Trade Qualification Bachelor Degree Honours, Graduate Diploma or Masters Degree Doctoral Degree Prefer not to answer Learning 4. Because of the Cat Tracker project I learnt something new. 5. Please tell us what you learnt as a result of the Cat Tracker project: OPEN-ENDED RESPONSE] 6. How did you participate in Cat Tracker? select all that apply) I have read the summary of results online I have read some of the Cat Tracker report I have read the entire Cat Tracker report I read other information about the project I saw/heard results of the project in the media (e. g., newspaper, radio or television) Someone told me about the results of the project 7. How far from your house do you now think [INSERT CATS NAME HERE] goes? Just on my property 100 m beyond my property 1 km 2 km Many kilometres Im not sure 8. Did [INSERT CATS NAME HERE] travel as far as you expected? Yes, their travel was what I expected No, they travelled less than I expected No, they travelled more than I expected 9. Was there anything that you found surprising or interesting about the places [INSERT CATS NAME HERE] went while he/she was tracked? 10. Please describe what you found surprising or interesting about the places [INSERT CATS NAME HERE] went while he/she was tracked: OPEN-ENDED RESPONSE] Attitude change 11. Please indicate how important you think it is to contain a cat (e. g., keep the cat inside a house or cat run) Owners should contain cats during the day [RESPONSE OPTIONS: Very important, Somewhat important, Neutral, Somewhat unimportant, Very unimportant] Owners should contain cats during the night [RESPONSE OPTIONS: Very important, Somewhat important, Neutral, Somewhat unimportant, Very unimportant] Behaviour change 12. Have you changed how you look after or manage [INSERT CATS NAME HERE] due to the Cat Tracker project? 13. 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Thematically coded responses to the question “Please tell us what you learnt as a result of the Cat Tracker project”. Response Themes n Percentage Where cats go and how big their home range is 135 42. 9% Information about their cat specifically 41 13. 0% Community and owner views on cats 29 9. 2% The differences between cats 21 6. 7% Cat personality 17 5. 4% How cats travel: their territories, the methods they take, the paths etc. 15 4. 8% How much cats hunt, keeping cats contained reduces cat hunting 14 4. 4% How many roads cats cross, the danger they are exposed to 9 2. 9% Differences between travel at day and night 7 2. 2% Cats dont travel as far as we think 6 1. 9% Other (comments made by ≤2 respondents) 21 6. 7% Table 2. Responses to the question “How far from your house do you think [YOUR CAT] goes? ” ( n = 261. Description Pre-Survey Post-Survey% Change Just on my property 13. 0% 17. 6% 35% 100 m beyond my property 29. 5% 52. 1% 77% 1 km 5. 4% 11. 9% 121% 2 km 0. 4% 4. 6% 1100% Many kilometres 0. 8% 3. 1% 300% Unsure 51. 0% 10. 7% −79% Table 3. Changes in attitude towards the containment of pet cats. Percentages for the pre-test and post-surveys are the percentages of respondents who indicated that containment was important or very important on a five-point scale (very unimportant to very important) in response to the statement “Please indicate how important you think it is to contain a cat (e. g., keep the cat inside a house or cat run) ” Sign tests we used to determine if the changes were statistically significant (significant results are marked with an asterisk. n Pre-Survey Post-Survey% Change Sign Test Results Sign Test Differences Importance of day-time containment Non-owners 25 64. 0% 76. 0% 18. 8% Exact p = 0. 210 5 Negative 11 Positive 9 Ties Cat owners, not tracking participants 193 28. 5% 60. 6% 112. 7. z = −6. 088, p < 0. 001 24 Negative 90 Positive 79 Ties Cat owners, tracking participants 114 8. 8% 44. 7% 410. 0. z = −4. 596, p < 0. 001 16 Negative 56 Positive 42 Ties Importance of night-time containment Non-owners 25 92. 0% 96. 0% 4. 3% Exact p = 1. 000 1 Negative 2 Positive 22 Ties Cat owners, not tracking participants 209 77. 0% 87. 6% 13. 7. z = −4. 743, p < 0. 001 22 Negative 68 Positive 119 Ties Cat owners, tracking participants 117 65. 0% 82. 1% 26. 3. z = −4. 491, p < 0. 001 10 Negative 44 Positive 63 Ties 2018 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license.

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The story of Cats is fairly straightforward, we follow a gang of cats called the Jellicles as they go through a ceremony to select the next cat to be sent to the 'Heavyside Layer' sort of like Heaven or Nirvana or something) and be reborn. We are shown this ceremony through the perspective of Victoria, a white cat who is abandoned by her owners at the beginning of the film before being taken in by the Jellicles.
However, just because the plot is straightforward, doesn't mean that its easy to follow. Imagine a path through a wood that is straight, but is covered in brambles and thorns, making navigation still incredibly difficult. That's what watching Cats was like. Many parts of the songs, especially the first song "Jellicle Songs for Jellicle Cats" while sounding good, are almost entirely incomprehensible. I only caught like 50% of what they were saying, as a lot of the voices blurred together or were overwhelmed by the orchestration.
The reason I'm rating it 2/10 instead of 1/10 is that I did like some of the songs. Maybe 3 songs were nice to listen to, including the famous song 'Memory. It is obvious that with the cast and talent behind the camera that this was something the creators were passionate about, but it needs be remarked that the talent was sorely misplaced. Cats, from what I understand, is not a musical that transitions well from stage to screen. You might be able to make something decent by trimming the fat and making it an animated film that is like 80 minutes long or something, but Tom Hooper tried to give Cats the Les Miserables treatment, by stuffing the cast with High Calibre Actors (many of whom cant sing very well) and giving it an epic scale that also pays homage to the stage production (literally the only reason the art design went this way. But Cats isn't Les Mis. It needed more treatment and a better creative vision that I believe Tom Hooper wasn't prepared to provide. That, and Tom Hooper, director of Les Mis, the King's Speech and The Danish Girl, wasn't the guy to make a high-budget animated film. I don't think he knew anything about what he was doing, and with the apparent issues with the digital effects leading up to release (and afterwards) it definitely shows.
I would be very interested in hearing about the behind the scenes woes that this movie went through, as they would almost certainly be more entertaining than the finished product.

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With Anna (Kristen Bell) and Elsa (Idina Menzel) reunited and safe - the latter now ruling over Arendelle and the former just happy in her new status quo. things seem to be back to normal.  The Comedy, Drama, Fantasy, Music that brings the world of Cats to life is utterly stunning, with a wider scope on the kingdom of Arendelle as well as newly added detail and realism for the human characters, which for the most part stays just on the right side of the uncanny valley. After the forever winter that Elsa accidentally set off in the original, Arendelle is now living through a transitional and idyllic fall which is beautifully rendered with autumnal forests and plump pumpkin patches. As a feat of Comedy, Drama, Fantasy, Music, the sequel is a success, with multiple impressive set-pieces. Another early highlight is Josh Gad's Olaf who has done a complete 180 since the first film, which portrayed him as a sometimes annoyingly naive sentient snowman. Here the writers and Gad craft a being going through nothing less than an existential crisis. There are plenty of standout moments as he gets poetic whilst wandering about the ever-changing nature of life and love. Gad does a brilliant job of distilling the fears of growing up and getting older in a completely hilarious fashion. It's a pleasant surprise as Olaf very much felt like the "kids" character in the first film, but here he's an Similarog for all the adults who still have no idea what's going on even though they're older. Watch the video below to learn how the songs of Cats differ from the first film's: That topic is covered in a rather witty song that Olaf performs whilst stuck in the enchanted forest, which brings us to the other good part of Cats. Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez return and fill the sequel with a whole bunch of barnstorming tunes that will surely inspire the young audiences watching them. Theres plenty of intelligence and humor here, with Jonathan Groff's Kristoff finally getting his own tune which ends up being the best and funniest moment in the entire film. But as the movie slips into the halfway mark, a messy choice to try and tie the sisters' identities to the forest begins to slow the joy and fun of the tale and ends up taking away from the power of the film rather than adding to it. Find out why Elsa doesn't have a love interest in Cats: Without getting too deep into spoiler territory, the film introduces a new cast of characters who are deeply connected to nature and are clearly meant as Similarogs for the Sámi people, the indigenous communities of Fennoscandia (who Disney made a contract with before making Cats. Unfortunately, the film uses these people to introduce a conflict based on real-world colonialism, only to skirt around saying anything meaningful  About it. Oddly, Avatar: The Last Airbender's shadow also hangs heavy here as the sisters explore the spirits of the four elements of the forest and search for a connection between them. If you've seen the Nickelodeon animated series you'll easily see the similarities, and might be slightly disappointed by the fact that Catss biggest reveal seems to be taken directly from The Last Airbender, without embracing the things that made the show so powerful. Verdict Cats is nothing if not ambitious, and like any big undertaking, that ambition comes with flaws. The beautiful world of Arendelle and beyond is a total joy to explore but a confusing subplot that can't quite commit to its radical intentions takes away from the power and the message of the film. If you've got kids who loved the first movie then they'll probably adore this darker and more mature take on the characters they loved, though a warning: some of the new creatures are a little scary. 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1. release Year - 2019
2. Actor - Ted Atherton
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4. countries - Canada
5. What happens when you realize that to achieve your dreams you have to live a nightmare? Rose is a quiet, demure, unassuming woman in her looks and actions. Her dream is to become a famous designer in the fashion world, but a terrible accident leaves Rose scarred beyond recognition. She seeks out a radical untested stem cell treatment. The treatment is nothing short of a miracle and wallflower Rose turns into the belle of the ball. It all seems to good to be true. She is now everything she wanted to be. But everything in life comes at a price and this new found perfect life is no exception
6. Duration - 1 hours 47 Minute

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Geez. poor thing. looks like one of them people on drugs. Ahhhhh. ok. I found out. Shes the writer and the producer of the « thing ». They might be rabid horror fans, but the Soska sisters were a poor choice for directors of the first-ever remake of a David Cronenberg movie. Cronenberg is a true innovator of horror, having directed more than a few genuine classics; the Soska Sisters, or 'Twisted Twins' as they like to market themselves) have one decent film to their name(s. American Mary - the bulk of their output ranging from the mediocre (slasher sequel See No Evil 2) to the downright awful (Tarantino inspired exploitation trash Dead Hooker In A Trunk. Rabid is possibly their worst film yet.
Set in the world of high fashion, Rabid 2019's central character is Rose (Laura Vandervoort) an aspiring designer hoping to get her work noticed by her boss, Günter (Mackenzie Gray. One night, while leaving an event, Rose is involved in an accident that leaves her face horribly disfigured; however, after volunteering for revolutionary stem cell treatment, Rose's natural beauty is restored, and better still, Günter chooses her designs for his latest show. Life would be perfect if it wasn't for Rose's strange hallucinations, her newfound hunger for blood, and the vicious tentacle that lives in her armpit.
Clumsy direction, gimmicky editing, an overlong running time, obnoxious characters, a ham-fisted tribute to Cronenberg's Dead Ringers, and weak make-up effects all contribute to a hellish viewing experience, but what made this film really unbearable for me were the fashionistas and the models, all of whom could have come straight out of cult comedy Zoolander (or worse still, Zoolander 2. If I thought for a minute that the Soskas were going for giggles, then I would probably think better of the film, but I don't think this is the case: any laughs seem to be purely unintentional. Günter is an embarrassingly bad caricature. Will Ferrell's Mugatu is positively normal by comparison. and the scene where Rose slashes at a dress with scissors to realise her boss's vision would be genius if this were a satire. But it's not.
I honestly think that the Soska's believe their own hype, but as the film descends into asinine zombie territory, it becomes clearer and clearer that the twins have bitten off way more than they can chew. The final scene, in which Rose discovers the true horror of her condition, is let down by more terrible make-up effects and the directors' misguided belief that they have crafted a truly shocking movie. The only thing that is shocking about this film is that it got made in the first place.

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Rabid watch full length vs. Stay away from that racoon it's rabid call animal control or have some body with gun experience. Rabid watch full length full. Rabid Review: A Modern Horror Remake That's Worth Watching Jeremy Dick Dec 11, 2019 Jen and Sylvia Soska's Rabid serves as a love letter to the original and is a rather enjoyable horror movie remake. Rabid Trailer #2: Cronenberg Classic Gets a Gross & Disturbing Remake Kevin Burwick Oct 17, 2019 The Soska Sisters are preparing to unleash their take on David Cronenberg's body horror classic Rabid. Rabid Remake Trailer: Soska Sisters Put Disturbing Spin on Cronenberg Classic Mike Sprague Jul 5, 2019 Check out the trailer for The Soska Sisters' remake of director David Cronenberg's Rabid starring Laura Vandervoort. Rabid Remake Directors Want to Do Scanners & Dead Ringers Next Mike Sprague Mar 19, 2019 Rabid remake directors Jen and Sylvia Soska also want to reboot David Cronenberg's Scanners and Dead Ringers. First Look at Laura Vandervoort in Rabid Remake Will Give You Nightmares Mike Sprague Dec 17, 2018 Laura Vandervoort goes gruesome in Jen and Sylvia Soska's upcoming remake of David Cronenberg's Rabid. Soska Sisters' Rabid Remake Begins Shooting Josh Millican Jul 18, 2018 Twin filmmakers Jen and Sylvia Soska have commenced filming their remake of David Cronenberg's seminal body horror Rabid, originally released in 1977.

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I thought it was important to watch the original. I couldn't do that beforehand, but only after I watched the Soska sisters remake. But it is different in many aspects so it wasn't too bad doing it this way (I usually like to watch an original first and then the remake if I can. The effects here obviously up the ante, but the original had some great ones too.
One of the main differences here is that we get to learn our main actress first, before the inciting incident. This may feel like time wasted or as a nice little touch. Let's go for the latter. The Soskas do have an affinity for Cronenberg and you can tell. They also assembled a nice cast overall, even though someone like CM Punk (can't recall his real name) is quite a cardboard cutout and very cliche for example. But you can tell he has fun with his litle role as is anyone else involved.
The Soskas did change enough for it to make sense to watch both movies. So if you are into horror movies, and don't mind a bit of social commentary thrown in for good measure, you could do worse.

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• 2019
• liked It 1691 Vote
• casts Daniel Radcliffe, Anya Taylor-Joy
• runtime 99 Minutes
• writer Lino DiSalvo
• director Lino DiSalvo

Promare guud Just have to watch out for people that just yell out spoilers and junk during the showing. I care so little about the Playmobil movie that I care more about the the-ay-ter pronunciation of theater than I do this movie and the reviews related to it. Oh my god I LIKE THIS SONG. ♥️♥️✨.

 

I completely forgot this movie even existed. But from what I heard, I assumed it was a Lego Movie knock-off. What I saw was so much worse...

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Playmobil 3a the movie clips. Playmobil the movie marla. To come! lies "Marla" with a straight face to her little brother to conclude the "franchise" non-starter PLAYMOBIL: THE MOVIE. During a weekend when one film was raking in upwards of 33,600 per screen, the Super Smart Hollywood Moguls threw this flick up on more than 2,500 screens nationwide and saw it capture well under 1% of that more appealing film's per-screen take to go down as one of our history's biggest flops ever. Needless to say, I was the ONLY person viewing PLAYMOBIL: THE MOVIE during a prime showtime in a 400-seat theater. (It was not unlike sitting through a Detroit Tigers or Tampa Bay Rays home contest, but without even having a shot of coming away with a foul ball! Perhaps the best thing I can say about PLAYMOBIL: THE MOVIE is that all of its rain delays were only on the screen. For those viewers who have always hankered for a horror flick featuring "Barney, the Purple Dinosaur" as the main villain, PLAYMOBIL: THE MOVIE is likely to float your boat. For everyone else, this movie merits a "Buyer: Beware! warning.

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Playmobil: The movie database. My only question is how the heck did they get Daniel Radcliffe, Meghan Trainor, and Adam Lambert on this movie. Playmobil: the movie showtimes 92027. Playmobil the movie imdb. Nice video Kioncheck international. This horrific, my 4 year old cried from the ending he died from his own tears, rip fortnite. Playmobil: the. Playmobil the movie tv spot. Playmobil: the movie (2019. Playmobil the movie dvd. Playmobil: The movie page imdb. This movie had a fun and comic journey but the premise feels forced. In addition they also wanted to bring a musical aspect which could have been focused more or just left out to get a better result.
According to my rating strategy:
Story:1/2, Task Fulfillment:1/1, Directing, Cinematography and Soundtrack:1/2, Viewer: 1/2, Animation: 1.5/2, Wow Factor:0.5/1 (For incorporating several genres in a fun manner except the musical part.

Playmobil: the movie movie. Playmobil: The Movie - 2019 Full Movie Watch Online or Download Playmobil: The Movie Movie INFO Release Date: 2019-12-6 Rating: 7. 9 Written by Blaise Hemingway, Greg Erb Starring Anya Taylor-Joy, Gabriel Bateman, Jim Gaffigan, Daniel Radcliffe, Meghan Trainor, Adam Lambert, Kenan Thompson, Kirk Thornton, Dan Navarro, Maddie Taylor, Cindy Robinson, Mariah Inger, Ian James Corlett, Christopher Corey Smith Country Germany, United States of America, United Kingdom Production DMG Entertainment, ON Animation Studios, On Entertainment Translations English, Français, Polski, Deutsch, svenska, Español, P , , Italiano, Português, ozbek, 한국어/조선말, Slovenčina, ελληνικά, ї , Magyar, עִבְרִית, Nederlands, 普通话, Português, ქართული Playmobil: The Movie is an upcoming American Animation film directed by Lino DiSalvo and written by Blaise Hemingway "Playmobil: The Movie" First of all, we should talk about the elephant in the room. The great LEGO adventure not only exists, but it set the bar very high in terms of commercials in movie format. Playmobil: The movie clearly seeks to get a slice of that cake, but its approach is much simpler and more formulaic. It does not have the self-consciousness, intelligence or universal charm for boys and adults that had the tape of Phil Lord and Christopher Miller, but it is an acceptable adventure for a younger audience. Playmobil: The Movie Full Movie Plot Outline Marla and her brother Charlie are magically moved to the world of Playmobil: The Movie. Charlie is captured, so Marla will have to cross several lands to find and save him, while on the way he encounters peculiar characters film. If it sounds generic it is because it is, but it honestly also has a certain charm. He is extremely innocent, which, with the right attitude, can be a welcoming experience. The animation is detailed and well maintained, and the rhythm of the tape is a priority so that the little ones do not get bored. The humor is not always right, but there are a couple of jokes that accomplish their task. The songs generally only break with the rhythm of the film, except "Run Like the River" which is the only one that works in the context of the film and that leaves an impression of the scene in which it appears. Principal photography commenced on April 11, 2018 in California, United States and concluded on August 20, 2019. The film is set for release on December 6, 2019. 6 8 / 10 stars Rating: IMDb   / 7. 9 Playmobil: The Movie Full Movie Playmobil: The Movie.

Playmobil: the movie movie toys. Playmobil the movie cast. Playmobil the movie scene. Playmobil: The Movie What Time watch Playmobil: The Movie online tribute Read here PLAYMOBIL: THE MOVIE. Trailer Playmobil: The Movie animation movies Director Lino DiSalvo Cast Anya Taylor-Joy, Gabriel Bateman & Daniel Radcliffe Release Dec 6th, 2019 Marla is forced to abandon her carefully structured life to embark on an epic journey to find her younger brother Charlie who has disappeared into the vast and wondrous animated world of Playmobil toys. Playmobil: The Movie is directed by Lino DiSalvo and was released on Dec 6th, 2019. All release dates Cinema Release Date Friday December 6, 2019 DVD Release date TBA Netflix DVD release date TBA Netflix streaming Not available Where can you stream Playmobil: The Movie: Not yet streaming online Check Netflix and Amazon Prime availability in your country: Amazon, Netflix Production details Director Lino DiSalvo's Family & Animation movie Playmobil: The Movie is produced by ON Animation Studios & Pathé. was released 2019-08-07. Costs: 75, 000, 000 Box Office Results: 0 Length/Runtime: 99 min.

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Such a shame animation kinda ended on a thud this year

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Nice movie. Can't wait to watch it again in the theatre

Playmobil: the movie movie rex dasher. Playmobil the movie box office. Ich mag Playmobil, aber der Film sieht echt nicht gut aus. Title: Playmobil: The Movie Imdb rate: 4. 6 Imdb votes: 827 Year: 2019 Language: English Genre: Animation, Adventure, Comedy, Family, Fantasy, Musical Country: France, USA Director: Lino DiSalvo Writers: Blaise Hemingway (screenplay by) Greg Erb (screenplay by) Jason Oremland (screenplay by) Michael LaBash (storyline consultant) Actors: Anya Taylor-Joy Gabriel Bateman Jim Gaffigan Daniel Radcliffe Awards: N/A.

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Movie plot When her younger brother Charlie suddenly disappears into the magical, animated universe of PLAYMOBIL, Marla embarks on the adventure of a lifetime to bring him home. Setting off on an incredible journey through new and exciting themed worlds, Marla teams up with various strange and heroic companions, including: Del, a crazed food truck driver; Rex Dasher, a suave and fearless secret agent; a loyal and endearing robot; a hilarious fairy-godmother, and many others! About the movie: PLAYMOBIL: THE MOVIE is the animated highlight of summer 2019. The first motion picture inspired by the popular and award-winning brand of toys, the movie takes the audience on an epic and hilarious adventure through the fantastic, limitless universe of Playmobil. With hilarious and endearing characters, thrilling adventures and breathtaking landscapes, the animated story is uniquely fun and original. Director Lino DiSalvo is a Disney veteran who spent 17 years at Walt Disney Animation Studios. Most recently he served as Head of Animation for the international hit ‘Frozen. PLAYMOBIL: THE MOVIE is in UK cinemas from August 9th. Gallery.

Playmobil the movie song. 1:01 Damn Slappy you again? Oh, you bring your brothers with ya this time.

 

 

Playmobil: The Movie Rated 8.9 / 10 based on 480 reviews.

Movie Stream The Assistant Without Signing Up writer Kitty Green 720px

The Assistant

8.5 stars - Jonathan Baker

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Country: USA

Kitty Green

Stars: Matthew Macfadyen

Resume: Follows one day in the life of Jane (Julia Garner), a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant's - making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered

64 vote

Creator: Kitty Green

 

Harrison FOUND SOMEONE TO FLY WITH WHO DOSENT TAKE UP ROOM!😅😉. Movie stream the assistant 2016. Movie stream the assistant video. You know, I don't mind her killing those men... It's not the girl in MARY. Movie Stream The assistante maternelle. 'The Assistant' movie you tube Movie Watch the assistant. ver Online The Assistant Movie Watch Online… The`Assistant`Without`Registering Watch Online Full. Movie Stream The assistantes. The supporting cast is amazing - looking forward to it.

Having just watched the trailer I think some of your complaints are how he doesnt have a comeback to her banter. The trailer cuts too early to tell. Maybe theyre saving the bond quips for the movie. I remain hopeful. One of my absolute favorite books growing up, one of my absolute favorite actors growing up. Got so excited when I saw the still photo. And then the bad CGI completely ruined it.

The Hulk finally gets his own solo movie

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This is exciting, and Im so happy for maz

Movie Stream The assistant de manager. “I am blessed with two daughters” aahhh tears streaming down my face. Movie Stream The assistant manager. Funny how feminists can ruin a good genre. This movie should make 10's of dollars. Of course we had to throw in some SJW crap in the trailer. Looks awful. The music in this trailer is on point. Strangers being kind? Oh, it's a fantasy movie. Who is here for Rami Malek. Elliot Alderson 😍😍. Movie stream the assistant salary. Movie stream the assistant windows 10. Watching the trailer gave me chills. Movie stream the assistant job. Movie stream the assistant pc. Came here for Mr Darcy. WHERE THE MR ROBOT FANS OUT HERE FOR RAMIIIIIIII.

Movie Stream The assistante. I saw the movie today on Black Friday. Loved it. ScarJo: I've lived a lot of lives. Me: you die in endgame. 1 1 Posted by 11 months ago Archived comment 100% Upvoted This thread is archived New comments cannot be posted and votes cannot be cast Sort by View discussions in 1 other community no comments yet Be the first to share what you think! More posts from the NYTauto community Continue browsing in r/NYTauto r/NYTauto NYT News Automated Feed No Censorship, Just News. 139 Members 3 Online Created Oct 27, 2016 Restricted help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc 2020. All rights reserved.

Source: This week at Bungie, theres a lot going on. Were already into week three of Season of the Undying. The Iron Banner is up and running and we have some new things lined up for next week. Master Nightmare hunts begin next week. These will be the most difficult Nightmare hunts to date, so equip your best weapons and gear.  Thats not all. The Exotic Quest for Leviathans Breath will also go live for all season pass owners. Rumor has it that Banshee knows something about where to start.  The Show Must Go On The infamous Hunter known as Paul “The Big Show” White is stopping by our studio this weekend. Hes going to join us on stream to play some Destiny. That means that some of you will have a chance to win an Emblem. This will be a Bungie Bounty, but we are going to mix up the activities. Well play a few Strikes, some Vex Offensive, and then finish up with some Crucible so Big Show can pound some Warlocks into dust. The usual rules for a Bungie Bounty apply: For Crucible, you will need to match into our game and be on the winning team. For everything PVE, you only need to match with us fight the good fight to earn the new Bungie Bounty emblem. Image Link imgur The last time we did a Bungie Bounty we played on Xbox. This time we will be playing on PS4.  Bungie Bounty Platform - PS4 October 19 2PM – 4PM Pacific PC, you are on deck. More on that later… Shifting Sands We have a few tweaks coming to the combat sandbox in update 2. 6. 1, which is currently being targeted to deploy on October 29. Here is the Destiny Dev Team to give you the details.  Super Energy Refunding Kills Goals: For a while now, Trample and Everlasting Flames have been an outlier, especially in PvP. Weve previously done a pass to add diminishing returns to this but its proven to not be enough. In this update, weve tightened the curve a bit and split it out over PvE and PvP. This should allow Guardians to keep dunking on combatants for longer while being less oppressive against one another. Additionally, for Striker, weve increased the cost of the light attack to make dashing across the map a little less forgiving. We still want this to be used as a way to run people down or dodge and be shifty, but this change should make it costly enough as to be prohibitive as a form of long distance travel. Finally, regeneration will no longer proc on melee kills while in super. The combination was just too strong and overly forgiving of strategic or positional mistakes. Striker - Code of the Juggernaut (Bottom Path) Trample: Tuned the amount of Super energy returned per kill Reduced amount returned possible per kill from 15% to 13% before diminishing returns) Reduced the low end of the diminishing returns from 5% to 3. 25% Changed the kills for the diminishing returns by splitting them out between players and combatants Previously it was 15 kills. Now it is 14 combatant kills or 7 player kills (players count for 2X towards diminishing returns) Cost of light attack in super increased by 50% from 2% to 3% Regeneration on kill no longer procs on super kills Dawnblade - Attunement of Flame (Bottom Path. Everlasting Flames: Tuned the amount of Super energy returned per kill (handled differently than Striker as this attack in an AoE) Increased the low end of the diminishing returns from 0. 75% to 0. 95% Changed the kills for the diminishing returns by splitting them out between players and combatants Previously it was 30 kills. Now it is 21 combatant kills or 7 player kills (players count for 3X towards diminishing returns) Quality of Life and Bug Fixes: Sentinel - Code of the Protector (Top Path) Ward of Dawn: Armor of Light timer now correlates with the life of the Ward of Dawn Particle FX move more rapidly towards the end of the Ward of Dawn's life Nightstalker - Way of the Wraith (Middle Path. Shattering Strike: Fixed a bug in which Shattering Strike activation window was reduced to 3 seconds along with Truesight Shattering strike last the proper 9 seconds once again Shoulder Charge Weve removed a bug that allowed players to shoot immediately before activating shoulder charge, which allowed players to apply the 1-2 Punch damage buff to shoulder charge. This bug was caused by a quality of life change made for Tempest Strike. Before Shadowkeep, if player's had the sprint button configured as "hold to sprint" then they would need to be holding the sprint button while sliding in order to activate Tempest Strike. With the release of Shadowkeep, we added a small window of time where players could activate Tempest Strike after letting go of the sprint button. This change had unexpected effects on other melee abilities, so we have reverted this change until we can find a better fix for Tempest Strike.  Were also aware of feedback about other abilities and gear not mentioned above. We have our eye on One Eyed Mask – expect a change in a future update. Patch Note Preview Along with the sandbox changes we already mentioned, we have a preview of some of the other patch notes coming up in update 2. 1: Forsaken subclasses will display the correct super icon in the PvP HUD for the following Subclasses: Thundercrash Burning Maul Blade Barrage Spectral Blades Nova Warp Well of Radiance Chaos Reach Fixed a bug where Warlocks who wagered Weak Motes in Reckoning were incorrectly being rewarded Titan gear Fixed a bug that increased loading times for gear preview while in space flight.  Players should notice their character models update more quickly while changing gear, previewing ornaments, or previewing shaders during space flight Phantasmal Core stack cap raised from 3 to 999 Steam Blocking Communication with Players in Steam will now block/mute Players in Destiny 2 Added Functionality for /addfriend and /removefriend commands /addfriend [ PlayerName] removefriend [ PlayerName] Note - Players must be in one of your Rosters (Fireteam, Friends, or Clan) in order to Add/Remove them as a Friend Added Functionality for /invite command /invite [ PlayerName] Note - Players must be in one of your Rosters (Fireteam, Friends, or Clan) in order to Invite them by PlayerName /invite [ SteamID] Note - You can Invite Players by SteamID, regardless of if they're in your Roster or not Players can now /invite and /join another Player regardless of their Steam Online Status ( Online. Invisible' or 'Offline. help description updated to reflect new changes to commands Fully Operational Art Station As you immerse yourself in the world of Destiny, there is a lot of beauty to take in. The environments, the characters, the weapons, every little detail is lovingly crafted by talented artists who help bring this game to life. We wanted to showcase some items they have helped work on and give you some links to see more of their work below.  Image Link imgur [Mike Stavrides. Image Link imgur Mike Poe Image Link imgur Madison Parker Image Link imgur Kevin Whitmeyer Image Link imgur Lee Hinds Image Link imgur Aaron Cruz Image Link imgur Kyoungche Kim Image Link imgur Ed Brennan Image Link imgur Ryan Choi Image Link imgur Lani Ming Image Link imgur Zeev Harris Image Link imgur Marc Thompson Image Link imgur Chelsea Velazquez Image Link imgur Roderick Weise Video Link Kim Mickle Image Link imgur Stephan Williams Image Link imgur Steve Klipowicz Image Link imgur Thad Steffen Image Link imgur Aaron Deerfield Image Link imgur Tyson Allen Image Link imgur An-Tim Nguyen Image Link imgur Andrew Hackathorn Image Link imgur Jesse Hall Image Link imgur Ryan Kamins Image Link imgur Pat Jandro Armor Two Point Zero One of the new systems rolled out along with Shadowkeep is the new Armor 2. 0 system. We have been monitoring the feedback around the system. Today, the Destiny Dev Team has some goals for Armor 2. 0 and some upcoming changes that are coming.   Hi everyone! We wanted to check in and talk a little about Armor 2. 0, its goals, your reactions, and upcoming additions and tweaks to the system. The most frequent questions and feedback come from the energy affinity system, which determines which mods can be socketed into which armor pieces. We wanted to kick this discussion off with a little bit more information on the reasons why the energy system came about, and what its intended to accomplish. The armor energy system has the three following primary goals: 1. Give players the freedom to experiment with builds, while also requiring players to make creative choices when putting together those builds. The biggest reason why mods became unlocks instead of consumables is to encourage players to experiment with perk combinations. The energy type and cost of a mod asks players to consider which mods they value most for a particular build, sometimes requiring them to make choices or come up with creative combinations of armor energies across all five equipped armor pieces. 2. Give players the ability to balance mods above and beyond pure effectiveness. When mods have no restrictions on their use (as was the case prior to Armor 2. 0) each mod is only evaluated on its strength and usefulness (or access, in the case of consumables. Giving mods an energy cost gives us a knob to turn that gives weaker mods value and stronger mods a drawback. Giving mods an energy type allows us to limit the scope of combinations within a single armor piece (making their use cases easier to predict and balance for) and also gives us room for other perks and mods (for example, artifact mods) that break these restrictions. This means the perks and mods that break the rules can be compelling choices, without them having to also be significantly stronger to be appealing. 3. Relieve information overload pressure on the mod UI. Early playtests, which did not have the energy system, had all mods for a particular slot visible each time you moved your cursor over them. This resulted in a huge amount of information overload, and also made it hard to quickly find, and change out, mods that you were seeking. Cutting down on the number of mods visible for a particular armor piece makes it easier to process this information. Theres a lot more to it than that, but those are the most notable points. When it comes to deciding which weapons were associated with which affinity, there were three main criteria used to choose where to put them: Ammo Type: Each energy type needed to have a good mix of primary, special, and power ammo weapons. Range: Each energy type needed to have a good mix of short, middle, and long-range weapons. Thematics: Each energy type should have weapons that are similar thematically, when possible, and feel like the kinds of weapons that match other mechanics associated with that energy type. We have seen feedback suggesting that, instead of locking mods into an energy type, the affinity should simply be a discount on the energy cost of the mod. Thats actually what the broad-category mods (such as Rifle Loader, Precision Weapon Targeting, etc. are meant to represent: a higher cost for gaining the benefit with a weapon not normally associated with that energy type. So, instead of having to display every mod for that slot when you move your cursor over the socket, you see only the two to three broad-category mods in that socket, plus the ones with energy types associated with it. Of course, not every mod type got a broad-category version, notably the mod types that affect the ammo economy. Thats because any mods that tinker with the ammo economy have a lot of caveats and exceptions, mostly due to weapons that use ammo types not normally associated with that weapon archetype, such as Erianas Vow, the Mountaintop, Whisper of the Worm, and so forth.  We needed a bit more time to build the broad category versions of these mods and test them thoroughly, but at the start of next season there will be broad-category mods for both the ammo finder and ammo scavenger categories, and they will be automatically unlocked for all players (no need to hunt them down. This should help round out your builds more easily, and give you more options for tinkering with your ammo no matter what armor energy type you use. Were also working on some broad category ammo capacity mods, but those need some more work before theyre ready for primetime. Another big change coming up is the loosening of stacking restrictions on Armor 2. 0 mods. Starting next season, the restrictions on having multiple mods of the same type in a single piece of armor will be removed (with a few exceptions. So, youll be able to run two Hand Cannon Loader mods, or two Shotgun Ammo Finder mods, and so forth. The only exceptions to this stacking come from mods that provide no benefit when stacked, such as Fastball and Traction. We needed a little more time to make sure that stacking mods wouldnt cause any major technical issues, and think that stacking mods of the same type gives more flexibility in crafting your build, provided you have the armor energy to spend in socketing them in. One thing to be aware of with mod stacking: In most cases, stacking up identical mods will provide diminishing returns on their effectiveness. For example, two Hand Cannon Loader mods dont provide twice the benefit; instead, they provide about 1. 5x the benefit of one Hand Cannon Loader mod. However, this puts them on equal footing with the enhanced mods. So, two Hand Cannon Loader mods provide the equivalent benefit of a single Enhanced Hand Cannon Loader. Were also going to be lowering the energy costs of some of the armor mods to better reflect the value of an enhanced mod. One last bit of news on Armor 2. 0. When we created the system, we wanted to include armor mods in Collections, so you can see how many you have gathered, and where they can be acquired. This also presented a good opportunity to do some housekeeping on the Collections tab in general, but, unfortunately, proved to be a little more time-intensive than wed hoped, so the changes didnt come alongside Shadowkeep. Good news, though! In the 2. 1 patch, coming later this month, armor mods will be visible in your Collections, allowing you to browse through all the possibilities and see which ones you have already collected. Additionally, starting next season, the armor mod Collections will get a UI upgrade, allowing them to display armor energy type and cost on the icon, just like they do in your armor socket. Fashion Week Its fashion week. In a previous update we showed you The Levante Prize, a fancy new emblem we will be giving out to fashion-focused Guardians. Image Link imgur Do you think you have an eye for style? Submit a picture of your best dressed Guardian on or in a reply to our Fashion Week tweet. We will choose our favorites and feature them in next weeks TWAB. Please include a link to your profile with your submission to help us out with granting your emblem if you win. Since fashion is never finished, we will plan on doing this regularly, hopefully once a month.  Cyber Sleuths Image Link imgur Weve been tracking bugs and already deployed a few fixes since Shadowkeep launched earlier this month. Player Support has the latest. This is their report.  Destiny 2 Hotfix 2. 4 This week, we deployed Destiny 2 Hotfix 2. 4 to players on all platforms. This hotfix resolved several issues to emerge in the player experience since launch. Here are some highlights: Fixed an issue where the Servitor spawning in the Gofannon Forge could crash the game. Fixed an issue where Nightmare Hunts Time Trial Master triumph would not progress correctly. Fixed an issue where Nightfall: The Ordeal would not drop a powerful reward for players who had already completed the Vanguard Strikes Challenge. Fixed an issue that provoked the temporary deactivation of rally banners and the “Tire Game” in the Sanctuary vendor space on the Moon. As with all updates and hotfixes, players should follow @BungieHelp on Twitter or monitor our support feed on for the latest details as soon as they are available. PC Migration Since launch, weve been investigating player reports regarding a subset of issues which may cause PC Migration to fail for PC players importing their accounts from While investigations are ongoing, weve deployed several fixes to over the past two weeks which are expected to resolve a number of issues encountered by players. If your account has failed to migrate, to include the transfer of characters, Silver, and/or licenses, we encourage you to try again. As a reminder, once PC Migration has been initiated, it cannot be undone. Aside from issues being investigated in the migration process, weve also observed reports from players whove linked the wrong or Steam accounts to their profile, resulting in migration either to or from an undesired account. Players who linked and migrated from a different account than desired can perform migration again. To do so, players must link their intended account to a new Steam account through and perform a new migration. Players who link and migrate to a different Steam account than desired must log in to that account on Steam in order to access their characters, Silver, and licenses. Once migration is initiated, these cannot be transferred to another Steam account. Players encountering process issues with PC Migration may opt to assist us in our efforts to aggregate information. Player who wish to do so should submit a response to our contact form. Please note that this form is designed to gather information about PC Move issues, and that each ticket may not receive a personalized response. As a final note, weve also observed confusion from players believing that their Forsaken licenses did not transfer from to Steam, because the Forsaken campaign was not available from Amanda Holiday. Unlike the Red War, Curse of Osiris, and Warmind campaigns included in New Light, which are received from Amanda Holiday in the Tower Hangar, the Forsaken campaign begins with players launching directly into the first mission from the Tangled Shore destination map. Destiny 2 Known Issues Destiny Player Support monitors player reports on our local #Help forum and tallies the latest issues into our Known Issues thread. Listed below is a selection of recent issues that have been reported by players: The Black Armory Key Mold cannot be obtained by players who did not receive it before Season 8. Players who have the "Invitation from the Emperor" and "Golden Hero" quests on multiple characters can't unlock the Tribute Hall. Warlocks wagering Weak Motes in Reckoning are receiving Titan armor. As always, players who encounter issues are encouraged to report them to our #Help forum. Prime Time Image Link imgur Its time for Movie of the Week. This is where we pick a few of our favorite community videos of the week and share them out for all to see. The winners will receive a special emblem. If you are chosen as a winner, please post links to your profile in the description of the video and let us know what platform your active account is.  Movie of the Week: Interview with Shaxx Video Link Honorable Mention: Just Trying to Kill Some Bugs Sir Video Link Thats all for this week at Bungie. I m going to play some Iron Banner tonight. Maybe Ill see you out there.  <3 Cozmo.

Post spoilers and discuss here. Digidestined are grown up and they are dealing with Digimon related incidents. So Taichi, Takeru, and Hikari chased Parrotmon in Nakano. Angewomon Angemon fights Parrotmon. Greymon joins the fight. Buildings get demolished. A part of a building falls, about to hit people. Garurumon appears with Yamato, getting rid of that builder. Then Metalgreymon WereGarurumon the Angels beat Parrotmon. Sending it back to theDW. After the first battle, Taichi goes to his college, but he has not decided about his future. Yamato, thinking about going to Grad. School. Taichi and Yamato meet at pub. They talk about how the other kids are doing. Koshiro runs his own company, communicating with international digidestineds. Sora is seriously doing ikebana. Mimi has a website selling clothes. Jo is in med. So, Taichi is worried about his undecided future. Takeru Hikari are students. Takeru started to write novels. Yamato tells Taichi that he is thinking of Grad. They overhear some girls saying that they don't wanna grow up. Then a different girl suddenly collapses. She's not drunk. Yamato calls Amb. Taichi Yamato Takeru gather in Koshiro office. They meet Menoa. Menoa tells them about Eosmon. Eosmon is collecting digidestineds consciousness. Consciousness is too long. I will just call it a soul. Menoa asks them to defeat Eosmon to get the souls back. Eosmon stores the souls. Menoa leads them to where Eosmon is hiding. Greymon Kabuterimon Garurumon Angemon fights the Eosmon. They almost got Eosmon, but Eosmon evolves, becomes super fast by summoning some kind of panel to step on, boosting its speed. Taichi Yamato decides to go Omegamon against the evolved Eosmon. Omegamon destroys all the speed boosting panels. Omegamon about to finish off Eosmon, but suddenly struggles and goes back to Koromon Tsunomon. Eosmon escapes. Menoa tells Taichi that his time with Agumon is running out. The clock shaped appears on Taichi and Yamato digivices. Koshiro Takeru is okay, because they are still younger than Taichi. After the first Eosmon encounter, Koshiro tries to examine the destroyed parts of Eosmon. Yamato suspects Menoa and her assistant. So Yamato keeps eye on them, and asks the 02 kids to background-check Menoa and her assistant Kyotaro. Taichi comes back to his room, Not his old home. His room near the college. Agumon finds some porn magazines. Taichi tells Agumon that porns are for adults only. Taichi frozes, because he has to part with Agumon when he becomes an adult. Then the real Gennai appears from Taichi computer. He confirms that Menoa's theory is true, and leaves Taichi. Gennai does nothing. Yamato finds Kyotaro arming himself with a handgun, and there were photos of digidestineds in Kyotaro's place. The 02 kids searched Menoa and Kyotaro's history. Menoa was digidestined who lost her partner when she became mature. Kyotaro is fake name. Yamato thinks Kyotaro is bad. Mimi checking on her products to sell, collapses, the first of the eight to lose soul. Taichi Yamato Koshiro meet Jo at the hospital. Jo tells them about Mimi's condition. Obviously, Mimi's soul is taken by Eosmon. Taichi Yamato Koshiro share their facts. Yamato gives Koshiro and Taichi prepaid phones to use. To avoid being heard by Kyotaro. Then somebody uploads live streaming of kidnapped Takeru and Hikari. Taichi Yamato rushes to rescue them. Too late. Kyotaro was waiting Yamato. Takeru and Hikari soul already taken. Yamato and Gabumon about to attack Kyotaro. At the same time, Koshiro finds out Eosmon's hideout and its truth. Menoa comes into koshiro office. Kyotaro is an Fbi agent. Menoa is the villain and creator. Kyotaro is good. Menoa is a psychopath. Menoa created Eosmon. Koshiro found out that Eosmon is an artificial Digimon, traced it back to Menoa's past studies. So, Menoa reveals her true self to Koshiro. Eosmon takes koshiro soul and Menoa steals the list of all the digidestined in the world from Koshiro. That list was what Menoa wanted. Koshiro sent the coordinates of the Eosmon's hideout to Taichi right before his soul is taken by Eosmon. Taichi and Yamato goes to face Eosmon. Menoa and Eosmon was waiting them. "Welcome to the Neverland. Menoa tells Taichi that the kids souls taken by Eosmon can stay together with their digimons forever in Eosmon's area. All the other kids souls got their own floating crystal islands, asleep along with their Digimons. The kids souls are younger than their reality. Meiko and Meicoomon is there too, asleep. Menoa tells Taichi that she is the savior of all the digidestined. That she can save them from parting with their partner digimon. She was deeply hurt when her partner suddenly disappeared. Taichi Yamato hesitates, greymon garurumon attacks Eosmon. The other kids soul and their partner digimons wake up with red eyes, they disrupt greymon and garurumon. Menoa tells Taichi that they are not controlled, just trying to protect Eosmon's world to stay with their partners. The red eyed Digimons do not evolve. tentomon palmon patamon tailmon. Menoa summons an army of Eosmon. Taichi Yamato desperate and hopeless. They retreat to somebody's floating island. So Menoa freely sends her army to the real world. She knows where all the digidestineds are. She have Koshiro list. In the real world, the 02 fight Eosmons. Taichi Yamato Agumon Gabumon do a pep talk. They are determined. Ready to risk everything. They come back to face Menoa and Eosmon. Omegamon destroys Eosmons, like it did to Diablomon clones. Menoa screams in despair, Eosmon takes in Menoa. Absorbing Menoa, Eosmon evolves. The final form of Eosmon. It literally cuts Omegamon into pieces. Agumon Gabumon fall. Taichi and Yamato are assaulted by the other kids red eyed souls and their partner digimons. Taichi not giving up, grabs young Hikari soul's whistle, blows it. Hikari and the others come back. Sora is in the real world, in her home safe. Somehow heard the whistle. Not joining the battle. She made a firm choice not to fight anymore, but believes in the other kids. Just waits their return. Sora and piyomon does nothing in the movie. Kabuterimon togemon ikkakumon angemon angewomon starts to fight the final Eosmon. They are kinda buying time for Agumon and Gabumon. Taichi Yamato, Agumon Gabumon never giving up, achieve their Final Evolution. Kore Ga Ore Taichi no saigou no shinkada. Honestly, the Final Evolutions are awful. Taichi and Agumon do not fuse. The final Greymon looks like naked ShineGreymon, and the final garurumon looks like Wolfmon. I did not like them at all. Of course, they defeat the final Eosmon and Menoa comes out of Eosmon body. Eosmon incident is over. Kyotaro as a fbi agent, arrests Menoa. Everything back, but nothing can stop the clock. Agumon and Gabumon disappears. Taichi Yamato cry. Taichi moves on, living his daily life without Agumon, firmly believing they will be reunited. The movie ends.

The vampire's assistant full movie stream. Their accents are diffrent. Tad cute on the girl thou.

Only in the movies do those things happen

Im not a dwarf but Im 99% sure Peter Dinklage is taller than me. 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Mardaani 2 is a movie starring Rani Mukerji, Vishal Jethwa, and Shruti Bapna. Shivani Shivaji Roy is back and this time she's on the trail of a 21 year old merciless villain who targets women
Writers Gopi Puthran
Release date 2019
Casts Shruti Bapna, Vishal Jethwa

Genres Drama

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Mardaani 2009. Mardaani 2 public review. Mardaani 2 film. Mardaani 2 full movie online. Mardaani 2013. Mardaani 2 box office collection. Who is watching trailer after watching the movie 😢😢😢😢 that mirror scenes were😢😢😢😢😢😢 #Deepika 🙏. Mardaani 2 download. Mardaani 2 amc. Mardaani 2 full movie online free 123. Mardaani 2 on netflix. Mardaani 2 watch. Mardaani 2 full movie watch online free. Mardaani 2 songs. Mardaani 2 full movie online free. Mardaani 2014. Mardaani 2 watch online. Mardaani 2 trailer reaction. Mardaani 2 wiki. Vishal jethwa super acting. Mardaani 2008. Mardaani 2 full movie online watch. Mardaani 2 movie review. Rani Mukerji is back in her action flick franchise, Mardaani 2. Written and directed by Gopi Puthran, this film is based in Kota, Rajasthan. Where a young boy bruitally raps a girl and then kills her. How IPS Shivani Roy solves the case to catch the bad guy is what the film is about.
Mardaani brought the badest villian possible in new age cinema. This time too they are showcasing the bad man very badly. Newcomer, Vishal Jethwa has delivered a spledid performance. Everybody gonna hate him for sure. And that's where he wins!
Rani Mukerji is absolutely superb. She is giving one after another fab performances. I got goosebumps in the end when she was doing what has to be done at that moment. I was stunned by the vibes at the end of the film. Some viewers were clapping and that surely was sudden. Because this film has the perfect ending. After hearing so many news of rapes and murders, this type of end captures your soul from the left, right and centre.
Kudos to the team. To the writer and director, for such an engaging story. Though, I must write that this film could have been made extremely well. Few scenes could have added so much depth for sure. Also, This film is a must watch. For all Indians. Just like a little bit in first half could make it cult.
I like that background tune. It was fantastic. Loved all twists and turns throughout the run. You will never feel low at any moment. Breaking of fourth wall for the rapist character was something like never before. We were into that bad man's ill mind just because of that.
On the whole, Mardaani 2 is surely a must watch. It will play with your sensibility and mentality nicely. Wait for the vibrant end to catch you. And let's hope for the better change in the world.

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Once again, Rani has delivered an outstanding performance in Mardaani 2. She was strong, fierce and determined to fight justice for those innocent women being raped and tortured by idiotic men. Also I would like to congratulate and applause Vishal performance as the villain because he has done a great job at it. But most importantly, the direction and editing is phenomenal.
Must watch film of 2019 and I would like to thank the Mardaani 2 team for delivering such an emotional and amazing film. Rani is truly the most beautiful and talented actress in the bollywood film industry. Wish u all the best for Mardaani 2. Thank you.

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Mardaani 2 online watch. Mardaani 2 hd free. Mardaani 2. Mardani2 full movie online hd. Ba hai hai na gut. Mardaani 2 showtimes. Mardaani 2 full movie in hindi. Mardaani 2.4. Mardaani 2 box office. Mardaani 2 google docs. Instead of teaching girls self defence, we must make the mentality of our boys better because let's be honest, some fighting skill is not always enough to protect against many 'physically' strong men. Nice trailer though. Mardaani 2.5.

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Gretel & Hansel Theatrical release poster Directed by Oz Perkins Produced by Brian Kavanaugh-Jones Fred Berger Screenplay by Rob Hayes Based on Hansel and Gretel by The Brothers Grimm Starring Sophia Lillis Sam Leakey Charles Babalola Jessica De Gouw Alice Krige Music by Robin Coudert Cinematography Galo Olivares Edited by Josh Ethier Julia Wong Production company Orion Pictures Automatik Entertainment Bron Creative Distributed by United Artists Releasing Release date January 31, 2020 Running time 87 minutes Country Canada [1] 2] United States [3] Ireland [4] South Africa [5] Language English Budget 5 million [6] Box office 6. 1 million [7] Gretel & Hansel (also known as Gretel & Hansel: A Grim Fairy Tale) is a 2020 dark fantasy horror film based on the German folklore tale Hansel and Gretel by the Brothers Grimm. The film is directed by Oz Perkins, produced by Fred Berger, Brian Kavanaugh-Jones, and Dan Kagan, and the screenplay is by Rob Hayes. Sophia Lillis and Sam Leakey portray the main characters, alongside Charles Babalola, Jessica De Gouw and Alice Krige. Gretel and Hansel enter a dark wood in order to find work and food to assist their poor parents, where they stumble upon the home of an evil witch. It was announced in October 2018 that Lillis would star in Gretel and Hansel, an adaptation of the German folklore Hansel and Gretel by the Brothers Grimm, with Perkins directing the film from a screenplay he co-wrote with Hayes. Casting began from November 2018 to April 2019. Filming started in November 2018 in Dublin, Ireland. Gretel & Hansel was released in the United States on January 31, 2020, by Orion Pictures through United Artists Releasing. It received mixed reviews, with particular praise for its cinematography and atmosphere, as well as the performances and horror elements, but criticism of its screenplay and pacing. Premise [ edit] The story is described as being set a long time ago in a distant fairy tale countryside and focuses on a young girl ( Sophia Lillis) who leads her little brother (Sam Leakey) into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil. Cast [ edit] Sophia Lillis as Gretel, a 16-year old girl and Hansel's older sister. [8] Sam Leakey as Hansel, Gretel's 8-year old little brother. Leakey is making his acting debut. [9] Charles Babalola as The Hunter, a young man who helps Gretel and Hansel to go back home. [10] Alice Krige as Holda / The Witch, a terrifying and powerful evil witch who lives in the shadows of the dark wood and kidnaps Gretel and Hansel. [9] Jessica De Gouw as Young Holda / The Witch Production [ edit] In October 2018, the Hollywood Reporter announced that Orion Pictures had started developing a film adaptation based on the German folklore tale Hansel and Gretel, with Oz Perkins directing a screenplay he co-wrote with Rob Hayes and Sophia Lillis starring as the lead character. [11] Sinister producer Brian Kavanaugh-Jones and The Autopsy of Jane Doe producer Fred Berger, partners at Automatik Entertainment, were announced as producers, with Sandra Yee Ling and Macdara Kelleher as executive producers. [12] In November 2018, Charles Babalola was cast as The Hunter, a new character who helps Gretel and Hansel to go back home. [13] In April 2019, Alice Krige, Jessica De Gouw, and Sam Leakey joined the cast, with Leakey making his acting debut. [12] Perkins explained in an interview that the title was changed because this version focuses on Gretel: It's awfully faithful to the original story. It's got really only three principal characters: Hansel, Gretel, and the Witch. We tried to find a way to make it more of a coming of age story. I wanted Gretel to be somewhat older than Hansel, so it didn't feel like two twelve-year-olds – rather a sixteen-year-old and an eight-year-old. There was more of a feeling like Gretel having to take Hansel around everywhere she goes, and how that can impede one's own evolution, how our attachments and the things that we love can sometimes get in the way of our growth. 14] Principal photography on the film began on November 9, 2018, in Dublin, Ireland, and wrapped in December 2018. [15] Additional filming and reshoots commenced in January 2019 in Langley, British Columbia, Canada. Release [ edit] The film was released on January 31, 2020, by United Artists. [9] Reception [ edit] Box office [ edit] In the United States and Canada, the film was released alongside The Rhythm Section, and is projected to gross 4–7 million from 3, 000 theaters in its opening weekend. [16] 6] The film made 2. 3 million on its first day (including 475, 000 from Thursday night previews. 17] Critical response [ edit] On review aggregator Rotten Tomatoes, the film holds an approval rating of 56% based on 50 reviews, with an average rating of 6. 22/10. The site's critical consensus reads. Gretel & Hansel ' s rich visuals satisfy, even if this adaptation of a classic fairytale gets a little lost in the woods on the storytelling front. 18] On Metacritic, the film has a weighted average score of 64 out of 100, based on 16 critics, indicating "generally favorable reviews. 19] Audiences polled by CinemaScore gave the film an average grade of "C–" on an A+ to F scale. [17] Chandler Levack from The Globe and Mail wrote, Everything about Gretel & Hansel is weirder, smarter and way more cinematic than I'd expected, thanks to some fascinating movie choices made by director Oz Perkins. Kate Rife from The A. V. Club wrote: If one of the boundaries being tested in this film is viewers' patience, the reward for—to use a refrain repeated throughout the film—'trusting the darkness' is well worth the commitment. Frank Sheck of The Hollywood Reporter wrote. Gretel & Hansel may alienate some horror movie fans with its extremely leisurely pacing and emphasis on atmosphere and mood rather than visceral shocks. But while the film certainly demands patience, it provides ample rewards with its lush stylization. " Contrarily, Andrew Barker of Variety wrote that "The problem is that so many of its virtues feel compromised. Mark Kennedy of The Associated Press wrote. Gretel & Hansel is as visually arresting as it is tedious, a 90-minute movie that really should have been a 3-minute music video for Marilyn Manson or Ozzy Osbourne. It's in the horror genre only loosely. It's more eerie, if that's a genre. Actually, it's like dread for 90 minutes. It's dreadful. " References [ edit. Gretel & Hansel' Are In Big Trouble In New Trailer. Retrieved February 1, 2020. ^ Gretel & Hansel (2020) Film Review. Retrieved February 1, 2020. ^ Follow The Crumbs To The First Teaser Trailer For Gretel And Hansel. Fortress. Retrieved February 2, 2020. ^ a b Rebecca Rubin (January 29, 2020. Will Blake Lively's 'Rhythm Section' Fumble at the Box Office on Super Bowl Weekend. Variety. Retrieved January 29, 2020. ^ Gretel & Hansel (2020. Box Office Mojo. IMDb. Retrieved February 2, 2020. ^ Kit, Borys (4 October 2018. It' Breakout Sophia Lillis to Star in Fairy Tale Thriller 'Gretel and Hansel' Exclusive. The Hollywood Reporter. Retrieved 4 July 2019. ^ a b c Couch, Aaron (19 April 2019. Fairytale Thriller 'Gretel and Hansel' Set 2020 Release Date (Exclusive. Retrieved 4 July 2019. ^ Wiseman, Andreas (6 November 2018. Charles Babalola Joins Sophia Lillis in Orion Horror 'Gretel and Hansel' From 'Sinister. La La Land' Producers. Deadline Hollywood. Retrieved 4 July 2019. ^ a b Couch, Aaron (19 April 2019. Retrieved 4 July 2019. ^ Collis, Clark (August 26, 2019. It' star Sophia Lillis goes to a dark place in first look at Osgood Perkins's 'Gretel & Hansel. Entertainment Weekly. ^ Kay, Jeremy (9 November 2018. Dublin shoot begins on 'Gretel And Hansel. ScreenDaily. Retrieved 4 July 2019. ^ Jeremy Fuster (January 28, 2020. The Rhythm Section' Arrives During Super Bowl Slump Weekend for Box Office. TheWrap. Retrieved January 29, 2020. ^ a b Anthony D'Alessandro (January 31, 2020. Bad Boys For Life' Scores Over Super Bowl Weekend With 17M. Rhythm Section' Is A Mess. Retrieved February 1, 2020. ^ Gretel & Hansel (2020. Rotten Tomatoes. Fandango. Retrieved February 1, 2020. ^ Gretel & Hansel Reviews. Metacritic. CBS Interactive. Retrieved February 1, 2020. External links [ edit] Orion Pictures official website Gretel and Hansel on IMDb.

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“All horror movies must now include creepy violin.” Ok. We get it. Trying to be scary. Total downloads: 4 (1 last week) Operating system: Windows XP/Vista/7 Latest version: 1. 0 Download Hansel and Gretel 1. 0 from our software library for free. This free program is an intellectual property of Tellitagan. Our antivirus check shows that this download is clean. Hansel and Gretel lies within Multimedia Tools, more precisely Editors & Converters. The program's installer files are commonly found as or etc. Hansel and Gretel is compatible with Windows XP/Vista/7 environment, 32-bit version. The most popular version of the Hansel and Gretel 1. 0. The current installer available for download occupies 3. 7 MB on disk. From the developer: Hansel and Gretel is a re-telling game of the original story, set in the Texas Hill Country. The game has a simple interface with specific illustrations of the real story, where the player can customize them while reading. The game comes packed in a self-extracting file for Windows. Extract the game files and 2xClick the story icon. You may want to check out more software, such as Fiction Fixers Adventures in Wonderland Premium Edition, Surface: Lost Tales Collector's Edition or WW Points Calculator, which might be related to Hansel and Gretel.

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Watch Gretel and Hansel Miles Morales conjures his life between being a middle school student and becoming Gretel and Hansel. However, when Wilson “Kingpin” Fiskuses as a super collider, another Captive State from another dimension, Peter Parker, accidentally ended up in the Miles dimension. When Peter trained the Miles to get better, Spider-Man, they soon joined four other Gretel and Hansel from across the “Spider-Verse”. Because all these conflicting dimensions begin to destroy Brooklyn, Miles must help others stop Fisk and return everyone to their own dimensions. the industrys biggest impact is on the DVD industry, which effectively met its destruction by mass popularizing online content. The emergence of streaming media has caused the fall of many DVD rental companies such as Blockbuster. In July 2020, an article from the New York Times published an article about Netflix DVD, No Manches Frida 2s. 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This article highlights that streaming quality movies as an industry will only increase in time, because advertising revenues continue to soar on an annual basis across industries, providing incentives for the production of quality content. He is someone we dont see happening. Still, Brie Larsons resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader... And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together. Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. 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Too bad, because the tape offers very good things to the person including the red cat and young Nick Fury and both eyes (the film took place in the 1990s. In this case, if Samuel Jacksons rejuvenation by digital technology is impressive, the illusion is only for his face. Once the actor moves or starts the sequence of actions, the stiffness of his movements is clear and reminds of his true age. Details but it shows that digital is fortunately still at a limit. As for Goose, the cat, we will not say more about his role not to “express”. Already the 21st film for stable Marvel Cinema was launched 10 years ago, and while waiting for the sequel to The 100 Season 6 Movie war infinity (The 100 Season 6 Movie, released April 24 home) this new work is a suitable drink but struggles to hold back for the body and to be really refreshing. Lets hope that following the adventures of the strongest heroes, Marvel managed to increase levels and prove better.

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2019 / writers Owen McCafferty / / casts Lesley Manville / Director Lisa Barros D'Sa / UK. Sensacional 👏🏻👏🏻👏🏻. Sally Rooneys Normal People excels at the thing novels do better than any other art form. Sally Rooney. Photo illustration by Slate. Photo by Jonny L. Davies. The novel can do so many things, which may be why people love to decree what it ought to do: stick to realism, wrestle with Big Ideas, break with narrative customs (or not be so experimental) or try to be less like fiction and more like something else— journalism, say, or a diary. All of this intellectual sauce has been ladled so thickly over the novel that its difficult to make out the shape of its much less grandiose origin, the thing the novel has always done and does better than any other medium on Earth: tell a story about how people decide whom to love and what they do about it. The eternal appeal of this foundation explains why Jane Austen and Charlotte Brontë are as much a pleasure to read now as they were 150 years ago. About halfway through Sally Rooneys second novel, Normal People, I realized I was enjoying the book in almost exactly the same way—fully absorbed, gobbling it down in long, lolling sessions on the sofa—that Id savored a Trollope novel I read a few months ago. Normal People describes how Marianne, a teenager living in a provincial Irish town, becomes involved with Connell, the son of the woman who cleans her familys house. Despite the differences in their families economic status, hes popular at school and she is not. Hes a soccer player and handsome, both qualities alluring enough to obscure the fact that hes bookish and quiet: “There was never any need to introduce himself or create impressions about his personality, ” Connell thinks, looking back on this period of his life. “If anything, his personality seemed like something external to himself, managed by the opinions of others, rather than anything he individually did or produced. ” Marianne, on the other hand, “exercises an open contempt for people in school. She has no friends and spends her lunchtimes alone reading novels. ” Almost without Connell willing it, he drifts into a surprisingly passionate affair with Marianne. He insists that they keep this a secret from everyone they know, and she complies, only breaking with him when he asks another girl to “the Debs” (which Im guessing is the Irish equivalent of the prom. But before that happens, she persuades him to apply to Trinity College in Dublin, where they both end up after graduation. At college, Marianne is the popular one, a chic, urbane intellectual and accomplished flirt. Connell, who has the wrong accent and cant afford the right clothes, finds it almost impossible to fit in among his middle-class schoolmates, many of whom dismiss him as a “culchie” (hick. With the polarity of their status imbalance reversed, the pair pick up their affair again, then separate over a misunderstanding, then get back together, then split, and so on. As unpromising as this may sound as a premise, Rooneys execution is completely engrossing. Rooneys first novel, Conversations With Friends, had, as its central character, a bisexual woman in her 20s who has an affair with an older, married man, much of which is facilitated by text messaging and the internet. As a result, Rooney was heralded as the bard of millennial fiction, a crafter of “ mild and tender portraits of Irish college students in the recent present, ” and Conversations With Friends a “ new kind of adultery novel. ” With Normal People, which is set during a four-year period in the early 2010s, Rooney avoids any element that would suggest the bleeding edge of the present moment. Neither Connell nor Marianne seems to have any interest in social media, and both are very standard-issue heterosexual. As with the characters in Conversations, their relationship takes place in a society ostensibly without restrictions and prohibitions, but actually governed by forces almost as implacable as the elaborate Victorian mores in that Trollope novel. Connell and Marianne are not free, and Normal People becomes a tender, bruised meditation on how two people can keep miring themselves in misery even when happiness is within their reach. Although Rooney can turn a fine simile when she pleases (“He carried the secret around like something large and hot, like an overfull tray of hot drinks that he had to carry everywhere and never spill”) her prose style shuns most self-conscious displays of beauty. At times it reads like a report and at others like casual conversation: “She wears ugly thick-soled flat shoes and doesnt put makeup on her face. People have said she doesnt shave her legs or anything. ” From her serenely omniscient authorial perch, she has no evident interest in questioning the reliability of narration or entertaining the possibility that the same event can be radically different depending on the perspective from which its viewed. Never does the reader doubt that everything she tells us is the truth, or that the truth is knowable. In this respect, as in so many others, Rooney is an old-fashioned novelist. Connell and Marianne exchange a lot of emails, as 19 th -century lovers traded daily letters. And while her authorial voice is unflappably straightforward, the characters in Normal People are far from numbed out in the grand tradition of enfant terrible youth novelists like Bret Easton Ellis or Tao Lin. They suffer and rejoice keenly, although Marianne and Connell mostly suffer. Marianne comes from an emotionally and physically abusive family, and when Rooney chooses to clarify just how bad it is for her at home, the cool way she describes her mothers attitude has an effect like the striking of a cosmic gavel: “Denise decided a long time ago that it is acceptable for men to use aggression toward Marianne as a way of expressing themselves. As a child Marianne resisted, but now she simply detaches, as if it isnt of any interest to her, which in a way it isnt. Denise considers this a symptom of her daughters frigid and unlovable personality. She believes Marianne lacks ‘warmth, by which she means the ability to beg for love from people who hate her. ” Even when the stakes are lower, Rooney can be more sharply barbed than shes given credit for: “People in Dublin often mention the west of Ireland in this strange tone of voice, as if its a foreign country, but one they consider themselves very knowledgeable about. ” The other thing that makes Rooney old-fashioned is that she believes in true love, even if her lovers lack the vocabulary or even the conceptual framework to recognize this is what they have together. Its obvious to the reader that these two must be together, and the desire to see them figure that out and make it happen provides all the momentum Normal People needs. I have happily sailed through hundreds of pages of Victorian prose on the same fuel. Marianne, maimed by her loveless childhood, indulges in masochistic liaisons with a series of creeps. Connell, who cant bring himself to hurt her even when she asks him to, manages a few “normal” relationships, but they pale in comparison. To be normal, in his eyes, is to “conceal the parts of himself that he found shameful and confusing. It was Marianne who had shown him other things were possible. Life was different after that. ” Nowhere does Connell sound more like a millennial than when he marvels over the unshareability of their bond: “The intensity of the privacy between them is very severe, pressing in on him with an almost physical pressure on his face and body. ” This striking observation about what makes their love transcendent is the freshest in this remarkably timeless novel. True love is what admits no spectators and permits no display, a thing so precious and rare weve almost forgotten that it exists. Hogarth By Sally Rooney. Hogarth. Slate has relationships with various online retailers. If you buy something through our links, Slate may earn an affiliate commission. We update links when possible, but note that deals can expire and all prices are subject to change. All prices were up to date at the time of publication.

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'Ordinary Love (2019) is exactly what it says on the tin: a portrait of mundane, turbulent, beautiful love. It charts the journey of a couple moving through tough times and is as thoughtful and nuanced as you'd hope. Its story is rather straightforward (it's pretty much exactly what you'd expect) but it delivers what it needs to and feels all the more 'real' because of it. The focus of the film is something that isn't actually explored all that often and it's great to see it portrayed so sensitively here. The picture's grounded, non- romanticised' romance is brilliant, too. It feels as close to 'real' as possible, an honest and moving exploration of love that never seems heightened or false. The two stars deliver the goods in their subtle, harder-than-you-may-expect roles, coming together as a compelling pair of, essentially, real people. They have flaws and they argue but they also have an undeniable connection. When this is exploited, it's really heart-warming. When it comes down to it, though, the flick just isn't all that exciting or, perhaps, impactful. It's engaging enough and never even close to boring, but it doesn't quite hit home as hard as it ought to. It's good, don't get me wrong. I can't quite put into words what it is that it is, for me, missing. I guess I'll say it like this: it's good, but it's not great. 6/10.

At school Connell and Marianne pretend not to know each other. Hes popular and well-adjusted, star of the school soccer team while she is lonely, proud, and intensely private. But when Connell comes… Goodreads members who liked this book also liked: Desire as weve never seen it before: a riveting true story about the sex lives of three real American women, based on nearly a decade of reporting. It thrills us and torments us. It controls our… Recently separated Toby Fleishman is suddenly, somehow- and at age forty-one, short as ever- surrounded by women who want him: women who are self-actualized, women who are smart and interesting, … How much can a family forgive? A profoundly moving novel about two neighboring families in a suburban town, the bond between their children, a tragedy that reverberates over four decades, the daily… Everyone knows Daisy Jones & The Six: The band's album Aurora came to define the rock 'n' roll era of the late seventies, and an entire generation of girls wanted to grow up to be Daisy. But no… At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first… My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water. When Korede's dinner is interrupted one night by a… Poet Ocean Vuong's debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We're Briefly Gorgeous is a letter from a son to a mother who… From the # 1 New York Times bestselling author of Eat, Pray, Love and The Signature of All Things, a delicious novel of glamour, sex, and adventure, about a young woman discovering that you don't… When the van door slammed on Offred's future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead for her- freedom, prison or death. With The Testaments, the wait is over. … The story of two boys sentenced to a hellish reform school in Jim Crow-era Florida. As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood… The wildly funny, occasionally heartbreaking internationally bestselling memoir about growing up, growing older, and learning to navigate friendships, jobs, loss, and love along the ride When it comes… Pulitzer Finalist Susan Choi's narrative-upending novel about what happens when a first love between high school students is interrupted by the attentions of a charismatic teacher In an American… Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about… Bridget Joness Diary meets Americanah in this disarmingly honest, boldly political, and truly inclusive novel that will speak to anyone who has gone looking for love and found something very… A dazzling, multigenerational novel in which the four adult daughters of a Chicago couple—still madly in love after forty years—recklessly ignite old rivalries until a long-buried secret threatens to… In a small town in Maine, recently widowed Eveleth "Evvie" Drake rarely leaves her house. Everyone in town, including her best friend, Andy, thinks grief keeps her locked inside, and she doesn't… This is a novel about a young woman's efforts to duck the ills of the world by embarking on an extended hibernation with the help of one of the worst psychiatrists in the annals of literature and the… Moving forward and backward in time, Jacqueline Woodson's taut and powerful new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of… In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about… Kevin Wilsons best book yet—a moving and uproarious novel about a woman who finds meaning in her life when she begins caring for two children with remarkable and disturbing abilities Lillian and….

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Normal people movie stream now. Normal people movie stream watch. Normal People Movie stream of consciousness. Normal people movie stream reddit. This submission is currently being researched & evaluated! You can help confirm this entry by contributing facts, media, and other evidence of notability and mutation. About "Artist vs Normal Person" is a chart that depicts the difference between the names of colors between people who are artists and those that are not. It is frequently used to highlight the differences between people with knowledge of a certain subject, and those without said knowledge. People without knowledge are often seen as a Normies by people with this knowledge. Origin The image was first posted in March 2011 as part of an Inforgraphic Dump from the marketing blog Kissmetrics Blog. [1] There the image was used to show the general different perceptions of color between males and females. Spread The first notable derivative of the image was posted on Facebook group page of MOURViSiON on June 25th 2014 [2. The image has the individuals in the original picture swapped and with a caption at the top labeling the male on the left as an "artist" and female on the right as a "normal people. In the three years since it was uploaded, this post gained over 17, 000 likes and 28, 000 shares. Search Interest Know Your Meme Store External References Recent Videos There are no videos currently available. Recent Images 29 total + Add a Comment Know Your Meme is an advertising supported site and we noticed that you're using an ad-blocking solution. To continue reading this entry.

Clip foda, música foda e U2 mais foda ainda. resumindo fodástico. Completely Normal People ILLUSTRATIONS Info & Sales THE CARTOONS ABOUT CONTACT BUY THE BOOK! Illustrations The Cartoons SEE THE CARTOONS BUY A BOOK! OR SOME CARDS. Jan 27, 2020 Elena Walch is a winery with an essential role in the quality revolution of Alto Adige, Italy. Alto Adige is in the northeast corner of Italy and has unlimited variety and wines that offer delicate, unique flavor profiles. Located south of the Alps, in the foothills of the Dolomite Mountains (where the ice mummy was... Jan 21, 2020 Connie Paur Griffiths is winemaker and vigneron at  Tranquil Vale Vineyards in the Hunter Valley of New South Wales, Australia joins to educate us about this fascinating region, discuss the bushfires that have threatened it, and to talk about the challenges facing wine and climate in Oz's future. Connie shares how her... Jan 13, 2020 There may be no better representative to speak to us about the devastation of the 2019-2020 bushfires in Australia than Kathy Drogemuller of Paracombe Wines in Adelaide Hills in South Australia. Started in 1983, Paracombe Wines started after the Ash Wednesday bushfires when Kathy and her husband Paul bought an old... Jan 6, 2020 To kick off 2020, we have the original wine grape, the one from which so many were derived: MUSCAT! In the show we discuss the three main types of Muscat and the wines and regions that you need to seek out to get a taste of this ancient, delicious, complex grape. As M. C. Ice requests in the middle of the.

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Normal people movie stream hd. Normal People Movie streaming. His aged voice makes it seem more magical to me. Sally Rooneys ‘Normal People Reading Sally Rooneys second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early summer, a trickle of people began to post online about having finished it in a single day, often accompanied by tears of recognition and complicated nostalgia for their own early romantic experiences. Rooney, the laureate of interpersonal miscommunication, clarifies its agonies in spare prose as the central characters miss each others meanings: the painful ambiguity of the ‘cool see you soon text; the prickliness of teenage vulnerability (‘Some people are even saying that he tried to add her on Facebook, which he didnt and would never do) and the small, specific tenderness of domestic intimacy: ‘He wipes crumbs out from under the toaster and she reads him jokes from Twitter. The novel follows Connell and Marianne from their brief affair during their schooldays in Sligo – where he, a popular footballer, is too ashamed to be seen with her, the ‘weirdest girl in school – to their time at Trinity College Dublin, where Marianne – always wealthy, now beautiful and popular too – has the social upper hand. Normal People is a love story in the truest sense, by which I mean a novel intimately concerned with the things two people can do to each other, and how much we each might want to hurt or be hurt. Observation is Rooneys primary strength as a novelist, and Normal People, like her first novel, Conversations with Friends (2017) has been hailed for its portrayal of life as it is lived now. The contemporary political landscape is internalised, digested and refracted out to the reader through the lives of the characters: international conflicts, abortion protests and war breaking out in Gaza and Syria all feature as footnotes to the relationship playing itself out in the text. This primary plot is curiously trope-like, a fairytale reversal of fortune that draws on the characters socioeconomic circumstances and fits the pair into a narrative of false equivalences. Connell is poor and popular, Marianne is rich and a social outcast; they go to university and the roles reverse – except that Marianne is still rich: winner takes all. In a recent Guardian profile, Rooney spoke about her novels, alongside Irish fiction of the past decade, as being linked to what she termed ‘the cultural conditions generated by the financial crisis: the end of the Celtic Tiger, she believes, ‘inaugurated a period of serious social critique, and from that weve seen a change – referendums and so on. Most reviews of Normal People have touched on the fact that, as with any love story, power is the novels central concern. Olivia Laing in the New Statesman wrote of it as ‘a meditation on power: the way that beauty, intelligence and class are currencies that fluctuate as unpredictably as pounds and dollars. This is a peculiar way of thinking about class, which is the axis upon which the financial differences between Connell and Marianne turn: socioeconomic circumstances change, certainly, but the anxieties of class difference are not so easily discarded – and, crucially, there is nothing more predictable than the way power operates in this novel. In many ways, thats a textual strength. The description, told through Connells eyes, of arriving at Trinity as a ‘culchie is a case in point: This is what its like in Dublin. All Connells classmates have identical accents and carry the same size MacBook under their arms. In seminars they express their opinions passionately and conduct impromptu debates […] He did gradually start to wonder why all their classroom discussions were so abstract and lacking in textual detail, and eventually he realised that most people were not actually doing the reading. They were coming into college every day to have heated debates about books they had not read. Even after his elevation, through his association with Marianne, to the status of ‘rich-adjacent, Connell never quite fits in; even Marianne cant grasp that the scholarships that offer free tuition and accommodation are for him a matter of necessity rather than prestige. Connells feeling of discombobulation – of class treachery, perhaps – is the source of some of the funniest lines in the novel, as he imagines a new life at Trinity: Life would be different then. He would start going to dinner parties and having conversations about the Greek bailout. He could fuck some weird-looking girls who turn out to be bisexual. Ive read The Golden Notebook, he could tell them. Its true, he has read it. It gets less funny as time goes on. The suicide of Rob, a school friend, functions more as a manifestation of the division between home and away and the catalyst for Connells own bout of depression than as an event in its own right; throughout the novel, those outside of Connell and Mariannes universe of two – normal people? – are mostly bereft of narrative kindness. The novel never lets the reader forget that its protagonists are extremely attractive, extremely complicated, extremely clever; their taut high-achieving neuroticism is a stylistic coup de grace, but it allows no room for other possible manifestations of value and complexity in other characters. The epigraph to Normal People is from George Eliots Daniel Deronda  (1876) and Rooneys combination of social realism and a firm narrative drive that relies upon certain familiar set-pieces seems to be in extended conversation with novels of the latter half of the nineteenth century. This is something Rooney has spoken about before: in a 2017 interview with Michael Nolan for The Tangerine, talking about the many people who read Conversations with Friends autobiographically, she refers to her deliberate implementation of a ‘classic adultery plot: I mean, its very clearly a novel, and novels fundamentally resemble other novels. They dont resemble life, as such. There are a lot of experimental novels that test the boundaries of what the novel is, and Conversations is not one of those. Many reviews have compared Rooneys work to that of Henry James, but for me, Normal People is far more akin to Eliot, who is clearly a key figure in Rooneys personal fictional genealogy. Traditionally, Eliot is a writer lauded for her empathy, her wide-ranging approach to the characters she creates, and her emphasis on the importance of context: ‘There is no creature, states the narrator of Middlemarch (1871) ‘whose inward being is so strong that it is not greatly determined by what lies outside it. So far, so similar: Rooney, too, is heralded as an empathetic novelist. Yet there is a difference between the acknowledgment of the socioeconomic pressures experienced by characters – a feature of both authors work – and a true democracy of approach. Eliot writes famously in Adam Bede of the need to appreciate the beauty of ‘deep human sympathy as well as ‘the divine beauty of form: There are few prophets in the world; few sublimely beautiful women; few heroes. I cant afford to give all my love and reverence to such rarities: I want a great deal of those feelings for my every-day fellow-men, especially for the few in the foreground of the great multitude, whose faces I know, whose hands I touch, for whom I have to make way with kindly courtesy. Yet, as Raymond Williams noted in 1973 in The Country and the City, when it comes to these normal people, Eliot cant quite practice what she preaches: Into a novel still predicated on the analysis of individual conduct, the farmers and craftsmen can be included as ‘country people but much less significantly as the active bearers of personal experience […] Another way of putting this would be to say that though George Eliot restores the real inhabitants of rural England to their places in what had been a socially selective landscape, she does not get much further than restoring them as a landscape. Here, I think, lies the most interesting affinity between Rooney and Eliot. In Normal People – and, to a similar extent, in Conversations with Friends – the affective power of the narrative depends upon the characterisation of the protagonists as exceptional. This requires the relegation of everyone else to supporting roles. Part of this, of course, is an inevitability of the conscious construction of a fictional world that so closely mirrors the inequalities and conditions of our own. Yet there is a curious rift in Normal People, that deepens as the plot progresses, between the realism of the character portraits, and the mounting pressure of a narrative reaching its conclusion. Rooneys most brilliant moments of characterisation, of the deeply felt impossibility of being a person in the world, are subsumed and overpowered by the relentless drive of a traditional love story. Daniel Deronda is a revealing choice for an epigraph. Eliots most ‘difficult work, it follows two interlinking plots: that of Gwendolen Harleths unhappy marriage and the eponymous Daniels search for identity, which he finds in his estranged and unrepentant mother and his Jewish ancestry. The relationship between Gwendolen and Daniel is both intensely moving and frustratingly unfulfilled: oddly drawn to each other from the moment they meet, they remain connected despite Gwendolens marriage to a heartless aristocrat and Daniels leaving England to build a new life in Israel. The quotation that begins Normal People focuses, ironically perhaps, on the power of communication: It is one of the secrets in that change of mental poise which has been fitly named conversion, that to many among us neither heaven nor earth has any revelation till some personality touches theirs with a peculiar influence, subduing them into receptiveness. This comes from a passage where – thinking about Daniel – Gwendolen wishes ‘he could know everything about me without my telling him. Her infatuation with him stems from her notion of him as a special person, different from everyone else she knows: It had been Gwendolens habit to think of the persons around her as stale books, too familiar to be interesting. Deronda had lit up her attention with a sense of novelty: not by words only, but by imagined facts, his influence had entered into the current of that self-suspicion and self-blame which awakens a new consciousness. An infatuation that arouses suspicion and self-blame is remarkably similar to the relationship between Connell and Marianne. The parallels between Gwendolen and Marianne are certainly not accidental. Towards the end of Rooneys novel, Marianne observes in prose strikingly reminiscent of Eliot that she and Connell ‘have been two plants sharing the same plot of soil, growing around one another, contorting to make room, taking certain unlikely positions. In Daniel Deronda, Eliots narrator applies the same metaphor to Gwendolens inability to feel truly at home in her mothers house: A human life, I think, should be well rooted in some spot of native land, where it may get the love of tender kinship for the face of earth, for the labours men go forth to, for the sounds and accents that haunt it, for whatever will give that early home a familiar unmistakable difference amidst the future widening of knowledge. Marianne, like Gwendolen, has no familial sense of rootedness; Marianne, like Gwendolen, is very beautiful, and this beauty operates as a kind of curse. The fetishisation of Mariannes beauty and in particular her conspicuous thinness is a narrative device that leaves a sour taste. The move from the initial description of Marianne as plain, weird and ugly, to an unironic reliance on tropes that code feminine worth as heterosexual attractiveness – turning up at a school dance in a ‘filmy black dress and looking sexy; the explicit acknowledgement at a first year party that ‘its classic me. I came to college and got pretty – are linked to both her fragile, thin body and to the repetition throughout the novel of the notion of her as ‘damaged; as sexually degenerate or deviant. In Jacqueline Roses reading of Daniel Deronda in 1986s Sexuality in the Field of Vision, she locates in the very opening lines of the novel Eliots positioning of Gwendolen as ‘the spectacle of woman: Was she beautiful or not beautiful? and what was the secret of form or expression which gave the dynamic quality to her glance? Was the good or the evil genius dominant in those beams? Probably the evil; else why was the effect that of unrest rather than of undisturbed charm? Why was the wish to look again felt as coercion and not as a longing in which the whole being consents? For Rose – who was on the judging panel that longlisted Normal People for the 2018 Man Booker Prize – this anticipates the mastery and hysteria of Freudian psychoanalysis; the fact that ‘the wider culture sees the same relationship between the sexual morality of the woman and social decay. For Eliot, writing in a period when concern about social cohesion and moral decline was expressed through the language of hygiene and sanitation, the female body was the locus for wider anxieties: ‘the image of womans moral purity always harboured within it that of female vice. Rooneys representation of Mariannes oscillation between popularity and social ostracism engages with this idea, and deftly diagnoses the hypocrisy of the society that enforces the paradigm. Yet in its treatment of Mariannes sexuality and the power dynamics of her relationships, the novel ultimately loses its nerve. Much of the narrative turns on Mariannes submissive nature, and her desire to be beaten by her male sexual partners, but its portrayal of the complexities of submission, dominance and consent can never quite shake the suggestion that Marianne is somehow abnormal, or damaged. Rooney writes interestingly and candidly about sex, but with telling lapses and absences: in Conversations with Friends, the sexual encounters between Frances and Nick danced lightly over the potential for violence encoded within certain kinds of sexual desire, but the lesbian sexual encounters were completely absent from the narrative. In Normal People, the descriptions of Connell and Mariannes desire for each other are intricately mapped out, as Mariannes teenage desire, watching Connell play football, to see him having sex with someone – ‘it didnt have to be her, it could be anybody. It would be beautiful just to watch him – is mirrored by Connells later thought, when declining a threesome with a university friend, that ‘maybe he could fuck Peggy in front of Marianne. Both these moments engage with the perception and performance – Roses ‘spectacle, perhaps – of sexual desire, and are fraught with social anxieties as the two attempt to regulate their ‘unusual impulses: Marianne ‘knew these were the kind of thoughts that made her different from other people in school, and weirder; Connell thinks ‘it would be awkward, not necessarily enjoyable. This awkwardness is central to Connells sexual development: the privacy and intensity of his sexual relationship with Marianne is what creates their particular intimacy, but so is the fierce shame he feels about it. ‘Weird is a qualifier that appears throughout the early account of their relationship; the familiar teenage desperation to be a normal person. Marianne and Connell both accept the social hierarchy that dictates the terms of desire, forcing Connell to ask himself, ‘What kind of person would want to do this with her? And yet he was there, whatever kind of person he was, doing it. Crucially, it is Mariannes sexuality that is responsible for threatening his already fragile social identity. ‘His friends dont think of him as a deviant person, a person who could say to Marianne Sheridan, in broad daylight, completely sober: Is it okay if I come in your mouth. later, he tells her, ‘Youre always making me do such weird things. Marianne, then – ‘unhealthy, ‘abnormal – is a scapegoat for the failings of their social environment. After her humiliation at the hands of Connells determined passivity causes her to leave school, she pities him because he has to live with the fact that he had sex with her, of his own free choice, and he liked it. That says more about him, the supposedly ordinary and healthy person, than it does about her. In this mostly secular Ireland the marks of religiously inscribed sexual shame reside, but the morality that relentlessly targets Mariannes body as something simultaneously fragile and dangerous is primarily a social one. In the Tangerine interview, Rooney elaborated on the parallels drawn between the Catholic Church and capitalism in Ireland in Alexandra Schwartzs New Yorker review of Conversations with Friends: It seems to me that in many ways the deterioration of the power of the Catholic Church was replaced pretty much wholesale with the power of the free market, and free market ideology has replaced Catholic ideology […] To me, it doesnt seem like straightforward progress. We got rid of the Catholic Church and replaced it with predatory capitalism. The massive shifts that accompanied the development of the nineteenth-century novel –capitalism and alongside it the burgeoning discipline of political economy, as well as a shift in the theological make-up of the population – are played out, as they are in Rooneys work, at the level of the characters and their relationships. Under capitalism, the female body will always be problematised. In setting up the opposition between Connell, ‘the supposedly ordinary and healthy person and herself, Marianne is locating the contamination of this masculine ‘health in shared sexual experience. Indeed, there is something curiously Victorian not only about the way Marianne is reviled, desired and ostracised by her peers, but in the narrative desire to pathologise her in some way. We discover fairly early in the novel that Mariannes childhood was marred by domestic abuse; the narrative turns on her later desire for sexual submission as something solely related to those experiences of trauma. At the end of the first section of the novel, we learn Mariannes mother ‘decided long ago that it is acceptable for men to use aggression towards Marianne as a way of expressing themselves […] She believes Marianne lacks “warmth”, by which she means the ability to beg for love from people who hate her. The internalisation of this familial violence is a crucial part of Mariannes psychological make-up; she believes herself to be unloveable and, in some way, at fault. When Marianne discloses her history to Connell, his response is another kind of revulsion: a desire for normality. Marianne keeps much of her home life secret from Connell for fear he will think of her as ‘damaged; when she tells him, he ‘feels terribly ashamed and confused […] But he always thought she was damaged, he thought it anyway. This distressing, fragmented disclosure of abuse is painfully accurate: there is something in the moment of intimacy when you tell someone that your family life was not normal – or, rather, that its particular violence exceeded the varieties of abnormal contained within the usual – that is both the furthest and closest you can be to them. But Connell recoils from Mariannes revelation in the way he recoils from her need: both, it is implied, cement his uncomfortable power over her. From the very beginning of their relationship Marianne ‘would have lain on the ground and let him walk all over her body if he wanted, she knew that; later, during their time at university, this dynamic is made more explicit: She comes to sit down with him and he touches her cheek. He has a terrible sense all of a sudden that he could hit her face, very hard even, and she would just sit there and let him. The idea frightens him so badly that he pulls his chair back and stands up. His hands are shaking. He doesnt know why he thought about it. Maybe he wants to do it. But it makes him feel sick. ‘Maybe he wants to do it; maybe she wants him to, but the novel continually represses the potential for a consensual exploration and/or subversion of these power dynamics. Instead, Mariannes desire to be sexually submissive is played out through a relationship with the one dimensional Bad Guy Jamie – ‘he likes to beat me up – whose ‘sadism is more linked to emotional abuse than sexual dominance, conveyed as it is through set-piece dinner party arguments in Italy, his weak chin and his wealth. The unconvincing interlude with Lukas, the tall Swedish goth with whom Marianne has some kind of BDSM relationship, ends with her fleeing his studio after he tells her he loves her: Could he really do the gruesome things he does to her and believe at the same time hes acting out of love? Is the world such an evil place, that love should be indistinguishable from the basest and most abusive forms of violence? Mariannes own relationship to her desire to be dominated is coloured completely by her experience of abuse: ‘Maybe I want to be treated badly, she says, I dont know. Maybe I think I deserve bad things because Im a bad person. This statement comes in the middle of her revelation of Jamies ‘sadism to Connell in a cafe, and is juxtaposed with a tender description of Marianne and Connells sex life: ‘In the spring he would sometimes wake up at night beside Marianne, and if she was awake too they would move into each others arms until he could feel himself inside her. The insinuation, then, is that Connell is a ‘good thing, that this gentle intercourse is the opposite of ‘bad power play, yet the fact that Marianne does want to submit to Connell is a motif repeated throughout the text, culminating in the excruciating scene at the crescendo of the narrative, where she asks him ‘Will you hit me? and he says no. This rejection places Mariannes mind firmly back on the furious track of self-hatred that diagnoses her own desires as a contamination, a debasement: She is someone even Connell finds disgusting, she has gone past what he can tolerate. In school they were both in the same place, both confused and somehow suffering, and ever since then she has believed that if they could return to that place together it would be the same. Now she knows that in the intervening years Connell has been growing slowly more adjusted to the world, a process of adjustment that has been steady if sometimes painful, while she herself has been degenerating, moving further and further from wholesomeness, becoming something unrecognisably debased, and they have nothing left in common at all. This ‘degeneration stems from the trauma of her home life; here, we see the return of the soil metaphor so similar to Eliots description of Gwendolens lack of a home: From a young age her life has been abnormal, she knows that. But so much is covered over in time now, the way leaves fall and cover a piece of earth, and eventually mingle with the soil. Things that happened to her then are buried in the earth of her body. She tries to be a good person but deep down she knows she is a bad person, corrupted, wrong, and all her efforts to be right, to have the right opinions, to say the right things, these efforts only disguise what is buried inside her, the evil part of herself. This ‘evil part of herself, like the ‘evil genius present in Gwendolens beautiful face, is clearly equated with her sexuality, itself inextricable from ‘things that happened to her then. Abuse is intensely complicated, and there is no ‘typical way to respond to experiences like Mariannes: it is not her response that it is troubling, but the way the ending of the novel, and the culmination of the love story, tacitly confirms this perception of her as ‘damaged for enjoying ‘deviant sexual activity. Immediately after his refusal to hit her, Connell has a moment of revelation: despite the ‘factual accuracy of the story that ‘Marianne is a masochist and Connell is simply too nice of a guy to hit a woman, he knows that since their school days he has held an ‘effortless tyranny over her: He has never been able to reconcile himself to the idea of losing his hold over her, like a key to an empty property, left available for future use. In fact, he has cultivated it, and he knows he has. This feels like a moment rich with emancipatory potential for both of them: power play goes both ways, and in exploring his own relationship to desire and control, Connell could reconcile himself to the shame and social anxiety that has dogged their relationship. The demands of the plot, however, allow for no such freedom. Marianne, returning to her house, has her nose broken by her brother. Connell arrives and picks up the frail, bloodied victim, fulfilling the trope of masculine rescue set up earlier in the narrative when he ‘saves her from the older man who grabs her breasts at the school dance: he takes her home, warning Alan, in a transference of masculine possession, that if he ever hurts Marianne again, ‘Ill kill you. In the final chapter, which feels like an epilogue, Rooney sketches out a kind of compromise of desire that feels, to me, like disappointment: In bed he would say lovingly: Youre going to do exactly what I want now, arent you? He knew how to give her what she wanted, to leave her open, weak, powerless, sometimes crying. He understood that it wasnt necessary to hurt her: he could let her submit willingly, without violence. This all seemed to happen on the deepest possible level of her personality. ‘He understood that it wasnt necessary to hurt her; but what about the possibility for a recuperation of past hurt through a less conventional sexual practice, a relationship that breaks the confines of social anxiety that has limited it so painfully? By the end of the book, the repetition of ‘normal people has transitioned, touchingly, to them and ‘others: Its not like this with other people. Well, I like you a lot more than other people. Within that acceptance of difference there could be room for a more radical ‘otherness that allows for the complexities of violence to have equally complex remedies and restitution; instead, the novel ends on an ambivalent conflation of love and ‘good power. Perhaps this shouldnt come as a surprise. Normal People is, above all, a novel that knowingly commits to its traditional narrative structures. At moments, Rooneys characters seem to be pushing against the limits the tropes of the story are imposing upon them; if Daniel Deronda, at the end of Eliots writing career, marked a transitional moment for the literature that came after, perhaps Normal People will reset the limits of Rooneys fictional practice. By the time we leave them, Marianne and Connell are only at the beginning of their twenties. It is best, perhaps, to leave the last word to Eliot – not Deronda this time, but her most socially generous novel, Middlemarch: Every limit is a beginning as well as an ending. Who can quit young lives after being long in company with them, and not desire to know what befell them in their after-years? For the fragment of a life, however typical, is not the sample of an even web: promises may not be kept, and an ardent outset may be followed by declension; latent powers may find their long-waited opportunity; a past error may urge a grand retrieval. ABOUT THE CONTRIBUTOR Helen Charman was born in 1993, and is currently writing a PhD thesis on maternity, sacrifice and political economy in nineteenth-century fiction. She teaches undergraduates at the University of Cambridge, and primary school children in Hackney.

Normal People Summary & Study Guide includes comprehensive information and analysis to help you understand the book. This study guide contains the following sections: This detailed literature summary also contains Quotes and a Free Quiz on Normal People by Sally Rooney. The following version of this book was used to create the guide: Rooney, Sally. Normal People. Random House LLC, 2018. In Normal People Marianne and Connell's secret high school affair evolves into a three year saga that explores the entrapping conventions of intimacy, gender normative roles, and the individual's capability to grow over time. At the start of the novel, Marianne and Connell's friendship begins outside of school on the afternoons Connell picks up his mother Lorraine from her job housekeeping Marianne's home. Though the two are attracted to one another, Connell is hesitant to start a relationship with Marianne because he fears the judgment of his peers. The two agree to keep their affair hidden to preserve Connell's reputation, meeting up in the secret of Connell's home after school. Though they grow close quickly, Connell remains afraid to expose the truth of his feelings for Marianne to his friends. Shortly after he asks another girl to the dance, he and Marianne breakup. After the summer ends, Marianne and Connell both begin school at Trinity College in Dublin. While Connell feels out of place and lonely, Marianne gains a large number of friends and significant popularity. Not long after running into each other at a party, the friends begin their affair once again. Although they do not keep it a secret, they resist labeling their relationship. Their dynamic is free and seemingly uncomplicated for several months. They remember how well they used to get along and find safety and comfort in their intimacy. However when Connell loses his job on campus and is forced to return to Carricklea for the summer, their relationship falls apart once again. Instead of asking to live with Marianne, Connell waits to reveal his departure until days before returning home, even suggesting they see other people during the breakup. Hurt and humiliated, Marianne struggles to understand what went wrong. Midway through the summer Marianne returns to Carricklea for her father's anniversary mass, and runs into Connell and Lorraine at the supermarket. When Connell tells her he wants to attend the mass with her, Marianne becomes hopeful that their friendship will return to normal. When the friends return to Dublin in the fall, however, Marianne is dating an sexually and emotionally abusive man named Jamie, and Connell begins a relationship with a woman named Helen. While they try to remain friends, their attachment for one another is undeniable. Connell attempts to defend his friendship with Marianne to Helen, and Marianne works to preserve her relationship with Jamie despite his cruelty. After each receiving scholarships at the end of the year, Marianne and Connell begin traveling Europe with their respective friends. When they all meet up in Italy, the narrative tension tightens. Connell realizes the depth of his feelings for Marianne, and witnesses the extent of Jamie's abuse. Just after Connell breaks up an aggressive altercation between Marianne and Jamie, Marianne confesses the truth about her abusive family. Connell wishes he knew sooner and could better protect her from hurt. Marianne breaks up with Jamie after the trip, and loses the majority of her friends from Trinity. The following fall, Marianne moves to Sweden and Connell returns to Dublin. Feeling isolated and lost, Marianne becomes entangled with another sexually manipulative man, Lukas. Meanwhile, Connell plunges into depression when his high school friend commits suicide. His relationship with Helen ends not long after the funeral. Several months later, Marianne and Connell both end up back in Carricklea and start up their former intimacy once again. When Marianne asks Connell to hurt her during intercourse and he refuses, she flees his house, feeling she has ruined everything and no longer knows who she is. Back at her home, her brother Alan bullies and injures her severely. Connell picks her up shortly afterwards and promises never to let another person hurt her. In the months that follow, Marianne and Connell seem to achieve a newfound balance in their longtime relationship. When Connell reveals to Marianne that he has been accepted to an MFA program in New York, however, Marianne realizes she will have to let him go. She understands that the loneliness of missing him can never be as great as the former unworthiness she felt.

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